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Upstate Alliance for the Creative Economy

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Made in America : Tech Valley Center of Gravity Provides Makers a Space to Learn and Grow

November 16, 2022 By Corey Aldrich

Having done several projects with COG over the years it was an exciting surprise to see the amazing new offerings that the facility developed since the pandemic. In a recent tour after a long hiatus, I was literally blown away by the level of professional equipment, variety of applications and the on-sight expertise available in what is surely the regions premier community Makerspace. To get a better handle on it all, I spoke with Dan Falkenstrom – Operations Director at Tech Valley Center of Gravity.

Dan Falkenstrom – Operations Director at Tech Valley Center of Gravity | Photo: Provided

Please state your name, title, and background. What do you do at COG on a daily basis?

Dan Falkenstrom, Operations Director. After graduating RPI with a dual degree in Mechanical & Aerospace Engineering, I spent time as a manufacturing engineer at Pratt & Whitney, Knolls Atomic Power Lab, and GE. I joined the COG as a member to make motorcycle parts, began serving as the volunteer treasurer, and have been an employee since 2018. In my current role I oversee our day-to-day operations, perform training, and maintain equipment. But most importantly, I help makers and startups overcome hurdles by connecting them with other creators and resources.

Tech Valley Center of Gravity – Downtown Troy, NY | Photo: Corey Aldrich

What makes COG different from other ‘coworking’ spaces in the region?

The main difference is that we are so much more! While we do have a traditional coworking area, which is predominantly visible through our street-level windows, I hesitate to consider ourselves a typical ‘coworking’ space. Makerspaces are more of a workshop environment – it’s perfectly acceptable (and encouraged) to start drilling, hammering, or soldering. Our aim is to support individuals, startups, and established businesses by providing low-cost access to fabrication equipment, workshop space, education, and a network of passionate creators.

The organizational structure of makerspaces is also very different from coworking spaces. As a non-profit organization, we have a strong focus on accessibility and community. In addition, our members have voting rights and help steer the direction of the organization. We are supported by a great group of sponsors, which allows us to keep membership and all of our resources financially accessible.

Sharpening Class at Tech Valley Center of Gravity | Photo: Provided

Can you tell us a bit about the types of facilities that you have available for use?

Within our 15,000 square feet, we have Maker Zones dedicated to 3D printing, children’s STEAM activities, laser cutting, electronics, fiber & glass arts, woodworking, welding, and machining. All told, we have over $200,000 of equipment available for members to use. Our kitchen, meeting room, and classroom/event space are also available to rent.

John and Sean working in the Woodshop at the Tech Valley Center of Gravity | photo: Provided

Who is COG best suited for? Can you tell us a bit about the people and projects happening there?

In our experience, at some level, everyone’s a maker. Our membership spans artists to engineers, students to retirees, and hobbyists to entrepreneurs. Over the past year I’ve seen our members make everything from prom dresses, cutting boards, bio-leather prototypes, physics experiment components, custom watches, welded steel sculptures, and more.

As a state-certified Incubator, we’re especially equipped to help hardware startup companies developing physical products through our Manufacturing Incubator program. In line with that, we’ve placed an emphasis on making digital fabrication equipment accessible. It’s really exciting to see so many small businesses get their start here.

Sewing Area at the Tech Valley Center of Gravity | Photo: Provided

Talk a little about the value of a STEAM over STEM based approach.

It’s a more holistic approach that acknowledges how interwoven these disciplines really are. All STEM fields are intrinsically creative disciplines. Beyond the ability to design products that look good and are enjoyable to use, problem solving requires out-of-the-box thinking. Take, for example, the scene from the movie “Apollo 13,” where engineers had to design a way to connect air filters using only what the astronauts had on board – “We have to make this, fit into the hole for this, using nothing but that.” Exercising both halves of the brain improves the ability to look at materials in new ways, to consider alternate processes, and to develop novel solutions to seemingly impossible constraints.

Kyle Moise makes and sells custom leather watch straps at the Tech Valley Center of Gravity
Photo: Provided

What are your goals for 2023? Anything your especially excited about?

2023 will be our 10 year anniversary, which is extra exciting because it puts us in the company of the few makerspaces that have reached the decade mark. As we continue to grow, we’ve been fortunate enough to secure additional funding to our Community Access Fund, which will allow us to expand our financial aid programs, such as our Pay-What-You-Can program and field trip assistance for Title 1 schools. Be sure to subscribe to our newsletter and follow our socials to learn more! Now that we’ve added a Community Developer to our team, you’ll be seeing much more activity about what we’ve got going on. Our main goal is to eliminate the phrase “I had no idea all of this was here!” from the reactions of our first-time visitors.

Inventor Nancy Tedeschi speaks at an event for entrepreneurs at the Tech Valley Center of Gravity
Photo: Provided

WEB: tvcog.net


Creating Upstate : 5 Questions for 5 Capital Region Creatives

November 15, 2022 By Jonah Michel

I asked the same five questions to five different creatives in an attempt to understand exactly why they’ve decided to plant a flag in the Capital Region’s Creative Economy. We tapped in with Screen Printers, Pizza Makers, Brand Developers and Social Media Entrepreneurs. Each person brings in their own unique ingredient helping us to write the recipe that will continue to feed the souls of folks around the Capital Region and beyond.

Lets meet the team…


Joe Bonilla – Managing Partner, Senior Media Director, and Co-Founder at Relentless Awareness
Photo: Facebook

Drew : 5ifth Place – Screen Printer

Drew is the Founder of the local clothing brand ‘Fifth Place’ an Albany based lifestyle brand. Drew is also host of his own podcast and is a regular personality on Two Buttons Deep.

Cristian Virgiglio : Sovrana Pizza – Creative Director

Cristian Virgiglio was born into Albany’s pizza culture and 20-something years later has taken the scene by storm. As Creative Director, Cristian collaborates with local artists and artisans whether it be on merch, new menu items, or pop-up pizza events.

Salah Harris : Career InTouch – Founder, Executive Director

Salah was born and raised in Albany’s South End neighborhood and is currently in his Senior year at the University of Albany. He founded “Career InTouch” and currently serves as a Youth Program Facilitator at The RED Bookshelf. Salah has previously Interned at the Albany Mayor’s Office of Equity & Community Engagement as well as at the Office of Senator Schumer.

Joe Bonilla : Relentless Awareness – Managing Partner, Senior Media Director, and Co-Founder

Joe is the managing partner, senior media director, and co-founder of Relentless. Bonilla was also a regular panelist of WAMC Northeast Public Radio’s nationally-syndicated and award-winning news and discussion program The Roundtable, co-host of CivMix’s The Mix podcast with former journalist Liz Benjamin, and presently is a recurring guest on the Two Button’s Deep Podcast : ‘Behind The Buttons’

Isabella Marchese : Marchese – Entrepreneur and Content Creator

Isabella is currently enrolled in Harvard Business School Online, pursuing a certification in Entrepreneurship and Innovation. While in college, Isabella worked in the U.S. House of Representatives and The Senate. After that, she decided to try her hand in media and worked at a campaign firm and SiriusXM. Now, you can find her co-working at different coffee shops around the Capital Region.


PRO-TIP: Keep your eyes peeled for relevant hyperlinks scattered throughout.


Salah Harris – Founder, Executive Director at Career InTouch | Photo: Eddie Quinn

What is something you’ve discovered within the Capital Region’s Creative Economy that you may not find anywhere else?

Drew: Affordable Rent with places next to me within walking distance.

Cristian: People tend to call Albany, Smallbany, and that’s exactly what I think makes the Capital Region so special. Being in Albany gives a sense of one giant family, the community itself is so supportive. My family’s pizzeria, Sovranas, has been open since 1985, and without the community I don’t know where we’d be. (Sovranas was featured on TMZ in 2015)

Salah: One of the most unique aspects of our creative economy here in the Capital Region is our ability to cultivate with local resources and uplift as well as collaborate with local organizations. I can recall working with a local school on a fall harvest event and Nine Pin provided (youth appropriate!) ciders. As an Albany native, and fan of the brand you have to admire the sense of community and effort from local businesses.

Joe: The sense of true and authentic collaboration between those in the creative economy.

Isabella: There is so much opportunity here! This creator space in Albany is itching for more people to join!

Isabella Marchese – Entrepreneur and Content Creator at Marchese | Photo: Provided

What is a piece of advice you would give a fellow creator who is considering planting their flag in the Capital Region?

Drew: It’s on you to make what’s best out of any area. Ask yourself ‘Why am I moving?‘ and ‘Does this place suit me?’ Then hit me up when you get here – @5ifthplace. I’ll show you around 🏆

AUTHORS NOTE: Listen to Drew’s latest podcast episode where he chops it up with $300 Million Dollar ex-marijuana kingpin turned Author, Eric Canori – the man who buried millions of dollars in the Adirondacks, and snag a copy of his recent memoir: Pressure.

Cristian: Believe in your idea and believe in Albany, I can’t tell you how many times I hear people say they don’t believe there’s value here, or that we’re in the shadows of bigger cities. It drives me crazy because if you just look AroundAlbany, it’s full of variety in creators whether it’s food, music, art, or clothing. The Capital Region has such a personality and it continues to grow.

Salah: Endurance beats enthusiasm. Albany is a place that takes patience, you have to be willing to put in the long-term goals and planning. We have a diverse community of leaders and people, learning to resonate with their needs and how you fit with local partners will make you better off in understanding what you can create for the benefit of the Capital Region.

Joe: Get out there and meet people. We are all so interconnected and there is always an opportunity to collaborate and work on projects together. Don’t think of them as competition; think of them as project partners.

AUTHORS NOTE: Here’s a great example of what would be two competing parties, collaborating and involving others in the quest to address the Central Warehouse situation in Downtown Albany.

Isabella: This is the time because there’s still space! The small businesses here need you to help support and highlight them. Plus, we’re only two hours from Boston and NYC so if you ever need big city vibes, we’re pretty close.

AUTHORS NOTE: There are whispers that additional service between Albany and Boston may be coming our way. This would be huge – almost as good as high-speed rail!

Drew (right) – Screen Printer at 5ifth Place shakes it up with Stewart Shops’ President Gary Dake
Photo: Provided

Which Capital Region city do you think has the best opportunities for creators, and why?

Drew: Troy – They let graffiti live. Which allows people to see creativity outside. Instead of the daily mundane scenery.

Cristian: Albany for sure! The city is constantly evolving, it’s very welcoming to all demographics. Albany also has creators’ work showcased all over the city with murals, and the thriving Lark Street is mostly run with local creators’ businesses.

Salah: Again, as an Albany native and SUNY Albany student, I’ll have to go with Albany. We’re home to a rich history, diverse communities, amazing architecture, a strong City Hall and presence in government, and most importantly an abundance of opportunities for creators interested in expanding their network and growing within our city. (Not to mention we are the Capital!)

Joe: Albany for sure and overall. But I would say Cohoes and Rensselaer are great places due to the untapped potential in both of those cities. Nothing against the bigger cities in the region, but a small cities like those that have grit, determination, and history can make for a great canvas.

AUTHORS NOTE: Cohoes is making wise investments in their downtown – when was the last time you’ve checked out Remsen Street? That place is begging for street art – a canvas in more ways than one.

Isabella: Troy – I love Troy. It grows every single day and new small businesses are popping up all the time. There are so many creative people and spaces there.

Cristian Virgiglio – Creative Director at Sovrana Pizza | Photo: Provided

The Capital Region would be a better place for creators if…

Drew: Downtown Albany serviced people past 4pm.

Cristian: If we had a physical space to create. In many larger cities such a Philadelphia they have REC centers, which allows creators to have a space to do what they love. The REC centers are great for creators because it provides all the equipment you would need. Such as podcast space, lectures on the creator economy, and concert halls.

Salah: It continues what we have been doing as of late, creating spaces and being a hub for a talented and diverse generation of creators, leaders, and innovators moving the Capital Region in the right direction.

EDITORS NOTE: If you’re ever AroundTroy and want to work in a collaborative environment, or need a podcast studio, or just some wifi and several hours – hit up the Troy Innovation Garage. Thank me later!

Joe: We invested more in public art and things for young people to go into.

Isabella: If we had more access to get together and build a community with each other.

Sovrana’s Pizza and Deli in Albany, NY | Photo: Facebook

Where can people find your favorite slice of pizza in the Capital Region? 😀

AUTHORS NOTE: Troy Business Owner and Entrepreneur Vic Cristopher says something along the lines of: There’s no such thing as the best pizza, just your favorite pizza.

Drew: Sovranas 💎 Thank me later.

Crisitan: I’m a bit biased, but I’d have to say my family’s pizzeria, Sovranas! Other than the pizza being delicious, by just walking into the place you can really feel the charm of the business itself.

Salah: I’d have to say it’s between Pizza Bella in Westgate Plaza or Belt Line 3 near Center Square.

Joe: Donna’s Italian. The Broccoli Bob is too good.

Isabella: Bacchus Wood-Fired, always.


Jonah Michel can be found creatively connecting in the City of Albany. Additionally, he focuses on ‘stuff worth talking about’ around the Capital Region and beyond as a core member and producer for the media outlet Two Buttons Deep.

IG: @aroundalbany | @twobuttonsdeep

Street Art / Graffiti as Gravity : Part III of III | Art and Community – From Local to Global

November 14, 2022 By Taliesin Thomas

In this 3-part series on the dynamic qualities of murals, street art, and graffiti—as both symbols of cultural consciousness and cultural commodities in their own right—we highlight these genres as viable assets within the regional and global creative economies of today. In the FIRST SEGMENT, the author shares a townie perspective on the arts scene as a citizen of Troy, NY. In the SECOND SEGMENT, we consider the financial side of art initiatives and opportunities around the Capital Region. In this third and final segment, the author discusses the connectivity between the local and the global with respect to artistic expression and community.

Left to Right: Andy Warhol Inspired Street Art in Troy, NY
Street Mural by Artist Lady Aiko in Vienna, Austria
Photos: Taliesin Thomas

How does art connect the local with the global? It does so through a consistent re-definition and re-contextualization of material realities and diverse conceptual, social, and philosophical frameworks. I think most of us can agree that art serves as a fantastical creative vehicle for illuminating both the personal and the political, the pressing issues of our time, and the urgency of the universal human condition—we turn to art to experience her charms as the “saving sorceress” that she is (as suggested by Nietzsche). Our increasingly interconnected society embraces manifold forms of artistic expression both real and imagined, and among the greatest pleasures of contemporary cultural life is encountering the multiplicity of art in every corner of the world. In this regard, the scope of artistic agency on the global scale points back to the local level, where artists engage with community as their place of being and belonging.

A View of the Capital Walls Murals in Albany, NY | Photo: Taliesin Thomas

Over the last several months I have been exploring distinct dimensions of the art scene in the Capital Region. This series for ACE! has been an opportunity to share my firsthand insights. In the first installment, I praised Troy as a locality with a lively arts culture, including strong examples of public murals, street art, and renegade graffiti. One can also see this in the neighboring areas of Albany, Glens Falls, and the wider Hudson Valley region. In that segment I considered these acts of artistic expression as a kind of gravity within society, where art demonstrates its value as a manner of cultural consciousness and a mode of civic engagement. Local arts organizations play an invaluable role by promoting the arts and artists as vital aspects of a rich community life. Encountering colorful forms of public art around Troy and in nearby towns, we can appreciate these artistic expressions as welcomed declarations of creative presence within society. Artists enliven community space while contributing their positive visionary energy to public places.

Artist Jeff Wigman Participates in a Street Art Event in Troy, NY
Photo: Taliesin Thomas

In the second segment of this series, I interfaced with several esteemed arts professionals in our area to understand aspects of New York State’s support for economic development vis-à-vis the arts sector, including increased public arts projects and collaborations between businesses and artists; community revitalization initiatives and efforts to develop existing infrastructures for the arts; and expansion of local arts programming and opportunities for artists. All of those conversations yielded a similar theme: support for the arts in our area is growing on all fronts!

In this final write-up, I suggest the conversation comes full circle with respect to the impact of local arts activities and modes of creative engagement within an international context. In my experience, the global is the local (and vice-versa). Here in the Capital Region, arts initiatives are, in fact, defining what the macro art-world looks like on the micro level. Regional arts organizations, arts professionals, and local artists have a singular opportunity and responsibility to promote the arts in our area, thus enriching the cultural atmosphere in New York State and beyond.

Taliesin in Front of a Keith Haring Mural in Melbourne, Australia
Photo: Rosie DiTaranto
Found Street Art in Prospect Park, Troy, NY | Photo: Taliesin Thomas

In our beloved Troy, the local indeed connects with the global in unexpectedly enchanting ways. Recently I came upon graffiti on a defunct building in Prospect Park that references the art of American artist Keith Haring (1958 – 1990), whose signature imagery and bold graphic style continues to influence a generation worldwide. An outspoken AIDS activist and beloved figure of downtown 80s culture in New York City, Haring is one of the most celebrated artists in the history of global contemporary art. I was truly moved to see Haring’s iconography represented in our neighborhood, a reminder that the sprawling global art world comes down to just that: an artist makes his or her own creative mark in their place and time. And in late September I was totally blown-away by a pop-up event on 2nd Street that entirely referenced the art of Jean-Michel Basquiat (1960 – 1988). This impressive exhibition presented a range of Basquiat inspired works by local artists and was an outrageously wonderful homage to one of most admired artists of all time. Basquiat and Haring are enduring cultural heroes, revered far and wide and still defining our global cultural zeitgeist in so many extraordinary ways. Nevertheless, our local hub offers numerous opportunities for community members to engage with art on every level. In that regard, distinct arts opportunities and connections among artists here in the Capital District promotes a sense of unity while placing us within a thriving arts culture that is global in scope. Thus, the magic and inspiration of the dynamic art-world at large is born right here in our lovely local digs.

Installation View of the “Jean-Michel Basquiat: King Pleasure” Exhibition in New York City
Photo: Taliesin Thomas
Artist Rae Frasier at a Basquiat Inspired Pop-Up Event in Troy, NY | Photo: Taliesin Thomas
Found Mural in Montreal, Canada | Photo: Taliesin Thomas
Found Mural on 2nd Street in Troy, NY | Photo: Ali Herrmann
Taliesin in front of Capital Walls Artist Nick Walker’s “Love Goes On” in Albany, NY
Photo: Taliesin Thomas

Taliesin Thomas, Ph.D. is an artist-philosopher, writer, lecturer, and collector based in Troy, NY. Since 2007, she is the founding director of AW Asia, NY and the collection manager of Art Issue Editions, NY—two private art collections that are the foundation for collaborations and projects with artists and museums worldwide. Thomas has lectured and published widely on contemporary art. She is the director of the Artist Training Initiative and a critic for the Critical Forum program at the Arts Center for the Capital Region, NY and she is a faculty member at School of Visual Arts, NY. Thomas studied studio art, aesthetics, theory, and philosophy at Bennington College, Columbia University, and The Institute for Doctoral Studies in the Visual Arts.

FREE TICKETS to the Albany Symphony’s ‘Classics for the Holidays’

November 14, 2022 By Maureen Sager

We partnered up with the multiple Grammy winning Albany Symphony Orchestra and are making available a block of FREE TICKETS (a $65 value each!) to the annual holiday extravaganza ‘Classics for the Holidays’ performance! Availability is first come first serve so jump on this asap if your interested. There is a two tickets per person limit.

Albany Symphony Orchestra at the Troy Music Hall.

This December you are invited to enjoy a night or afternoon with the Albany Symphony as Music Director David Alan Miller conducts the ASO in a program of ‘Classics for the Holidays’. Come experience one of J.S. Bach’s beloved Christmas Cantatas featuring singers from the Bard Vocal Performance Program and his famous Double Violin Concerto featuring the ASO’s own Mitsuko Suzuki and Funda Cizmecioglu, plus a sinfonietta by influential 20th Century Black American composer and conductor Coleridge Taylor-Perkinson, and Mozart’s stunning Symphony No. 39.

Classics for the Holidays | Troy Savings Bank Music Hall
Saturday, Dec. 10 at 7:30pm | Sunday, Dec. 11 at 3pm

Order free tickets to the Saturday Evening or Sunday Matinee performance by using offer code ACEGUEST at checkout, or by calling the ASO Box Office at 518.694.3300.

PRO TIP: If for some reason you get a ‘seats unavailable’ message try a different location.

Violinists Mitsuko Suzuki and Funda Cizmecioglu | Conductor David Allen Miller

Saratoga Sounds Under ‘Acoustic Clouds’ : Re-envisioning the Arthur Zankel Music Center

October 12, 2022 By Corey Aldrich

The Arthur Zankel Music Center | Photo: Provided

The Zankel Music Center on the Skidmore College Campus opened in 2010. The 54,000 sq-ft facility features the 600-seat, acoustically brilliant Helen Filene Ladd Concert Hall. In addition, the building also houses a 100-seat lecture and recital hall, rehearsal and practice rooms, and the Skidmore Music Department. It’s not uncommon to walk into Zankel and hear the sublime sounds of piano, violin, or operatic singing floating through the corridors. A campus and community asset, it welcomes roughly 25,000 visitors each year.

The Helen Filene Ladd Concert Hall at The Zankel Music Center | Photo: Provided

THE MISSION

The mission at Zankel is two-fold: 1) to strengthen it’s role as a cultural resource for upstate New York by refining and expanding it’s world-class programming, and 2) to diversify and transform Skidmore’s music program in collaboration with faculty. The concert hall features tunable acoustic “clouds” and a look resembling Carnegie Hall’s Zankel Hall (named for Arthur and his wife, Judy). A unique offering among regional venues, hits a sweet spot in capacity, aesthetics, and experience of sound. A regional best kept secret outside of the Saratoga Springs community, one which the facilities newest addition Zhenelle LeBel looks to change.

Zhenelle LeBel joined Skidmore College as the Managing Director of the Arthur Zankel Music Center on August 1 of this year. Previously, she was with an important Troy based performance space, the Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute where she was a senior arts administrator for the curatorial team.

Zhenelle LaBel : Managing Director at The Arthur Zankel Music Center | Photo: Provided

PROGRAMMING NOTES

Programming at the Zankel spans a range of musical genres, from Western classical to jazz to music from cultures around the globe. The audience reflects that in its multi-generational and multi-ethnic composition. In coming seasons, Zhenelle states that they will interrogate these genres with questions like: What happens if you center Black experiences and expressions of classical music? Where are the women in jazz? Is the term “world music” problematic, from the perspective of American colonialism? They plan on supporting these dialogues with lectures, screenings, and related convenings with the aim to include a diversity of voices.

John Batista and Stay Human | Photo: Rudy Lu

Zankel is bustling with the student body daily, between students enrolled in Music programs and a staff of around 30 student employees who help run events. They also facilitate collaborations across departments, working with faculty and their students to engage campus with programs that complement the events–master classes and workshops, screenings, talks, and exhibits, understanding that these interdisciplinary activities enrich the arts for all.

“These collaborations have a direct impact on student’s awareness of and interest in performances at Zankel, and are what I think contribute most to their attendance. Unlike our public audience, who attends primarily for entertainment, the Skidmore community shows up because in most cases, they’ve gained a new way of relating to the music and are curious. We love to inspire curiosity!” Zhenelle LeBel

Jungle in Concert | Photo: Provided

A RICH PEDIGREE

The Zankel has had laudable roster of talent perform on stage including: Branford Marsalis, Jon Baptiste, Emanuel Ax, Ani DiFranco, the Indigo Girls, Paul Simon, and Ladysmith Black Mambazo. In addition to presenting student recitals each semester, which is seen as an essential service to provide burgeoning artists the opportunity to perform for an audience, they also welcome performances by professionals who may be emerging in their field.

Recent performer Taína Asili | Photo: Nathan Bogardus

As for near future developments and focus, Zhenelle says, “Next year will bring exciting changes to our program, with new artistic residencies and a shift toward more multi-disciplinary performances. I am working on a thematic framework for our 2023/24 season that seeks to respond to some of my earlier questions, curating artists whose music both uplifts and informs. Can’t name names just yet!“

Follow them on social media to keep abreast of the new programming as it develops or reach out to Zhenelle directly.

WEB: www.skidmore.edu/zankel/index.php
IG: | FB: @zankelmusiccenter

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