Corey Aldrich

Putting the Economy in Creativity – A Conversation with Maureen Sager

June 6, 2022 By Corey Aldrich

I met Maureen while I was in Saratoga producing a sustainable fashion event in 2015. She took an interest in me and invited me out for drinks to talk about potential projects we could work on together. I will never forget how passionate she was about collaboration and the need for creatives to get proper compensation. We ended up working on a series of events together under the Saratoga Arts Fest summer program over the course of 3 years. Also at around that time she helped facilitate my connection with ACE! as the freelance creative representative in what was a group of who’s who of institutional arts in the Capital Region. This was back when it was a small gathering of folks meeting in a conference room at the Community Foundation of the Greater Capital Region. Since then, we have worked together on scores of events across the 8 counties of the Capital Region and helped create a connected community of talented creatives that I am proud to be a part of. While its bitter sweet to see Maureen move on to her next episode, I know that she will always be a quick text away and am excited to walk in her footsteps, continuing what we both believe is an important mission for all creative individuals and cultural and arts institutions in our region – the raising up of creative voices and providing opportunity for recognition, compensation and the strengthening of our most valuable regional asset, our creative class.

2016 WMHT Creative Networking Kickoff Event | Troy NY | Photo: Richard Lovrich

You came into this affiliation with a strong experiential background, can you share a little bit about your previous professional gigs?

Sure! I feel really lucky to have had a career in the entertainment industry. I went to film school at the American Film Institute in Los Angeles, and worked at film companies like PolyGram Filmed Entertainment, where we released a slew of great indies like Four Weddings and a Funeral and The Usual Suspects. Then I fell in love with dotcom, and ended up at Nickelodeon during the wild, early days of the internet. It was super fun.

2018 Art OMI | Ghent, NY | Photo: Kristin Halligan

Tell us a little about the genesis of ACE! and how and when you came to be involved.

Almost ten years ago, the Community Foundation of the Greater Capital Region, along with key players like the Center for Economic Growth (CEG) and others, commissioned a report that quantified the “creative economy” of the 8-county Capital Region. The results were amazing! This sector — which had never been measured or talked about before — was suddenly seen as an economic driver, generating over a billion dollars in revenue, and employing tens of thousands of people. Such a surprise for everyone involved.

A group of people — Ellen Sax of MVP Health Care, Robert Altman of WMHT, Tom Lloyd of Adirondack Studios, Jeff Mirel of The Rosenblum Companies, Philip Morris of Proctors and MANY, MANY others — started convening, trying to figure out how to make the creative economy known and recognized in economic and workforce development circles. We gathered a bit of money together to start the project, and see whether we could get creatives businesses and organizations from all eight counties to work together in developing ourselves as a business sector. And, voila! ACE! was born.

2018 EYP Architecture and Engineering | Albany, NY

2019 PS21 | Chatham, NY | Photo: Ed Sager

You have been a passionate and dedicated leader to the organization, what particularly called you to the mission of ACE! and why do you feel that is important for our region?

There are SO MANY talented people up here — as talented as any I met in NY and LA — and yet, there just aren’t enough jobs and opportunities for our artists and creatives. People here — and small orgs and businesses — have drive, skill and passion to spare, and yet, they’re barely getting by. I think that’s what connected all of us who have worked with ACE! over the years. We wanted recognition for what’s here, and who’s here. We’re SO DAMN AWESOME. So, we just started throwing events, to celebrate all of the amazing venues, locations, and people we’ve got in this region.

2021 HBO Gilded Age Event with Special Guest Bob Shaw | Troy, NY | Photo: Konrad Odhiambo

Corey, I remember when you and I drove down to Brooklyn to go to a Freelancers Union networking event about 8 years ago. It was so cool to see a bunch of self-employed people sharing their knowledge and completely supporting each other’s efforts. You and I thought, “Damn, we could do that.” So, we did! We busted our asses for years, with dozens and dozens of events, and people were so supportive of our efforts. People were — are — really hungry to connect and learn and collaborate.

2019 Pitney Meadows Community Farm | Saratoga Springs, NY

There have been many highlights over the last several years. Can you share what you feel or some of the most important accomplishments of ACE?

I guess the biggest accomplishment is that the term “creative economy” is officially recognized and respected throughout the region. That’s really what we set out to do — to make it easier for everyone to be seen as integral to the economy of the region. Creatives aren’t just eye candy. We’re MONEY. We give life to our cities and towns. And we deserve respect.

2018 National Museum of Dance | Saratoga Springs, NY | Photo: Ed Sager

Can you tell us about your latest decision to move on and what your current professional goals are?

Two years ago, I moved down to Catskill, a town I fell in love with while planning an ACE event six years ago. My life is centered down here now, and it’s too far south to cover the whole region. Plus, after these two years of COVID, I was ready for a change. I’m so damn glad that you (Corey) are here to take it over. We hatched this thing together, and it’s time for you to invent the next chapter. I’m so excited to see where it goes.

2019 Arts Letters and Numbers | Avril Park, NY

2019 Opalka Gallery | Albany, NY | Photo: Ed Sager

Is there anything specific you would like to share that you feel is important for our audience to consider?

The creative economy is a powerful change agent, but not all of the changes are good. Gentrification and skyrocketing rents are plaguing many of our cities and towns. It worries me, when creatives can no longer afford to live in the places they helped to flourish. I hope we can figure out ways to address this together, and if you have ideas, I’m all ears.

Maureen Sager is now the Director of Marketing and Communications at SUNY Columbia-Greene Community College and has a real estate side hustle based in Catskill, NY.

Editors Note: Ellen Sax was inaccurately identified as working for CDPHP. Ellen is actually employed by MVP Health Care. We apologize for the confusion.

SALEM ART WORKS : A Conversation with Pearl Cafritz – Executive Director

May 4, 2022 By Corey Aldrich

My first exposure to SAW was through the ‘Things To Do’ section in back of The Metroland (RIP). There was a listing for a quirky music festival called SAWFEST. I went, saw and heard and ever since, I have been a big fan of this amazing institution. I first met Pearl through previous ACE! Executive Director Maureen Sager. We did an event together and I came to appreciate just how much Pearl had to offer SAW and the region at large. And now…you too are on the inside track.

Pearl Cafritz, Executive Director at Salem Art Works — Photo: Corey Aldrich

Please state your name, title, and what you do at Salem Art Works (SAW). How many employees do you have on campus and what do they oversee?

I am Pearl Cafritz, Executive Director. I oversee administration, programs, and strategic planning. There are twelve staff currently. The administrative team is comprised of a Director of Programs, a Coordinator of Workshops, a Director of Development, and a Graphic Designer. The studios each have a director as well including: blacksmithing, ceramics, glass, foundry and welding. We also have a sculpture park manager, a young artist coordinator, a seasonal chef and housekeeper.

Entrance to Salem Art Works — Photo: Corey Aldrich

Can you share a little bit about your education and background pre-SAW. Curious about the other places you have worked and learned your expertise from.

Originally from Saratoga Springs, my journey to creative problem solving began while working at my family’s hardware store, Farmers Hardware. I earned my Bachelor of Fine Arts from The College of Saint Rose with a concentration in sculpture. My background in exhibit installation and art handling took me to museums like The Guggenheim, The American Museum of Natural History, The Cooper Hewitt, Smithsonian Design Museum, and The Whitney. Pursuing the contemporary division of art shipping allowed me to travel, oversee import / exports and coordinate crews installing at various art fairs including Basel Switzerland & Miami, Frieze London, and Venice Biennale. I had the privilege of working directly with Matthew Barney as a set builder for Cremaster 3 and assisted Kiki Smith at the International Center of Photography.

As an art world entrepreneur, I started my own art handling company inspired by the Art Basel scene in Miami, Florida.

Salem ARt Works pieces from the ceramic kiln — From the Ceramic Kiln | Photo: Corey Aldrich

Can you tell us more about the mission and varied programming that you oversee?

The SAW mission is to provide a unique alternative arts learning and experimental environment for young, emerging, and established artists. In addition to a variety of artist residencies, SAW prides itself in its youth programming and workshop offerings. For example, In 2021 ‘Salem Teen Arts‘ taught 31 teens valuable art skills such as glass blowing, watercolor painting, acrylic painting, welding, pottery throwing, and welding.

Starting this year, we are offering a ‘Family Friendly Residency‘ which will allow families of teen artists to stay on campus and take advantage of workshop offerings. For the summer of 2022, we have families joining us from as far away as Washington state and Florida.

Over the past few seasons we have seen a dramatic increase in our workshop offerings. Our capital improvements have allowed us to winterize most of our shops, thus expanding our workshop schedules in a variety of disciplines including:

Blacksmithing, Welding, Making Natural Paints and Pigments, Painting, Retaining Wall Restoration, Woodturning and Stone carving

Barn Construction Shot — Barn Facility Upgrade | Photo: Michael Hatzel

How has COVID affected your programming and facilities over the last couple of years?

COVID imposed a variety of challenges on our operation, the result was an opportunity for re-examination of our procedures and processes. In March 2020, we temporarily postponed our the public programming scheduled for the 2020 season. Having this imposed breather allowed us to refine our administrative procedures, policies and programs. Additionally, we used this time to make several improvements to our facilities.

Image of teen boy and girl working in a blacksmithing shop. — Salem Teen Arts – Blacksmithing | Photo: Michael Hatzel

Young Student Grinding a Piece of Metal — Salem Teen Arts – Metal Shop | Photo: Michael Hatzel

It seems like SAW is an important part of the greater community at large in Salem and the immediate area. Can you talk a bit about your outside collaborations and partnerships?

I am actively seeking opportunities for our artists in residence as well as for local artists. Currently SAW has partnered with North Main Street Gallery, Railroad Station Gallery, North Bennington Outdoor Sculpture Park, HN Williams, Lower Adirondack Regional Arts Council, Kingsborough Community College, Southern Vermont Art Center, Elizabeth de C. Wilson Museum, Salem Historic Community Center, The Art Center of the Capital Region, Union College, Collar works, and MASS MoCA.

I also serve on the Salem Chamber of Commerce, our 4th of July Parade Committee, and have begun working with Jackos (A downtown Salem Restaurant/Gathering Space) to provide public programming which will begin this summer.

Students pouring molten iron into molds — Iron Pour with Hartwick College Students | Photo: Michael Hatzel

Student making an iron pour mold design — Mold Making for an Iron Pour | Photo: Michael Hatzel

Anything coming up that you are especially excited about that you would like to share?

Now in it’s 2^nd year, the ‘NY/VT Regional Artist Residency‘ will host 10 artists who live and work in one of the two states and that have an income of $50,000 or less. This takes place from June 20th to July 5^th. Artists will live and work at SAW for two weeks with a $500 unrestricted honorarium. Our goal with this residency is for the artists to see themselves as part of our region while generating new opportunities and growth.

Artwork created during the residency will be on view during a closing Artist Reception Friday, July 1st from 5-7 PM.

This is the 11th season of ‘salem2salem’, an international multi-disciplinary exchange between SAW and the Bodenseekreis (Cultural Department of Lake Constance in Salem Germany) which brings together 20 artists from August 8th to August 29th. The group will include 4 artists from Australia, 1 artist from Romania, 10 artists from Germany, and 5 artists from the USA. An open studio event with work created during the residency on Friday, August 19th from 5-7 PM will include live music, readings and fine art.

To join the mailing list, register for a program / class or to see the full program/workshop/event calendar drop by the website.

WEB: salemartworks.com | IG / FB: @salemartworks

Innovative Placemaking Puts miSci on the Cutting Edge

April 3, 2022 By Corey Aldrich

COREY: Please state your name, title and what you do at miSci. How long have you been here?

GINA: My name is Gina C. Gould and I have been the President of miSci for the past four years. Like most museum professionals, we all wear a lot of hats. In my role as president, I mainly focus on big picture things like the care and preservation of miSci’s invaluable archives and collections, ensuring we are creating cutting-edge, place-based educational programs for our audiences. Making new friends in and around the Capital Region.

Historic Archieve Images involving radio and the electric light. — Images from the miSci Archival Collection.

From Innovation to Inspiration

COREY: You oversee a collection that represents so much technological development for our country and the world in general. All this while being located in a city with an important provenance in the tapestry of innovation. How and what do you focus on in a typical day to push that forward? To create meaning from it…

GINA: miSci’s team spends all of its time developing exhibitions and programs that focus innovations. These areas include science, technology, engineering, art and math. We dabble in past, present and future. We want everyone, regardless of their age or interests, to understand and appreciate that these innovations are what change society and the world. For the good, bad and sometimes ugly. Their lives are surrounded, every second of every day by these innovations that dictate how we live our lives. By understanding these concepts, we hope to provide our youth inspiration. It is that inspiration that will help them to change our world. And for adults, we hope to provide them with enough information to be informed citizens of the world.

Archival images of an engine, florescent light bulb and an early x ray machine. — Images from the miSci Archival Collection

Opening Young Minds

COREY: The past establishes a foundation for the future. As such, where do you see yourself taking the organization to make it as impactful as the history it represents?

GINA: For a long time, miSci neglected what is in its basement. This is where there are some of the worlds “first” inventions of the 20^th Century that changed the world. Unlike other science museums that focus on natural history or early human innovation, miSci’s collections focus on a wide breadth of innovation from lighting the world to renewable energy that will save the world. The general concepts that each object miSci houses, from toasters to jet engines, can be brought down to the basics of such things as heat transfer or combustion. All of these phenomena are what children learn in school. Showing them “firsts,” such as the first toaster, or first dynamo, connects the past to the present and makes it real, tangible. It’s something they can touch if not something they have in their homes, albeit is a more modern form.

Images of an old clock, a young girl and a portable record player. — Images from the miSci Archival Collection

A STEAM Collective

COREY: How do you see miSci growing its value proposition to the City of Schenectady and why is this important?

GINA: With our growing partnership with Clarkson University, the City of Schenectady School District, the Schenectady Historical Society, and Union College, together we will become a STEAM learning and research center for people of all ages.

Image of Jay Street in Schenectady. — Jay Street, a revitalized part of downtown Schenectady.

Placemaking In Action

COREY: I am super excited that you will be hosting an onsite event in conjunction with the NEMA 2022 Creative Placemaking Leadership Summit this month that will be held in downtown Schenectady. Maybe we can bring in your partner Lorraine Cox (Co-Producer at NEMA 2022) on that to talk about how that production team came to partner up with miSci.

Lorraine: The summit is both a sharing of the rich creative placemaking activities happening in this region of the country, as well as a space to inspire and empower placemakers to build new and better partnerships, projects, programs and policies. That would include right here in Schenectady and the broader Capital Region. Creative Placemaking is a strategy that can support the goals of miSci making this a great opportunity to further discuss and flesh out what that might look like. Gina has taken her institution to a new level using these collaborative principles. We felt that miSci would be the perfect real world example of the power of this approach.

Photo of a group event crowd. — Photo: **Richard Lovrich**

See For Yourself

COREY: ACE is excited to play a part of what you have coming up later this month! Gina, I have to say, I have been wanting to do an event here for some time. Can you tell us a little more about what to expect from the Creative Networking Happy Hour event on the 21st?

GINA: Attendees will see how miSci is evolving to become not only a Regional Science Museum but also a community-based museum that specializes in place-based, immersive hands-on STEAM learning. Additionally, we are planning on making a special announcement regarding a new national program that miSci will be instituting that will create commission opportunities for regional designers, makers and artists so make sure to be there for that!

EDITORS NOTE:
We are excited to announce the first ACE Creative Networking Event of 2022 will be held at miSci in conjunction with the NEMA 2022 Creative Placemaking Leadership Summit. These events always well supported, advance RSVP is recommended and appreciated.

for more info or to RSVP NOW!

Rock Star Style with Hair Maven Molly Tremante

March 1, 2022 By Corey Aldrich

I met Molly several years ago after hearing continuously about her reputation as a hairstylist. At the time I was pretty involved in the upstate fashion scene through my sustainable fashion initiative Electric City Couture. Since then, I have had a number of projects that I was able to work with her on. One was a cool show called REIMAGINED at the Hyde Collection in Glens Falls New York where we did a promotional fashion shoot to support an Alphonse Mucha exhibition and a tableaux vivant fashion event in 2018.

Photo: Corey Aldrich

Molly Tremante is a hairstylist & business owner. Her shop, Fur Hairdressing is located in Schenectady, NY on Upper Union Street. Fur is a boutique collective of independent stylists who focus on advanced hair cutting and coloring techniques. They thrive on a passion for hairdressing and cultivating clients authentic true style. The inclusive philosophy: ‘Beauty is for everyone, and all humans are welcome at FUR.‘

As part of her overall passion and retro aesthetic, Molly sells vintage and pre-loved clothing in the shop as well.

Molly Cutting Hair. — Photo: Corey Aldrich

A CAREER IN HAIR

Molly has been working behind the chair professionally as a stylist for 18 years. She has been working in salons for 22 years. Growing up (when she was only 14!) she worked on Saturdays sweeping hair and taking out rollers for weekly wash and set clients. The salon owner at the time was a friend of the family. The opportunity to get a feel for the industry at such a young age got her excited. She knew immediately that this industry was the right career fit for her. Molly ended up going to beauty school at Capital Region BOCES while she was in high school. She started doing hair professionally the day after she graduated.

Molly Tremante Platform LIVE work. — Photo: Glow Optical Photography

When Molly started to find her groove in the industry, she realized that she wanted to focus on hair cutting, editorial styling and sharing her love for the craft. She became an educator for international brand Goldwell / KMS and was able to teach out of their academy’s in LA and NYC. This allowed her to teach classes and do hair shows all over the country. Working for Goldwell also opened doors of opportunity. Working fashion week, creating looks for editorial shoots, being published in and working with various platforms such as American Salon, Modern Salon & Hairbrained. At her peak, she was able to design a hairspray with the brands product development team in Germany. Molly eventually resigned. She was ready to focus on her own vision. To this day though, she continues educating and doing editorial shoots to get her ‘creative fix.’

Sample Cuts by Molly Tremante. — Some recent cuts by Molly.

THE VINTAGE BUSINESS

Molly also branched out into another passion, vintage clothing. A self described newbie to that biz, she is not a new to hoarding tangible pieces of history. She has been collecting vintage furniture, decor and clothing for years. Her mom and sister have always been pickers and trips to the local thrift store was a regular activity for them growing up. As such, she has had a passion for fashion & design as long as she can remember. She has always admired vintage sellers as well. Molly says she currently has way too much stuff, but has a hard time letting it go. So, when her friends put The Vintage Roundup together last summer (Albany’s Vintage & Antique Market) she had to give it a shot.

“I love participating in markets and helping someone find that one piece of clothing or trinket they’ve been yearning for. It is almost as satisfying as someone’s reaction after they get their dream haircut.”

Fur Vintage Clothing. — Part of the mini shop in her salon.

Molly looks to continue in her new entrepreneurial direction.

“I feel like I’ve found my place in the industry and really want to spill that into my shop. Bringing the local hair community together to celebrate inspiration and education is something I’d really like to focus on at my hair home.”

Molly is currently accepting new clients. Make sure to drop in to check out the cool collection of vintage clothes and shoes!

FUR Hairdressing and Vintage | 1702 Union Street | Schenectady, New York

Dishing Out the Deets with Susie Davidson Powell

January 27, 2022 By Corey Aldrich

Pretty sure I met Susie Davidson Powell while enjoying a glass of wine at The Confectionary in Troy a few years ago. Since then, I have had opportunity to hit the road with her and get a front row seat on what its like to enjoy the food life from the drivers seat…and also the passenger seat – in her Porche 911 Targa 4S. Yup, she rolls in style!

Many would think that you have a dream job! What is it exactly that you do and for how long have you been doing it?

I’ve been writing about food and drink in the Hudson Valley for close to a decade, first when I moved to Columbia County after living in the city, and then in the Capital Region. I’ve been the Times Union dining critic since 2014, so I write weekly restaurant reviews, critic’s notebook features, The Food Life (a trend-focused digital subscriber newsletter) and a monthly cocktail column. I also co-founded thefoodlife.co for Hearst and wrote and filmed Kitchen Raid, a 6-week armchair travel, cooking and recipe subscription focused on pro tips and kitchen ingredients to make fast plates and amazing cocktails. But it’s not as glamorous as people think…

How did you end up getting into this business? Was this part of your original career path or did you develop this over time?

Not at all! I grew up outside London, England, and was always traveling through Europe, later working in Poland and on a Greek Island. Throughout uni and grad school, I worked as a bartender and cocktail waitress, server and occasional kitchen help. This was a great eye opener in terms of the industry and chef and customer behavior.

I came to Albany, New York to attend grad school. I worked as a research program director and stayed in publishing/curricula development for several years. I’m so grateful for that experience. I’d be out on the road for weeks, eating my way from L.A. to El Paso or D.C. to Roswell, NM. A real culinary education. After moving with my family to Columbia County, NY, I wrote a weekly newspaper column about country life and started covering the growing farm-to-table scene around 2003 just as Swoon opened on Warren Street, Hudson, and not long after the 9/11 exodus Upstate. The rest is history.

What does your job look like on a daily basis? I mean, from a practical perspective beyond all the glamour parts! Ok, maybe some glamour stuff also…

I’m constantly tracking new openings, following chef moves between restaurants, and driving – anywhere from Hudson or Woodstock to the Adirondacks – in search of food. I visit new restaurants once or twice each week and circle back for breakfast, lunch or take out a few times a week. I spend a lot of time on background research too, reviewing current and past menus, and setting up interviews. All this before I get to write. One review with travel, eating, and writing time can take 10 to 15 hours. But I do get invited to talk about food-and-drink on radio and TV and I’m often sent wines and spirits to try. That’s the only glamour part!

I pivoted my coverage, writing about take out, drinks to-go, Black-owned eateries following the BLM protests, staff funds, and a series of behind-the-scenes Shutdown Dairies with restaurateurs and chefs. It felt important to show the struggle faced by industry people. Also, I rapidly compiled the first 50 restaurants that switched to take out in the initial lock down, which became the basis of a Times Union take out database. I’m proud of that.

I also ditched my anonymity and hosted online Food Life Lives, chatting with restaurateurs, sommeliers, farmers, even a DJ. We wanted to touch on what we were missing, what we could plate or pour at home, and how to recreate that feeling of being looked after that you have when you dine out. Before the pandemic, I used to host a lot of dinner parties and private wine or whiskey tasting events, so during the lock down I was asked to do a few via Zoom for the Times Union.

What are your goals for 2022? Anything additional that you would like to mention?

All the Covid delays have made me a little gun shy of setting timed goals but I have a drinks, dining and travel hospitality guide in the works called thedishing.com. You can sign up online for details about its launch!

EDITORS NOTE: Corey here, with a shameless plug. Susie with be bringing a non-alcoholic cocktail series to Arts Bar at the Arts Center of the Capital Region for the first quarter of 2022. The events, are held on Troy Night Out in downtown Troy on the 4^th Friday of each month. The first will be on 01.28 from 6:00 to 8:00 at 265 River Street Troy. Come join us for art and a variety of non- and-alcohol based cocktails!

IG: @artsbartroy