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ACE FEATURED

SPECIAL FEATURE : MENTAL HEALTH Tolerating Cognitive Dissonance

March 2, 2026 By Corey Aldrich

Improving Your Resilience and Relationships in an Unstable Paradigm
Guest Contributor: Rebecca (Giel) Santosuosso MHC-LP; BFA, BA, MS is a Mental Health Counselor. Additionally, Rebecca holds a Bachelor of Arts from SUNY Albany.

Rebecca (Giel) Santosuosso – MHC-LP,MS, BA, BFA | Image: Provided

Today, in order to survive in our without becoming an extremist, falling for propaganda, or falling victim to the impulse to completely isolate oneself; one must gather and implore a very specific set of skills. We talk about critical thinking skills, communication skills, skills for self care and community building, but we don’t often talk about that skill of tolerating cognitive dissonance.

For those unfamiliar with the term, cognitive dissonance is the feeling of discomfort that comes while holding two conflicting thoughts or beliefs simultaneously. Our ability to tolerate such discomfort directly impacts our ability to understand nuance, and to avoid the trap of black and white thinking. Examples could include the simultaneous understanding “I am a good person, who tries to do the right thing” and “I did the wrong thing and hurt someone I care for.” Our instinct is so often to defend ourselves, especially our egos, and deny that both these truths can exist at once. We may instead reason that what we did was not wrong, but instead misunderstood, or that maybe this mistake does indeed mean we are bad, and that there is no point in attempting repair. Both strategies, in the end, find us equally self-defeated.

Image: Corey Aldrich

Another example could be found in the recent public death of a celebrity beloved by many. The two beliefs may be “Their murder is a tragedy” and “Their rhetoric was harmful to a lot of people.” If the former is true then one should only believe they were good, in order to honor their memory. But, if the latter is true, one might feel quite conflicted in their grief. In reality, both can be true. You do feel sadness and horror, and they did say things that hurt many people and proliferated hate. If you are unable to hold these thoughts simultaneously you will either drown in self-loathing for mourning a problematic person, or you will shield your eyes from all evidence contrary to your admiration – putting yourself in danger of living a lie. This lie becomes dangerous as it separates you from a complex reality and distances you from the greater community around you. You may begin to feel you can only relate to people who see things just the way you do.

A third example might have to do with the tense family relations that this aforementioned political climate has created. You might be saddled with the conflicting simultaneous beliefs that you love your family member and feel deeply betrayed and saddened by the positions they’ve chosen to take. Maybe you feel conflicted even in loving them. It’s possible you don’t know how to hold love and anger at the same time. If you hold only the anger you will lose the loved one, and if you only hold the love, you will betray yourself, suppressing your very valid emotions, values and beliefs. Both outcomes are painful. Thankfully, both are avoidable.

Image: Corey Aldrich

The ability to tolerate cognitive dissonance, like so many skills, requires intentional practice in order to master. You must be able to notice when your thoughts or beliefs conflict, choose to closely examine the ways in which they butt against one another, and sit with the emotions such an impact gives rise to in you. Tolerating two truths requires an expansion of the mind, as well as the heart. The ability to do so allows us to be more grounded in reality, more flexible in our tolerance of other perspectives, more stable in our belief systems, and more loving in general. Without this ability we are more susceptible to influence, more prone to extreme emotions like rage and fear, and more likely to find ourselves isolated in an echo chamber of our own creation.

Ways to engage with cognitive dissonance today may be in a journal or with a trusted friend. Find in yourself two beliefs which directly conflict and find a way to allow both to be true. Let them each occupy your mind and your body equally and simultaneously. I promise you will be better for it.

LARAC ABSORBS GLENS FALLS ARTS DISTRICT, DRIVING DOWNTOWN ECONOMIC DEVELOPMENT

March 2, 2026 By Corey Aldrich

You may remember, back in August 2022 when ACE! put together a street fest / creative economy panel discussion at the Park Theater. We had some coverage at the time examining the interesting structure downtown Glens Falls had for arts and cultural support. (Glens Falls: A Winning Team Sharing Secrets to Success). Fast forward a couple of years and progress continues to be made collaboratively with the Downtown Arts District and its distinguished members in a newer arrangement that sees LARAC (Lower Adirondack Regional Arts Council) as the oversight entity. I connected with Phil Casabona, Executive Director at LARAC for an update.

Please state your name, organization and title. Can you add a bit about your background experientially and educationally?

My name is Philip Casabona and I am the Executive Director + Festival Director + Gallery Curator for LARAC, the Lower Adirondack Regional Arts Council, a mission driven, non-profit arts organization in Glens Falls, NY. Upon graduating SUNY Oneonta in 2009 with a BFA with a concentration in Photography, like many young people my age at that time, I immediately walked into my dream job making money faster than I could count it…oh wait, that’s the parallel universe me. I graduated college with the excitement of pursuing the arts, professionally, in some form. It was a longer road than expected, with a handful of torturous, non-art related jobs, but all teaching me something that has led to my current position. In 2012 at the age of 25, my wife a, who was my girlfriend at the time, and I, moved to Astoria, Queens, for a year. There I worked for a high-end clothing retailer, in their annex location in Tribeca, as their “Inventory Manager“. I was responsible for all locations day to day inventory, worked alongside the buyer’s department, as well as opened new store locations in other cities, like Boston, Atlanta, and a few others. This position, along with other managerial roles I had since I was 16, unknowingly taught me skills that would be most valuable in my current positions.

I have been with LARAC for 12 years, starting prior to that as a volunteer. Then, having support from my friend and the Gallery Curator at the time, I applied for an open part time position as LARAC’s Festival Coordinator, which I did for a number of years, before going full time and taking on the task of Gallery Curator. As LARAC struggled to navigate Covid-19, we managed to keep our doors open and our staff employed. When the opportunity came up to replace our previous ED, I entered the race. I have been acting Executive Director for the past four years as well.

LARAC Mural Art | Image: Provided

Can you fill us in a bit about the mission of LARAC? Annual budget, number of employees? Also, I understand you expanded recently by absorbing the GF Downtown Arts District into your fold. Can you share a little bit about the history of that and what that means for LARAC and the artists you serve?

LARAC is a mission-based organization with a very simply mission. We are here to support artists and creatives, local, regional, and beyond, and nourish the positive cultural impact they make on our community. Financially, as a SCR site through NYSCA, we are able to support artists and organizations in Warren and Washington Counties. I am part of a three person staff, including fulltime employee Kori Albrecht, LARAC’sCommunity Outreach + Grants Director, and part time employee Diane Swanson, LARAC’s Program’s Director. The three of us are standing on the shoulders of giants that helped grow LARAC from a volunteer organization to a paid staff with a building that we own. We are beholden to our members and our community for keeping us in operation. As of 2025, we are operating on an annual budget of $360,000. This includes the $100,000 worth of NYSCA funding that Kori distributes to grantees within the counties we support.

Glens Falls Arts District Downtown Bike Racks | Image: Corey Aldrich

In 2025, LARAC also became the umbrella non-profit organization for the Glens Falls Arts District. GFAD, is a committee of local arts related non-profits that have been moving the needle, contributing as economic driving forces, and sculpting the landscape of the City of Glens Falls for decades. I firmly believe the arts are the foundation of Glens Falls. Recently the City, the Counties, and the region have begun to view us in the same light. Glens Falls is such a unique city. We are only roughly 15,000 people, yet we have such a strong arts scene. Thus, the AD was born. A collective effort to help solidify DRI funding from NYS, which GF was awarded 10 years ago. In the past few years, we have seen all the planning of that DRI to the tune of $10 million, come to fruition. The infrastructure efforts on South Street are accompanied by the public art, which is where the AD came into play! The AD consists of LARAC, the Park Theater, The Hyde Collection, the Charles R. Wood Theater, the Glens Falls Symphony Orchestra, the World Awareness Children’s Museum, the Chapman Museum, the Crandall Public Library, the Adirondack Theater Festival, North Country Arts, and The Shirt Factory. All arts entities in the city limits work together to beautify our city, encourage arts interaction by local and visiting populations, drive economic value to our city, and help each other all stay viable. These efforts have helped strengthen all of our relationships with each other and with the governing body of the City of Glens Falls, the EDC, and Warren and Washington Counties.

LARAC becoming the umbrella non-profit of the AD means the AD answers to the LARAC Board of Directors. However, what it really means is that it gives the AD a new opportunity to continue working together to positively impact our city. With the DRI initiative complete, we now have a new avenue to look for, and secure funding for future projects and have a collective voice stronger than any one of us does alone. This inherently helps LARAC further our mission of supporting our local and regional artists.

LARAC’s June Arts Festival 2025 in Glens Falls NY | Image: Lake George Regional Chamber of Commerce

I really like your approach to getting your members art into hands of the general public. Between your full-time retail store and events like the annual LARAC ARTS FEST, how have you been able to leverage your relationship with the city and local businesses to advantage your members?

Part of our mission, in more detail, is to help artists become financially stable, grow their passion and abilities into potential income streams and help them start to take the next steps to becoming part-time or full-time professional artists. Helping artists get seen, whether it is in our gallery, our shop, our festivals, or our live music stages at the festivals…these are all avenues to get them in front of the general public.

Coincidentally, these same avenues to get the artist in front of the public also work as a platform to showcase and educate the public on the different forms of artistic expression. A venue to show our patrons obtainable local art, creating an environment for them to support these creatives. One of the biggest and most recognizable LARAC events that does this and truly showcases our wonderful relationship with the City and Warren County is our Annual LARAC June Arts Festival. An Annual event that started in 1972, this year will be our 56th event and will showcase over 165 artists, 10 non-profits, and 8 food trucks, all juried in from across the country to sell their handmade goods. June 13 – 14, 2026, LARAC will bring 15,000+ people from all over to the City of GF, creating the single biggest weekend economic driver event in the city and county. This event is made possible by our relationship with the City of Glens Falls, Warren County Tourism, and the local business which directly and positively impacts our members and our community.

Gallery Shop at LARAC in Glens Falls NY | Image: Corey Aldrich

Speaking of the city…you mentioned a group you are a part of called MOSAIC that includes the city and the IDA as I recollect. Can you tell us more about this group and where you see that going. It sounded like some really innovative stuff!

As I mentioned earlier, it is amazing what the city had going for it prior to intentional efforts to collaborate. In the recent present, as the organizations within the AD started working together in a calculated effort to improve our individual organizations by strengthening ourselves as a collective and beautifying the city, some wonderful opportunities have come up. Doors started to open in places we didn’t see coming. We started to build and strengthen relationships with our governing bodies and other entities that see the value in our efforts. One of those people, recently, has been Jim Siplon, the President and CEO of the Warren County Economic Development Corp (EDC). Jim and his office have created a collective group, many faces of the AD, as well as others from outside GF. This includes members of the IDA and leaders of non-profit groups and organization in Washington County who share a table and create a safe space to build ideas. Jim sees the value of the arts in GF and the potential we have as a springboard for positive growth and economic and cultural impact. Together we are working on ideas to unify and rally for future funding.

There is an inherent and immeasurable value in the positive impact of the arts and the culture it encourages. It is an effort worth our time, and LARAC, the AD, and MOSAIC understand this assignment.

LARAC Member Art Gallery Examples | Image: Provided

EXTRA CREDIT: Anything you would like to plug and additional things you would like to share beyond above?

LARAC is for everyone, join us in our Gallery, at our Festivals, and in our city.

WEB: larac.org | IG: @larac_arts

FROM DUN AND BRADSTREET TO INDEPENDENT THEATER W/ TANYA GORLOW

March 2, 2026 By Corey Aldrich

Participating on a new committee that is endeavoring to pull together arts and cultural organizations across Rensselaer County (more on this in an upcoming issue), I had the privilege of getting to know Tanya Gorlow. I mean, I had met her before at Sand Lake Center for the Arts where she is the current Executive Director but seeing her up close and in action in this work group, her professionalism and attention to detail…well, I knew I had to know more. Having not done a piece on the organization before it just seemed that now was the time.

Please state your name, organization, title. Can you give us a bit of backstory?

My name is Tanya Gorlow, I am the Executive Director at Sand Lake Center for the Arts in Sand Lake New York. My history with the center started in late winter/early spring of 2024 in a show called Little Wars. I was cast as Lillian Hellman in the fictional historical play by Steven Carl McCasland. I loved the kind, creative community that was part of SLCA. During my interview, I shared that supporting and fostering that community was a large part of my interest in the role.

I come from a background that includes leadership, marketing, production, and business development. I hold a Bachelors Degree in Anthropology and Theatre, Dance and Performance Studies from the University of California, Berkeley. I’ve held leadership roles at Dun & Bradstreet and Butcher Bird Studios. My professional endeavors supported a semi-professional career producing and performing in theatre. I found that I was learning and developing as a professional no matter what I was working on: leading a team of marketing professionals working on a product launch, breaking down a character or fundraising for an independent play. The ED role of SLCA feels like the culmination of the skills I developed in my day jobs and in the pursuit of my art.

Brighton Beach Memoirs 2025 at Sand Lake Center for the Arts in Sand Lake, NY | Image: Provided

Can you tell us a bit about SLCA? What does your programming look like? Your annual budget? How do you fit in the tapestry of such a small community?

SLCA is a not-for-profit community arts center offering theatre, music, visual arts, educational programs and more. We have a theater space, with flexible seating; a lobby that also serves as our gallery; and a small cafe that provides refreshments for our events or a place for catering to land during a rental. My understanding is that we are one of the few theaters in the Capital region that is accessible with a ramp up to the stage.

We have a 5 show theatrical season. For 2026, we opened with A Raisin In The Sun on January 30th; 1776 on April 10th; The Wolves on June 5th; Agatha Christie’s Black Coffee on August 7th; and Neil Simon’s Broadway Bound on October 16th. We also have a free concert series sponsored by Troy Sand & Gravel and Bonded Concrete, youth concerts, and musicians throughout the year. Our gallery is host to local artists – currently we have photographs on exhibit by Phil Caruso from when he was a set photographer. Vincent Caruso NYC street photography has been in the gallery during the month of February. We have workshops for all ages throughout the year, as well.

As a not-for-profit, we have fundraising events, including a Broadway revue at a local venue, and our gala, Taste of Sand Lake, where local restaurants offer a sampling of the area’s delicious cuisine.

Our annual budget is about $230,000.

A Fine Family Performed 2025 at the Sand Lake Center for the Arts in Sand Lake NY | Image: Provided

We’ve been in our current location since 2002. Originally, when Circle Theatre Players signed the lease for the building it wasn’t ready for performances, visitors, or even staff. It was through the efforts of the community that the performance space was created, the backstage area set up, storage and offices established, etc. I have been fortunate enough to meet the community members who raised the barn, put the siding on the building, wired the building, put the ceiling in the performance spaces, and did just about everything else you can imagine. I was at an event where one of our community members walked up to me and said, “I have your organ in my garage.” The history of this building and this organization is in the community around it, both the immediate Sand Lake/West Sand Lake/Averill Park area and the wider Capital Region.

Currently, I am the only full-time employee. We have a few highly-appreciated part-time folks. Everything else is done by our community, from our volunteers to our sponsors to our artists to our audience. Without any one of those groups, we wouldn’t function. My hope is that through our programming that we are able to give back to the community that gives so much to us by providing opportunities to create and learn more about art, as well as experience it. I also hope that we’re a place to reconnect with old friends or meet new ones in the gallery over a coffee from Gipfel’s (ED NOTE: For our story on Sand Lake Merchant) or at a show on a Friday night after enjoying happy hour or dinner at any of the wonderful local bars and restaurants. Whenever we can collaborate with a local organization, we’re always very happy to do it and have ongoing relationships with several.

Hiiiii!! Again Performed at the Sand Lake Center for the Arts in Sand Lake NY | Image: Provided

You have a strong arts and business background which gives you a rounded perspective. What would you say are the biggest challenges you have running SLCA and your methods for overcoming them?

Right now, I would say the biggest challenge is that there’s a ton of things to do that involve our programming, facilities management, fundraising, and community building and not enough time in the day. My joke last year was that I was keeping track of my surprise priority of the day: I’d go in to the center with a list of things to do, only to be surprised by something completely out of left field! Bees in the mailbox is still my favorite. My primarily method for figuring out how to tackle the growing to-do list is asking myself the following questions:

Does it impact the health and safety of anyone who comes into the building? I have shoveled the snow off the stairs more times than you can imagine because of this one. Also, the bees in the mailbox falls into this category!

Is there a deadline that affects our ability to operate? Our insurance and utility bills fall into this category, as do many other things.

Is someone waiting on me to move forward with something with will improve/impact the center? Grants, our committees, our employees and contractors, etc. are all part of this.

Is someone waiting on an answer that impacts their relationship with the center?
What will move us forward? That upper left hand corner of Stephen Covey’s Time Management Matrix for the biz nerds out there.

I’ll never get everything done, but I hope each day to be as effective as possible.

Exhibition Set Up in Barn Squares Gallery at the Sand Lake Center for the Arts in Sand Lake NY
Image: Provided
Barn Squares Gallery at Sand Lake Center for the Arts in Sand Lake NY | Image: Provided

You mentioned Arts Letter and Numbers in addition to Sand Lake Mechant above. How have you been able to synergize with local businesses and other mission oriented organizations in a way that creates a ‘there there’ for community?

Sand Lake Merchant has co-hosted the Merchant Market in the spring and the Holiday Market in the fall with us for a few years now. They’ve been fantastic partners, and also helped us in an incredible way during our Style on the Stage event in 2025. Brian Sheldon, who was SLCA’s previous ED for 7 years before me, worked with Arts Letter and Numbers and Nopiates for the Transformation project. There was also a performance experience that ALN held at SLCA in August of 2024.

In 2026, we’re working towards a collaboration in the gallery with ALN during the month of May. ALN does some really incredible work and there are a few things that I’d love to work with them on in the future, if we’re able. In my mind, collaboration between SLCA and ALN (and this applies to our other groups and businesses in the community) needs to take into consideration the needs of both organizations and ensure that both organizations, the artists, and the audience benefit. Since we both have physical spaces, I could imagine events in the future that has the audiences travel between the spaces to create a full experience.

Triskele Performs in 2025 at Sand Lake Center for the Arts in Sand Lake, NY | Image: Provided

SHAMELESS PLUG: Anything coming up we need to know about?

Yes! Coming up, we have our collaboration with AP Live, the Youth Music Showcase on 3/7, which highlights our areas local student musicians. We have an awesome ZenTangle craft workshop on 3/14, which is only $10 to register. We’re lucky enough to have Triskele here for St. Patrick’s Day on 3/17. And our next play is 1776, opening on 4/10.

WEB: slca-ctp.org | IG: @slca-ctp

Troy Based Context Collective is a Creativity Hub for Local Artist Community

November 24, 2025 By Corey Aldrich

Mariah Kitner got on the ACE! radar a few years ago when we featured her clay art work on a social media post. Fast forward a couple of years and I am beginning to hear a buzz about a new gallery space in Troy called Context Collective. At the time, I did not make the connection but I kept hearing about well supported openings and great exhibitions. When I finally got in the loop it all came together and I realized that there was so much more to what was happening there than I could have possibly imagined. Mariah is a talented artist and a skilled business woman who puts the economy in creative, all the while creating a supportive space for artists and makers of all stripes in her little kingdom in downtown Troy.

Mariah Kitner: Director and Co-Founder at Context Collective in Troy, New York | Image: Debi Gustafson

Please state your name(s). What is your position in the company? Can you share a little about your educational or experiential background?

My name is Mariah Kitner, and I’m the Director and Co-Founder of Context Collective, a gallery, workshop, and private event space I run with my studio-mate and collaborator Ash King. I have a BFA in Painting with a minor in Art History from Pace University and have worked in galleries and artist management in New York City for nearly a decade before pivoting to ceramics in 2020. My studio practice, Context Clay, explores the intersection of art, design, and storytelling through hand-built and wheel-thrown ceramics. Ash and I share a commitment to building a creative community here in Troy, and Context Collective grew out of our desire to create an inclusive, intentional space for artists and the public to connect through art.

Opening at Context Collective in Troy New York | Image: Provided

What is the mission of CC?

The mission of Context Collective is to support emerging and underrepresented artists through exhibitions, hands-on workshops, and collaborative experiences that center accessibility, curiosity, and craft. At its heart, Context Collective exists to nurture creativity, connection, and care. We believe in creating space for artists and community members to come together, to make, to feel, to reflect, and to be seen. Our programs are designed with intention, offering moments of pause and presence in a fast-moving world. The space serves as a hub for creativity and community, where art becomes an act of togetherness.

Main Gallery Space at Context Collective in Troy New York | Image: Provided

Can you walk us through the different areas of the space?

Context Collective is located in downtown Troy in a space that’s both functional and inspiring. The front of the building serves as our gallery and workshop area, where we host exhibitions, artist talks, and creative gatherings. Upstairs is mine and Ash’s shared ceramic studio loft for wheel throwing and hand-building, and the back showroom displays our small-batch ceramic collections. Downstairs, we have our production and glaze room, a full events kitchen, and a kiln area where the behind-the-scenes magic happens. Every part of the space is designed for making, showing, and sharing art in the community.

Workshop at Context Collective in Troy New York | Image: Provided

Can you tell us a bit more about sustainability and what you see as income streams for the project?

Our sustainability model is rooted in diversity and collaboration. Context Collective generates income through a mix of workshops, private events, gallery rentals, retail ceramic sales, and exhibition sales. We also pursue grant funding and community-based crowd-funding to keep our programs accessible while supporting fair pay for artists. This balance allows us to maintain a high level of quality and care while growing sustainably within the local arts ecosystem.

Group Show at Context Collective in Troy New York | Image: Provided

What are your future plans for the space? Any expansion plans programmatic or otherwise?

As we move into our second year, our focus is on deepening the programs that have brought people together since we opened. We’ve hosted twelve exhibitions in our first twelve months, ranging in medium, theme, and scale, from local group shows to national open calls. In that same time, we’ve led fifty-four workshops focused on ceramics, craft, ritual, and artistic development.

Looking ahead, we’re expanding our partnerships, refining workshops, and building out our customizable private event packages for groups looking to celebrate through creativity. We’re also developing programming that brings new audiences into contact with contemporary art and craft. One of our most popular exhibitions was an open call community portrait show that featured seventy-one artists, and we’re planning to bring back our pilot Clay Play Days, which offered pay-what-you-can handbuilding sessions that were met with incredible enthusiasm. To keep these community-centered events accessible, we’re inviting donations through our ongoing PayPal campaign to help fund materials, artist stipends, and future programming.

Context Collective Co-Founder Making Ceramic Chains | Image: Provided

BONUS: Anything coming up we should know about?

Our most recent exhibition Love Note closed on Saturday November 22nd, marking the end of our first full year of programming. The show featured my large scale castle in the cloud ceramic vessels and Ash’s ceramic chains celebrating connection and imagination, it feels like a beautiful reflection of the year we’ve had.

We’re excited to open our next exhibit, The Context Winter Market, a winter market featuring twelve artists who have exhibited or led workshops with us in the past year. The market opens on Shop Small Saturday, November 29, and runs through December, with special events during the Troy Victorian Stroll on December 7 and Meet the Makers Day on December 13. Our regular gallery hours are Saturdays 11am-4pm and by appointment, with extended holiday hours in December on Fridays from 4pm-8pm.

WEB: contextclay.com | IG: @context.collective.troy

BELINDA COLON’S IMMERSIVE WORLD OF ART AND COMMUNITY

August 26, 2025 By Corey Aldrich

I met Belinda Colón several years ago through founding Executive Director of ACE!, Maureen Sager. Belinda was working with her at Spring Street Gallery in Saratoga Springs where she has now taken over the reins. Since then, we have crossed paths in many places including in Troy at the Arts Center of the Capital Region where where we both individually do freelance project work and The Hyde Collection in Glens Falls where she is a Trustee. She has to many irons in the fire in our region not to give her the talking stick for a spell and so…here we go!

Belinda Colón : Gallery Director and Freelance Curator of Exhibitions and Public Art | Image: Provided

Please state your name, title(s), and organization(s).

My name is Belinda Colón and currently I wear several hats. These vary between regular gigs and more project based freelance work. Currently I am involved as a Freelance Curator of Exhibitions and Public Art, Director and Curator at Spring Street Gallery. Owner and Founder at The Art Sheet, a Trustee at The Hyde Collection, a Member of the Saratoga Arts Commission and soon to be Owner at a Private Gallery in Troy.

Awakening Spring Exhibit at the Spring Street Gallery in Saratoga Springs New York | Image: Provided

Can you also tell us a bit about your history, including education, other jobs of note, and other special accolades?

 I started my education at CUNY Hunter College with a focus on Theology and History. Being exposed in NYC to all its cultural resources and accessibility, my historical and religious research opened my eyes to the History of Art and its connection to the humanities.  I continued my path to the arts at CUNY Queens College with a major in Art History. After moving North to Saratoga Springs, I landed a job at Palio Communications, a medical advertising firm, as administrative support, then as a project manager. Working with multiple types of artists at the firm, I was saddened to see so much amazing art being torn apart by clients. Becoming more aware of the exceptional talent at the firm, I decided that I needed to support artists like those at the firm who needed to be seen for how talented they are, outside of their day jobs, leading me to go back to school and finalize my Associate’s Degree in Liberal Arts with a focus on Gallery Management at Hudson Vallery Community College. I then enrolled in Empire State University and graduated with a Bachelor of Arts with a focus in Art History.

During my time in academia, I was given an opportunity at Spring Street Gallery to organize and install an art exhibition raising funds for the East Side Recreational Skatepark in Saratoga Springs, NY. The funds raised were to resurface the skatepark. After a very successful event, I was given the opportunity to be the Exhibitions Manager at Spring Street. After 13 years, I am still working at Spring Street Gallery, NO longer the Exhibitions Coordinator, now the Director and Curator.

Artist Royal Brown and Curator Belinda Colón : The Evidence of Things Unseen Exhibit
at the Spring Street Gallery in Saratoga | Image: Provided

Can you tell us a bit more about the Spring Street Gallery…your mission there and what you are doing to integrate into the community?

Spring Street Gallery was founded 31 years ago in 1994. Today, Spring Street Gallery is an award-winning not-for-profit art and performance space.

The Gallery’s mission is dedicated to providing exhibition and performance opportunities for local and regional artists. It fosters the arts as a vital resource for social engagement and educational connectivity.

Currently, the gallery has partnered with Collar Works in Troy to facilitate a program developed by The Arts Sheet called Immersion. Immersion is a professional visual artist development program. It’s designed to provide emerging and mid-career visual artists with professional opportunities for open dialogue and critical conversations with peers, regional curators, and gallery owners.

The combination of critiques, gallery/residency visits, and professional development enhances learning. Critiques focus on individual improvement, while group experiences and professional development provide exposure, contextual understanding, and valuable tools. Together, they create a comprehensive framework for artistic growth.

Catching Air at the ON DECK Skate Park in Saratoga Springs New York | Image: Provided

Another Saratoga based project I know you have been involved with was the Saratoga Skate Park. Care to share a bit about that one?

ON Deck Saratoga was a project of the Saratoga Institute, a vehicle for promoting skateboarding, skatepark stewardship, and creativity through community-based events. My husband and I started this project with the intention of bringing more attention to and understanding of the culture of skateboarding, a non-conforming recreational sport. We’ve organized a multitude of programs, including yearly skate jams, free films in High Rock Park, exhibitions and fundraisers in Saratoga Springs and Lake George, NY, skateboarding lessons and camps, and more.

Historical Backround info:

Built in 1989, the East Side Recreation (Rec) skatepark is the oldest municipal skatepark in New York State. In conjunction with Jah Skate Shop, which was located at 8 Caroline Street from 1988 until 1993, the skatepark used to host many team demos, spawned a few professional skaters, and in the mid-90’s was an official stop for Vans Warped Tour skate contest qualifications. The skatepark is a highly respected piece of East Coast skate history, and its popularity has grown along with the popularity of skateboarding and other wheeled sports.

As its use grew, the skate park was due for a contemporary upgrade, and now a modern, poured-in-place concrete park has replaced the metal ramps that have been there for 20 years. The City of Saratoga Springs & Saratoga Springs DPW has proudly partnered with Pillar Skateparks to design the new park, in conjunction with feedback from the local skate community.

Construction needs for the park were in the range of $400,000, and donations were accepted through ON DECK Saratoga.

2021 FENCE Membership Show at the Arts Center of the Capital Region in Troy New York
Image: Provided

I recently realized you are the brains behind the The Art Sheet event listing. Can you talk a bit about the history of this? What are the geographic boundaries? I have seen some pretty far flung listings!

The Art Sheet
has been a passion of mine for over 7 years. After being very frustrated that there was a lack of press regarding art and cultural events in the Capital Region and Upper Hudson Valley. There was never any place to go to find out what was going on on any given day. It was frustrating, so I decided to create a website to promote local and regional arts events. It has been a labor of love. The Art Sheet is a free resource for arts administrators, organizations, and artists. The website provides a calendar of events, a space for artist grants and resources, calls for art and residencies, artist professional development programs, and job opportunities (Provided by ACE!).  The Art Sheet is also available on Instagram at @theartsheet.

In Ply Exhibit and Interactive Skate Environment at the Arts Center of the Capital Region, Jane Altes Gallery
Image: Provided

For a while you were working at the Arts Center of the Capital Region, and I see you are still involved in some public-facing projects. Can you give us an update about your Troy-based activities?

Currently, I am a Freelance Contractor for the Arts Center of the Capital Region as their Public Art Curator. Some of the public art projects that I have curated or project managed include: Franklin Alley sculptural murals by Joe Iurato, Troy Art Block, Troy Electrical Boxes, Troy Glow, Uniting Line, and From Troy to Troy. There is an upcoming large-scale mural being implemented this fall. Look out for more information provided by the Capital Region Arts Center.

Joe Iurato and Belinda Colón Hang Out in Franklin Alley, Troy New York | Image: Provided

As a person working across municipalities, I am curious to know what your thoughts are about the current state of the arts in our region. What should we be focused on?

The arts in our region seem to be segmented. I would love to see more collaboration between organizations, administrations, and artists. Networking events focused on sharing opportunities and events would be fantastic. Funding is always a challenge as well, since there are a lot of arts and cultural institutions, but not a large enough regional funding pool. This can make artists’ grant opportunities slim.

Troy Art Block Team : Church Street Alley in Troy New York | Image: Steve Alverez
Troy Art Block Opening Event : Church Street Alley in Troy New York | Image: Belinda Colon

Shamless Plug: Anything coming up you would like to share that we should have on our radar? There is a whisper of a private gallery opening in Troy in the future. Keep your eye out for Willow Gallery.

WEB: Spring Street Gallery | IG: @springstreetgallerysaratoga
LINKED IN: Belinda Colón

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