creative economy

Creative Beginnings: Angelique Powell

July 30, 2018 By Maureen Sager

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_image type=”none” src=”https://upstatecreative.org/wp-content/uploads/2018/07/IMG_0825.jpg” alt=”” link=”false” href=”#” title=”” target=”” info=”none” info_place=”top” info_trigger=”hover” info_content=””][cs_text]Angelique shared her advice about growing within your organization. We talked about the limited roles/jobs available in arts nonprofits, and how that can lead to high competition and discouragement for people trying to break into the industry.

Where are you from, and where do you live now? I’m from Latham, NY and I live in Albany, NY

Where did you attend school? What did you study? I graduated from Shaker High School and then graduated from Ithaca College with a BA in Psychology.

Family? I’m the oldest of six kids and really only grew up with my immediate family, but they all live locally to this day.

What Job titles have you held? I’ve been at the Palace for a year and 7 months. I started in the Box Office as a Ticket Seller and then after 6 months I was promoted to Part-Time Event Night Supervisor and 10 months later I was promoted to Development Manager and Community Events Coordinator as a part of the Development Department here.

What got you interested in performing arts and acting? I honestly feel like I was born this way. I am the oldest of a tribe of children and I always turned our play time, into full scale productions in which I did costumes, constructed the set, directed and was the lead actor, hahaha! Everything I was involved in, until I finally began to perform in middle school, I brought to it, this very dynamic, performance aspect to it until I finally found my home on stage.

Do you have a favorite role you’ve played? Which? Last March, I played Mrs. Mueller in DOUBT at Schenectady Civic Playhouse.

As an actor and an administrator, how does this impact your daily life and how do you find balance? I wish I could answer this in a more beautiful and inspiring way but the honesty and transparency is that I don’t always succeed at finding the balance. There are some days that I’m learning my lines frantically, backstage, as I’m awaiting my scene to approach. There are some days when I arrive to work two hours early because of the guilt of not being able to stay later the night before. There are days when I’m so exhausted, I feel like I feel it in the very tips of my fingers and toes and I’m just praying to get through the week and I ask myself, why do I continue to do this? The answer; I can’t NOT do this. On days when I am unsure about everything, that is the one thing I am completely certain of; I was meant to be an actor.

What does your job at The Palace entail? What do you enjoy about your job? I have a really big, community relations, aspect to my position here at the Palace. A key component to my roles and responsibilities is being the point of contact for all of our non-commercial events and help engage and potentially reengage the community in a way they may not have otherwise had a relationship with the theatre. I love the community. I truly and genuinely enjoy and am filled with immense gratitude to be afforded this opportunity to truly serve my community and through arts engagement. I have been so impacted by the arts and the ability to use the arts to connect, include, build, rebuild, and heal and to be able to share that with the community as both a professional and an artist; let’s just say the beauty isn’t lost on me.

Many people leave a job in order to grow and move ahead in their career but you’ve been able to grow and see opportunities for growth in your field while staying at the Palace. How have you navigated that? Well, I actually had a long-standing, retail managerial career that I left before I ended up at the Palace. I took a major pay cut and decided, that it was time to think about and take a chance on myself and what truly makes me happy.

Life is so unimaginably short and we only get one; what is the point if we don’t take every gift, privilege and opportunity afforded us and do something really amazing with it? My time, here at the Palace, has been relatively short in comparison to that eight-year career, but it has been so rich in experience and fulfillment. From working in the box office and getting to give amazing customer service and be a part of how excited people would get over their favorite artists or children absolutely beaming at the opportunity to see a movie or performance for the very first time in a theatre, to working in Development and getting to put together a film screening of, “I Am Evidence,” during Sexual Assault Awareness Month to call attention to the significant number of cases that have had justice impeded by backlogged evidence and then to take on the amazing, “Summer in the City” Program, to allow the community children a free movie series, incorporating their favorites, that allows them to enjoy the place that has really become my second home; this has been a once-in-a-lifetime experience for me.

I truly believe in the mission and vision of the Palace Theatre and what we have and will continue to contribute to the local arts community and now, when I’m at home, still working or thinking about something work related, it’s not simply to hit a sales goal. I have a real opportunity to make a difference, in my own, totally unique way. That being said, it’s easy to think of longevity here instead of moving on to another job, because here, I can create opportunities for myself and others.

What’s one thing you want the community to know about the local arts scene? It’s larger than you think and probably just a Facebook invite away. [/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

Four Questions with the National Museum of Dance

June 26, 2018 By Maureen Sager

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][cs_text]The National Museum of Dance and Hall of Fame

in Saratoga Spa State Park hosts 14,000 visitors annually and houses several exhibition spaces, dance and yoga studios, and a 45-seat theater. The facility crackles with life and history, beginning with a grand entry foyer adorned with dynamic dance photos and lined with the names of Hall of Fame members, the greats in all dance disciplines.

Current exhibits include Gender Neutral, a groundbreaking display of the longstanding history of nontraditional gender roles in dance. It brings visitors from the origins of gender neutrality in dance in the 1700s through current work by troupes such as the all-male comic ballet company Les Ballets Trockadero de Monte Carlo. Dancers in Film, a multimedia permanent exhibit celebrating the magic of dance in movies, features Lifetime Achievement Award winners Ann-Margret, John Travolta, and Chita Rivera.

The Hall of Fame, dedicated to benefactors Mr. and Mrs. Cornelius Vanderbilt Whitney, welcomes two new members annually. Patrons can read about the accomplishments of dancers from Russians Anna Pavlova and Rudolf Nureyev to Americans like Gregory Hines and Martha Graham.

We visited with Museum Director Laura DiRado and Curatorial Associate Lisa Kolosek ahead of the July 11 ACE Mixer at the Museum to give Alliance members an inside look at how to balance creativity and business restrictions to maximize the visitor experience. Interestingly, neither Laura nor Lisa had a dance background prior to joining the Museum staff: Laura for many years worked as a freelance graphic designer with a focus on interpretive site design for the National Forest Service and other clients before taking on her roles at the Museum, first as Exhibition Coordinator and Designer and most recently as Director; while Lisa is an art historian and writer with a Master’s degree in the History of Design and Curatorial Studies.

Location: 99 South Broadway, Saratoga Springs, NY

Employees: 7 in the Museum, 11 Dance Instructors

In business since: 1986

What would you share with Creatives about working at the Dance Museum?

In a small Museum like ours everyone does a little bit of everything and none of us is above any task. It keeps our team strong. You learn so much when you get to do all sorts of things; in a larger work environment you could easily get pigeonholed into specific roles. There is a certain glamour to working at a large Museum, but the experience you gain in a small operation makes you open to everything and gives you a great sense of the bigger picture.

Does reporting to a Board of Directors and being on State property have an impact on the creative process?

It doesn’t with our Board; Michele Riggi is the President and she and the Board absolutely have the Museum’s best interest at heart. They want the Museum to look fabulous and they are very supportive of what we’re doing. We are very fortunate. We definitely run ideas by the Board and ask their advice, but we essentially have complete artistic freedom. As a designer and as a curator that’s a dream.

Our location in the park is sometimes a challenge. The building is quite linear, and often there isn’t a natural path for an exhibition. Also, we are just one of many buildings in a gigantic park system. They have limited staff and there is red tape to cut through for work to be approved for the building since we’re tenants. For instance, we all work off a DSL system with 4.7 mbps for the staff and there is a long State process to getting a new system in place.

Since you had no dance affiliations, how did your background and experience help make you successful at the Museum?

Lisa: I worked freelance for many years, including writing a book for another museum, which helped when researching the material in our archives for our 30th anniversary book last year. I’m also a huge fan of dance. The Museum itself has great relationships in the dance world and we continue to cultivate new affiliations through our Hall of Fame and exhibitions. In our experience, dance companies and individuals have been quite receptive to working with us.

Laura: Working for a wide-format digital printing company gave me great knowledge for my role as designer at the Museum: to figure out which products can be used, how to apply them, and costs gave me unique insight into the exhibition process. I’ve particularly come to learn that many visitors prefer to be greeted with a catalog or pamphlet, (get more info about how to make one here), so they know what exhibits they can expect to see within the building, as well as the many different events that will be coming up in the future. Every bit of knowledge helps.

What can ACE members look forward to seeing at the Mixer on July 11th?

The focus will be on two new exhibitions: Gender Neutral, which explores the history of nontraditional gender roles in dance and Dancers After Dark, which features nude photographs of dancers in locations around the world taken by New York Times best-selling author Jordan Matter. Different spaces within the Museum are often used for dance performance and we are excited that there will also be a live dance component to the event.[/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

Recap: CFA Opportunities for the Creative Economy

June 6, 2018 By Maureen Sager

On Monday, June 4th, a packed house of Creatives took part in a workshop entitled “CFA Opportunities for the Creative Economy,” and got a chance to hear from and ask questions of members of the New York State Council of the Arts (NYSCA), Regional Economic Development Council (REDC), and Empire State Development (ESD) about the millions of dollars of state funds made available through the Consolidated Funding Application (CFA) process (yes, that’s a lot of acronyms!). The application process can be daunting for newcomers and experienced organizations and companies alike, so this unprecedented chance to hear from those who’ll be reviewing scores of applications was beneficial to all parties involved.

Philip Morris — a member of the REDC and CEO of several CFA grants for Proctors, Cap Rep, and Universal Preservation Hall — recommended that grant requests be “real — don’t make something up just to fit the guidelines. The panelists can tell if it’s a project that’s really true to your mission.”

Melissa auf der Maur, founder of Basilica Hudson, which was awarded two CFA grants last year, recommended that applications be “relevant to both your local community and to the region” and recommended that applicants “really make a strong financial case” about how much is invested and what all of the outcomes of your project will be.

Mike Yevoli of Empire State Development recommended that applicants review CFA guidelines as well as the REDC’s goals before applying.

Andrew Meader of the REDC encouraged people to not be put off if their projects aren’t funded the first time out, citing the Park Theater project in Glens Falls, which was funded on its third try.

Sunita Iqbal of NYSCA recommended that applicants contact NYSCA with questions before the July 9th “inquiry deadline.”

The Capital Region has received $521.9 million from the state to support 718 projects through the Consolidated Funding Application since 2011, but all of the panelists emphasized that the application process itself is extremely rigorous, as are the reporting demands that take place after receiving a grant, and that not every organization and project will benefit from the amount of work that the CFA grants require.

For other questions about the CFA process, visit the CFA site or contact ESD at (518) 270-1130.[/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

Local Producer Commemorates Juneteenth with ‘Talk Eat Art’ Event

June 6, 2018 By Maureen Sager

*Kaciem Swain, Founder and Creative Director of Velvet Rope Group*

This was necessary since the Emancipation Proclamation, announced by President Lincoln about three years before, did not have jurisdiction over Confederate states like Texas and technically didn’t free a single enslaved Black person. Even after it was law, there was minimal support in enforcing the law.

In the Capital Region, a local entrepreneur is producing an event that not only celebrates the Emancipation of Black people, but celebrates the creative impact Black people have made in the region. Through art, poetry and music, Talk Eat Art, or T.E.A. is an event that has been happening for 4 years in the Capital Region, but this year, the event also commemorates an important day in Black History.

Kaciem Swain (aka @CampaignSwain) is the Founder and Creative Director of Velvet Rope Group, an experiential special events company. He says he decided to celebrate freedom and economic development for people of color rather than a history of slavery and inequality. Six venues, over a thousand tickets sold, and 100 performances later, this year’s event will be held at Proctors Theatre on June 15th.

Swain wants to provide a platform for artists, musicians, and creatives of color to share their talents. His event promotion career began as a teenage protegee with a series called “Rock The Mic.” That started Swain on a path to creating a diverse range of experiences and events, like He said She said, a forum about love, intimacy and relationships, and a writers forum called “A Penny for Your Thoughts”.

Swain wanted to offer a safe space for people to come together, eat, drink, and share constructive criticism in a safe creative environment.

Swain has also teamed up with entrepreneur Liska Wilson, marketing consultant, founder of the nonprofit She’s a Boss, and Busy Day co-owner. Together they created Think Tank Thursdays, a mastermind event series in which aspiring entrepreneurs, small business owners, and visionaries meet up and share ideas about success, innovation, and growth.

“The goal is to build relationships that are diverse and inclusive. Instead of focusing on us having seats at the table, we should focus on building a table together.” Swain also wants to help the creative economy as well through events like T.E.A., whose business model has changed to a profit sharing model where creatives are empowered to deliver and understand that they can create their own financial destiny. The new business model has allowed creatives to see the impact they can have from a business perspective.

I also got a chance to speak to a musician Jordan Taylor-Hill, who will be a part of the opening performance at T.E.A.

“Juneteenth for me personally means freedom of expression as an artist and a drummer. Practices like drumming were condemned and banned on plantations and places where Africans would gather. So to be able to perform , and commemorate people who have laid the groundwork and made this possible is an honor. I’m excited to be involved in this event.”

Tickets for TEA can be purchased at Proctors website. The event begins at 7pm. For more information, contact Velvet Rope Group.

Guest post by Ashleigh Kinsey, owner, AK Design[/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

Are the Self-Employed Happier?

May 23, 2018 By Maureen Sager

Guest post by Ashleigh Kinsey, owner, AK Design

A new study has shown the self-employed both enjoy their work more and find it more rewarding – despite longer hours and less job security – than those who work for others.

The study found that those who were self-employed were not only amongst the most engaged, but also experienced greater opportunities for innovation, achieving challenging targets and meeting high standards. Many people are intimidated by the prospect of going it alone, but there are plenty of consultancy firms that can help you, like SGI who guide contractors in setting up their own business, so you’re never really alone if you do want to take that leap.

Do you find it shocking that self-employed people are happier? I don’t. With freelancing on the rise, and many reports showing that more and more people are either freelancing full time or as a “side hustle” It all comes down to independence, flexibility and freedom. Three things that would contribute to anyone’s happiness.

There was a time when businesses would hire an employee and that employee would be offered wonderful benefits and great retirement incentives, and people would generally work one job for many years of their life. They would work 40 hours per week year after year, and then be able to retire with a nice pension they could depend on.

Times have certainly changed. With glass ceilings in corporate jobs, and uncertainties around the future of benefits like social security, and retirement or pension plans, self-employed individuals are simply trying to build their own future, and a life they love. Certain people like to change their careers when they are no longer happy in their current one, especially if is having an impact on their life. A lot of people may decide to become self-employed in an area of work that they know they will enjoy, whilst others decide to join an organization in which they have a specific interest. For example, certain people who have knowledge and experience with medical cannabis may decide to go into the field as they could find that they enjoy this more than their current job. Read more here for further information about some jobs in this industry. Whichever route you decide to take though, whether that’s becoming self-employed or changing career, make sure that it is the right one for you and your personal happiness.

Then there’s the internet. This has leveled the playing field for many and allowed people to access a multitude of resources without gatekeepers. Freelancers on and off-line are making opportunities for themselves, not just waiting for handouts. That sort of independence is freeing, and makes freelancers feel in more control of their lives. Want to work at night vs. 9-5? No problem. A freelancer can adjust their schedule as much as they wish. As they become more efficient in their work, that boosts confidence, (making them happier) and allows them to be a more valuable freelancer.

Many times those who moonlight are doing it to get a sense of fulfillment. Perhaps the job pays the bills, but is not engaging enough. Or maybe they went to school for music, and when they got out of college, could not find a job in their field, and had to settle for another option to pay the bills and student loans.

Kierra Jones of Kierra Jones Inc, has said; “For me personally, happier isn’t the word. I believe that is something only the individual can express and it’s completely subjective and case by case. What I will say is I do believe we are more fulfilled. I believe although sometimes we find ourselves doing some tasks we don’t love, we are ok to do them because we see how they lead back into our bigger picture vision. Working for your dream feels massively different then building someone else’s.”

“I don’t know if self-employed people are happier. I know that I am happier as a self-employed person. There are many pros to being self-employed they’re almost endless depending upon who you ask. The specific one, for me is time flexibility. There are also many cons however I think the first one that comes to mind are the fluctuations in income.” says Chef Tiffany Davis.

Kathleen McLean, of The McLean Group mentioned that “Yes I think people who have their own are happier because they can choose their clients. We also have flexibility in when and how we work. The pros in my business is I can see and feel the changes. The cons is it is a long sale cycle. People need to trust me to invite me to engage in difficult dialogue. It is a risk and sometimes people have had negative experiences with previous consultants in my field. I keep going because I need to eradicate systemic racism in every single institution and empower others with new tools to do the same”

These are just some of the reasons people are taking their lives into their own hands and creating their best life. When a person does that – it makes them happy knowing they are doing what they love, even if they are working more hours. The boring tasks are still there, but being on a path you create for yourself, and seeing that pathway lead you to more and more opportunities for happiness would be worth it, right? What are your thoughts? Are you self-employed? Do you moonlight? Do you feel you are happier? Share your thoughts in the new Facebook Group![/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]