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Saratoga Springs

The Revolution WILL BE…In Person!

January 26, 2026 By Corey Aldrich

2026 is really kicking off with a bang. ACE! was on location for the grand re-opening of three major regional institutional arts organizations including The Egg (Albany), Saratoga Arts (Saratoga) and a new and expanded space for Albany Center Gallery (Albany). This represents some major investment in our region in community arts, culture and entertainment, and helps drive the Capital Region as a creative economy hub for work and play with an investment to the tune of well over $20M collectively. Find out what each organization was able to add and refresh with their reset and how that will impact future forward programming for our region.

THE EGG | YOUR EGG IS SERVED (ALBANY NY)

The Egg Staff Celebrates at the Grand Re-Opening Event | Photo: Megan Mumford

After a six month closure, state and local leaders cut the ribbon this month for a $19.5M renovation at The Egg. Though the project predates Governor Kathy Hochul’s $400m Championing of Albany’s Potential initiative, it complements the overall mission and direction being mapped out for Albany by her office.

The Egg : Crowd Shot at the Grand Re-Opening Event | Photo: Elissa Ebersold
The Egg : Dancing to DJ Hollywood at the Grand Re-Opening Event | Photo: Elissa Ebersold

The Egg is a performing arts center located in Albany, N.Y.’s Empire State Plaza. An unmistakable feature of the capital city’s skyline, the venue houses two theatres encased in a domed, egg-like concrete structure that took 12 years to construct and was completed in 1978. The Egg presents music, art, theatre, comedy, dance, and family entertainment year-round.

“The Egg is a meeting place for New Yorkers and visitors looking to immerse themselves in the thriving creative industries that are integral to our state’s bold identity,” Governor Kathy Hochul said. “As part of Downtown Albany’s revitalization, this long-awaited renovation modernizes one of the Capital Region’s most distinct cultural landmarks. This new chapter of The Egg showcases the value of spaces where the arts and culture converge...”

OGS (New York State Office of General Services) oversaw a project that modernized the interior of the building while honoring its original design and mission. Work included replacing seating and carpeting throughout both the Kitty Carlisle Hart and Lewis A. Swyer theatres and all public areas; installing a state-of-the-art, fully automated LED theatrical lighting system; and adding new dimmable LED house lighting that better showcases the building’s unique architecture.

The Egg : Hart Lobby Before Renovation | Photo: Megan Mumford
The Egg : Hart Lobby After Renovation | Photo: Megan Mumford

“The Egg is a place where art happens with no straight lines, and these renovations make it possible for us to serve Albany and all of New York in a bigger way. We are deeply grateful to Governor Hochul for believing in this building and making this investment in the arts possible ” said Diane Eber :Executive Director The Egg

The renovation also expands accessible seating in both theatres, upgrades restrooms, and adds an induction loop assistive listening system to improve the experience for guests who use hearing aids or cochlear implants. Public spaces have been refreshed with restored mid-century finishes and new custom furniture designed to complement The Egg’s ellipsoidal structure, aligning the interior with the boldness of the exterior for the first time since the venue opened in 1978.

“Updating The Egg reaffirms the importance of the arts scene in the Capital Region and supports our efforts to reconnect Downtown with its residents and visitors. ” Senator Patricia A. Fahy

The Egg : New Seating and Carpet | Photo: Megan Mumford

The renovation supports a renewed vision for The Egg as a statewide performing arts center and destination, where the building itself is an integral part of the artistic experience. The upgrades will enable more complex productions, improve comfort and accessibility for audiences, and ensure the venue can continue to serve as a gathering place for decades to come.

“When people come to visit our great City of Albany, The Egg is the first building they see on our skyline. This exciting renovation helps to solidify this structure as an icon of our downtown, and I am thrilled to celebrate its completion. ” Albany Mayor Dorcey Applyrs

WEB: theegg.org | IG: @theegg | ADDRESS: EMPIRE STATE PLAZA

ALBANY CENTER GALLERY | MORE ART EVERYWHERE (ALBANY NY)

Albany Center Gallery : Ribbon Cutting Event for the New Digs | Photo: Provided

Located in the old Pizza 54 space on North Pearl Street (Known by many back in the day as Pizza Timmy’s!). Albany Center Gallery has significantly expanded their space from 1700 sqft at their previous location to 6600 sqft. The new space features offices, storage, a kitchen, a larger education space that can also be used as a secondary gallery, and a large street front main gallery that currently is showcasing over 200 works in it’s annual member show.

Jankow Companies oversaw the fit up in conjunction with Platt Construction. This was partially funded with a grant from Capitalize Albany for build out costs. Additional funds to underwrite the move where funded via specific donations and / or were covered via a specified funding campaign.

Albany Center Gallery : New Location Opening Night Crowd | Photo: Michael Joyce

“With more space, we are able to support more artists, present more ambitious exhibitions, and bring even more of the community together under one roof. Our new home at 48 North Pearl Street allows us to expand our programs, activate the gallery with evening events, and create dynamic, welcoming experiences where art becomes part of everyday life in downtown Albany.” stated Tony Iadicicco, Executive Director at Albany Center Gallery “It’s a big step forward for ACG and for the artists and community we serve. As we move forward, we remain committed to our mission, uplifting, showcasing, and advocating for the creative community while ‘Bringing Art Everywhere.’”

Albany Mayor Dr. Dorcey Applyrs marked January 16, 2026 as “Albany Center Gallery Day” inaugurating the day in City of Albany history.

Albany Center Gallery : Tony Iadicicco Executive Director | Photo: Corey Aldrich

WEB: albanycentergallery.org | IG: @albanycentergallery
ADDRESS: 48 N. PEARL ST.

SARATOGA ARTS | YOUR COMMUNITY ARTS CENTER (SARATOGA SPRINGS NY)

Saratoga Arts : Re-Opens After Upgrades | Photo: Spencer Sherry

I recently caught up with Amy Bloom, Executive Director at Saratoga Arts in Saratoga Springs, NY for an update on their renovation efforts. They just finished up a $2M+ space renovation / upgrade and recently re-opened to the public after a 6 month build out period. Funding sources included $1M from the City of Saratoga Springs, $766K through a capital grant from NYSCA (New York State Council of the Arts) with the remainder fundraised by Saratoga Arts’ board members, donors and a few other local foundations.

The renovation has resulted in several key improvements – a new gallery with programmable, energy efficient lighting, 2 renovated bathrooms, an upgraded theater (including a sound booth and new projector/sound equipment), and replacement windows throughout much of the building — in particular the curtain wall (The windows that face the carousel in the back of the building).

Saratoga Arts : Shown Allan Weatherwax (Board President), Amy Bloom (Executive Director) and Spencer Sherry (Grants and Community Outreach Coordinator) | Photo: Corey Aldrich

On the lower level you will find new lighting and ceilings throughout most of the classrooms, including a door from the main classroom providing direct access to Congress Park. To follow, a patio will be installed in collaboration with the City of Saratoga, slated later in spring 2026. The printmaking studio has new plumbing and a new sink was added in the smaller classroom. Additional improvements include upgraded wifi (especially on the lower level where there was none prior), a new boiler, new gutters, and electrical panels throughout much of the building.

“As a supporter of Saratoga Arts for over 30 years, NYSCA is proud to be a part of this extensive renovation project, which has created a multi-use facility to serve thousands of visitors. This new sustainable space will serve as a catalyst for creativity and collaboration for the entire region. Congratulations to the entire Saratoga Arts team, we look forward to decades more of your innovative and accessible programming.” Erika Mallin : Executive Director of NYSCA (New York State Council of the Arts)

Per Amy, the renovations will significantly improve Saratoga Arts ability to fulfill their programmatic mission to the community and provide an enhanced experience for community engagement.

WEB: saratogaarts.org | IG: @saratogaarts | ADDRESS: 320 BROADWAY

BELINDA COLON’S IMMERSIVE WORLD OF ART AND COMMUNITY

August 26, 2025 By Corey Aldrich

I met Belinda Colón several years ago through founding Executive Director of ACE!, Maureen Sager. Belinda was working with her at Spring Street Gallery in Saratoga Springs where she has now taken over the reins. Since then, we have crossed paths in many places including in Troy at the Arts Center of the Capital Region where where we both individually do freelance project work and The Hyde Collection in Glens Falls where she is a Trustee. She has to many irons in the fire in our region not to give her the talking stick for a spell and so…here we go!

Belinda Colón : Gallery Director and Freelance Curator of Exhibitions and Public Art | Image: Provided

Please state your name, title(s), and organization(s).

My name is Belinda Colón and currently I wear several hats. These vary between regular gigs and more project based freelance work. Currently I am involved as a Freelance Curator of Exhibitions and Public Art, Director and Curator at Spring Street Gallery. Owner and Founder at The Art Sheet, a Trustee at The Hyde Collection, a Member of the Saratoga Arts Commission and soon to be Owner at a Private Gallery in Troy.

Awakening Spring Exhibit at the Spring Street Gallery in Saratoga Springs New York | Image: Provided

Can you also tell us a bit about your history, including education, other jobs of note, and other special accolades?

 I started my education at CUNY Hunter College with a focus on Theology and History. Being exposed in NYC to all its cultural resources and accessibility, my historical and religious research opened my eyes to the History of Art and its connection to the humanities.  I continued my path to the arts at CUNY Queens College with a major in Art History. After moving North to Saratoga Springs, I landed a job at Palio Communications, a medical advertising firm, as administrative support, then as a project manager. Working with multiple types of artists at the firm, I was saddened to see so much amazing art being torn apart by clients. Becoming more aware of the exceptional talent at the firm, I decided that I needed to support artists like those at the firm who needed to be seen for how talented they are, outside of their day jobs, leading me to go back to school and finalize my Associate’s Degree in Liberal Arts with a focus on Gallery Management at Hudson Vallery Community College. I then enrolled in Empire State University and graduated with a Bachelor of Arts with a focus in Art History.

During my time in academia, I was given an opportunity at Spring Street Gallery to organize and install an art exhibition raising funds for the East Side Recreational Skatepark in Saratoga Springs, NY. The funds raised were to resurface the skatepark. After a very successful event, I was given the opportunity to be the Exhibitions Manager at Spring Street. After 13 years, I am still working at Spring Street Gallery, NO longer the Exhibitions Coordinator, now the Director and Curator.

Artist Royal Brown and Curator Belinda Colón : The Evidence of Things Unseen Exhibit
at the Spring Street Gallery in Saratoga | Image: Provided

Can you tell us a bit more about the Spring Street Gallery…your mission there and what you are doing to integrate into the community?

Spring Street Gallery was founded 31 years ago in 1994. Today, Spring Street Gallery is an award-winning not-for-profit art and performance space.

The Gallery’s mission is dedicated to providing exhibition and performance opportunities for local and regional artists. It fosters the arts as a vital resource for social engagement and educational connectivity.

Currently, the gallery has partnered with Collar Works in Troy to facilitate a program developed by The Arts Sheet called Immersion. Immersion is a professional visual artist development program. It’s designed to provide emerging and mid-career visual artists with professional opportunities for open dialogue and critical conversations with peers, regional curators, and gallery owners.

The combination of critiques, gallery/residency visits, and professional development enhances learning. Critiques focus on individual improvement, while group experiences and professional development provide exposure, contextual understanding, and valuable tools. Together, they create a comprehensive framework for artistic growth.

Catching Air at the ON DECK Skate Park in Saratoga Springs New York | Image: Provided

Another Saratoga based project I know you have been involved with was the Saratoga Skate Park. Care to share a bit about that one?

ON Deck Saratoga was a project of the Saratoga Institute, a vehicle for promoting skateboarding, skatepark stewardship, and creativity through community-based events. My husband and I started this project with the intention of bringing more attention to and understanding of the culture of skateboarding, a non-conforming recreational sport. We’ve organized a multitude of programs, including yearly skate jams, free films in High Rock Park, exhibitions and fundraisers in Saratoga Springs and Lake George, NY, skateboarding lessons and camps, and more.

Historical Backround info:

Built in 1989, the East Side Recreation (Rec) skatepark is the oldest municipal skatepark in New York State. In conjunction with Jah Skate Shop, which was located at 8 Caroline Street from 1988 until 1993, the skatepark used to host many team demos, spawned a few professional skaters, and in the mid-90’s was an official stop for Vans Warped Tour skate contest qualifications. The skatepark is a highly respected piece of East Coast skate history, and its popularity has grown along with the popularity of skateboarding and other wheeled sports.

As its use grew, the skate park was due for a contemporary upgrade, and now a modern, poured-in-place concrete park has replaced the metal ramps that have been there for 20 years. The City of Saratoga Springs & Saratoga Springs DPW has proudly partnered with Pillar Skateparks to design the new park, in conjunction with feedback from the local skate community.

Construction needs for the park were in the range of $400,000, and donations were accepted through ON DECK Saratoga.

2021 FENCE Membership Show at the Arts Center of the Capital Region in Troy New York
Image: Provided

I recently realized you are the brains behind the The Art Sheet event listing. Can you talk a bit about the history of this? What are the geographic boundaries? I have seen some pretty far flung listings!

The Art Sheet
has been a passion of mine for over 7 years. After being very frustrated that there was a lack of press regarding art and cultural events in the Capital Region and Upper Hudson Valley. There was never any place to go to find out what was going on on any given day. It was frustrating, so I decided to create a website to promote local and regional arts events. It has been a labor of love. The Art Sheet is a free resource for arts administrators, organizations, and artists. The website provides a calendar of events, a space for artist grants and resources, calls for art and residencies, artist professional development programs, and job opportunities (Provided by ACE!).  The Art Sheet is also available on Instagram at @theartsheet.

In Ply Exhibit and Interactive Skate Environment at the Arts Center of the Capital Region, Jane Altes Gallery
Image: Provided

For a while you were working at the Arts Center of the Capital Region, and I see you are still involved in some public-facing projects. Can you give us an update about your Troy-based activities?

Currently, I am a Freelance Contractor for the Arts Center of the Capital Region as their Public Art Curator. Some of the public art projects that I have curated or project managed include: Franklin Alley sculptural murals by Joe Iurato, Troy Art Block, Troy Electrical Boxes, Troy Glow, Uniting Line, and From Troy to Troy. There is an upcoming large-scale mural being implemented this fall. Look out for more information provided by the Capital Region Arts Center.

Joe Iurato and Belinda Colón Hang Out in Franklin Alley, Troy New York | Image: Provided

As a person working across municipalities, I am curious to know what your thoughts are about the current state of the arts in our region. What should we be focused on?

The arts in our region seem to be segmented. I would love to see more collaboration between organizations, administrations, and artists. Networking events focused on sharing opportunities and events would be fantastic. Funding is always a challenge as well, since there are a lot of arts and cultural institutions, but not a large enough regional funding pool. This can make artists’ grant opportunities slim.

Troy Art Block Team : Church Street Alley in Troy New York | Image: Steve Alverez
Troy Art Block Opening Event : Church Street Alley in Troy New York | Image: Belinda Colon

Shamless Plug: Anything coming up you would like to share that we should have on our radar? There is a whisper of a private gallery opening in Troy in the future. Keep your eye out for Willow Gallery.

WEB: Spring Street Gallery | IG: @springstreetgallerysaratoga
LINKED IN: Belinda Colón

The Pedigreed Couple Bringing World Class Performance and Education to Saratoga Springs, New York

July 8, 2025 By Corey Aldrich

My good friends over at Saratoga Arts were kind enough to provide tickets to the Sunday (06.15) performance of the Mostly Modern Festival at the Arthur Zankel Music Center on the Skidmore Campus, so I decided to drop by and check it out. In the past I have worked on projects with the Albany Symphony, Musicians of Malwyck and the Friends of Chamber Music to name a few so I have had a reasonable exposure to quality classical performance work. That said, I was not prepared for the resplendent beauty that I was privy to that day! The highlight being the world premier of Journey of a Dragonfly by Composer and MMF Co-Director Robert Paterson. It was a tour de force that felt like I had witnessed a new and unfamiliar format that left me hungry for more. (That and a great after party at the Surrey Williamson Inn!) I caught up with Victoria and Robert to better understand their organization and to ask how they are able to make this ambitious level of annual programming possible, with its attendant challenges, not only in Saratoga but with a sister festival in the Netherlands as well.

Robert and Victoria Paterson : Founders and Co-Directors at Mostly Modern Festival | Image: Lisa Marie Mazzucco
Robert and Victoria Paterson : Founders and Co-Directors at Mostly Modern Festival
Image: Lisa Marie Mazzucco

Please state your individual name(s), titles and give me a little bit about your background.

Victoria Paterson, General Director, Violinist and Co-Founder of Mostly Modern Projects. I am a violinist who is equally comfortable with classical, pop, and the healing arts. I have performed everywhere from Carnegie Hall, Birdland, and Madison Square Garden to Late Night with Seth Meyers and The Today Show. I am the General Director of Mostly Modern Projects where I hire musicians year-round, delivering vital programs to the community via senior centers, hospitals, and Alzheimer’s patients, as well as ‘rush hour’ & ‘lunchtime’ programs in public spaces and parks all over New York State. I lead the ever-popular FAB5 with a great line-up of live shows. My career spans a 20-years on Broadway, including full-time 1st violin positions for Lincoln Center’s My Fair Lady, The Palace Theater’s Sunset Boulevard and West Side Story, Lunt-Fontanne’s The Addams Family, and Off-Broadway : Heathers and The Thing about Men. I love collaborating with my husband and award-winning American composer, Robert Paterson. We celebrate his music with life-long projects, including the Mostly Modern Festival in Saratoga Springs, New York as well as the European edition, Mostly Modern The Netherlands.

Robert Paterson, Artistic Director, Composer and Co-Founder of Mostly Modern Projects. As an American composer, I strive to embody the diversity and breadth of New York State. Born in Buffalo, NY, I spent over a decade in Rochester and Ithaca, more than twenty years in New York City, and now live in Saratoga Springs, near the Adirondacks. My goal is to create colorful music that embraces everything from the environment to goddesses, online dating to mathematics. I had the privilege of being named Composer of The Year by the Classical Recording Foundation at Carnegie Hall. I was the winner of the Alfred I. DuPont Award, and my opera Three Way won the Grammy® under Best Classical Producer of the Year. I am honored to often get recognized as Best of the Year pick on National Public Radio where my orchestral tone poems, Dark Mountains and Triple Concerto, regularly air on NPR’s Performance Today. Three Way premiered with the Nashville Opera, Brooklyn Academy of Music, and across the United States. The Oratorio Society of New York, Minnesota Orchestra, Louisville Orchestra, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony Dogs of Desire, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide also perform my music. I am a lifelong vegan and an advocate for animals and the environment, celebrating the natural world with seminal works such as Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Mostly Modern Ensemble | Image: Lindsey Fish

Can you share the history of the project? What was the genesis of the Mostly Modern Music Festival? How about the mission? Is this an annual event based at the Zankel only?

ROBERT: From the outset, our goal has been to continually reassess the world of classical music, to reinvent it as a vibrant art form for the 21st century and beyond. Mostly Modern Projects (MMP) is dedicated to shining a spotlight on music by (mostly) living composers. We founded MMP in 2005, initially as a new music ensemble in New York City, with the critically acclaimed American Modern Ensemble (AME). AME’s mission is to “turn classical music programming on its head,” programming mostly and usually entirely by living composers. To this day, AME showcases and celebrates living composers, featuring world premieres in engaging and fun-filled concerts. Around the same time, we launched Lumiere Records, a classical label featuring string quartet music with broad market appeal, and then American Modern Recordings, a house boutique label focusing on music by living composers.

Mostly Modern Festival | Image: Provided

In 2018, Mostly Modern Festival (MMF) was founded in Saratoga Springs, New York. Each June, it takes place on the campus of Skidmore College at the Arthur Zankel Music Center. Quickly becoming the “Aspen of the East“, MMF hosts the MMF Institute, an educational experience for 200 instrumentalists, singers, composers, and conductors. Each year, people from all over the world descend on Saratoga Springs for the unique MMF experience. MMF’s international reputation began in 2021 when MMF The Netherlands was launched. MMF NL is held every April in historic Holland in Middelburg, Zeeland.

Mostly Modern Festival 2023 in the Netherlands | Image: Provided

Putting on a multiday, symphonic classical festival is a challenging endeavor on many fronts. How are you paying the bills? Is this mostly grant funded?

VICTORIA: The Mostly Modern Festival was founded in 2018 in Saratoga Springs, NY and takes place at the Arthur Zankel Music Center. It is an expensive endeavor indeed- I had an audience member say at the last MM Orchestra concert that she saw about $1,000,000 on that stage: 80 world class musicians, their instruments, especially the Steinways, the harp, all those precious violins and stringed instruments which can run about $10,000- $100,000 +, all the winds and the brass, all the percussion instruments. We pay top conductor fees and principal fees in our field to lead the orchestra with side-by-side learning with students who are all in their 20’s on average. It is a magnificent site and sound to behold, and yes, it is expensive. The hall and facilities at Skidmore College are world-class and top-of-the line in acoustics, sound and overall aesthetics and beauty. The price tag to rent the Arthur Zankel Music Center for 3 weeks is expensive. As of 2025, Mostly Modern is not affiliated with Skidmore. Mostly Modern is not presented by Skidmore College: it is a straight rental agreement, just as the New York City Ballet and Philadelphia Orchestra rent their facilities for the summer for housing, meals etc.

We pay the bills with tuition income, generous patrons, our board, local and national partners, as well as private foundations and public grants. Historically we receive funding from the NEA and NYSCA. Mostly Modern did not get those two grants in the 2025 current cycle. This was a loss of about $75,000. 2025 also brought on students who had far less money to cover tuition, so Mostly Modern awarded more tuition-free scholarships than ever before. Our goal is to have an endowed student education fund to ensure tuition-free scholarships for our 110 students (based on need, as well as merit) which will also help ensure 40 faculty salaries every summer. Student education fund goal: $2,000,000 by 2027. 

Good news in 2025: local support really stepped in and shout out to local partners: Adirondack Trust Company, Stewart’s-Dake Foundation and Phinney Design Group.

Good news in 2025: We have a new collaboration with Yaddo. Mostly Modern performs and celebrates one Yaddo composer every summer, culminating with a performance at the Arthur Zankel Music Center. Big thanks to President of Yaddo, Elaina Richardson!

Mostly Modern Festival 2025 Audience | Image: Provided

I was excited to be there for the debut of your piece JOURNEY OF A DRAGONFLY and was really excited about the format and the story-based narrative style. Can you tell us more about this piece…the process, how long where you working on this one? What was your motivation? What was it like to hear that performed in front of an audience for the first time?

ROBERT: I first started conceiving, outlining, and composing Journey of a Dragonfly twenty years ago, while I was in-residence at Aaron Copland‘s house. (Each season, the Copland House offers residencies at his house for a few select composers from around the world.) Knowing that I didn’t have a premiere lined up, or even the right orchestra conductor, I put that piece aside, and worked on a handful of commissions I had at the time. The conductor I wanted for the premiere of this piece was JoAnn Falletta. Since I love her conducting, and aspects of the piece are inspired by an area near Niagara Falls near Buffalo, I felt like I really needed to wait until I had a chance to work with her in order to finish the piece. Fast-forward twenty years later, we now have JoAnn as a guest conductor at Mostly Modern Festival, and I felt the time was right to complete this work. This piece is dedicated to JoAnn and MMF’s fifth season, and to the Mostly Modern Orchestra in-residence at MMF.

The format of the work is highly-programmatic, meaning, it has a story and a narrative ‘program‘ woven throughout the work, about a dragonfly that explores the world above, finds a portal to hell, sneaks into the Devil family’s house, is captured by the Devil child, and finally escapes back to the world above. The story is so descriptive that we decided to show each scene as super-titles above the stage so the audience could follow along. Although the piece is meant as a concert piece, it is also designed to be animated, so kind of the reverse process to how it’s usually done in the world of film. Usually, a film comes first, and the music is added at the end. With this piece, the music already exists, so the animation can be designed around the music. It took me one month to complete the first ten minutes at the Copland House, and another two to three months to complete the remaining twenty-five minutes.

Hearing this work for the first time was certainly cathartic! I feel like I’ve literally waited twenty years to hear it realized for the first time. It was definitely a little scary: with a piece that large, you want to make sure the audience is captivated the entire time, and fortunately, I received a lot of wonderful comments after the premiere, so I think I succeeded!

Mostly Modern Orchestra with Andrew Crust | Image: Provided

I noticed that your web address is MOSTLYMODERNPROJECTS…what else do you have going on we should know about?

VICTORIA: Mostly Modern Projects is a 501c3 non-profit music organization that runs and brings music to everyone year round. This summer brings more community and parks concerts than ever: here is our lineup

Special shout out…3 Yaddo events entitled Wine & Roses featuring Mostly Modern’s FAB5, July 17, July 31 and August 14.

Left to Right: Victoria, Corey, Danielle and Amara yuck it up at the 2025 Mostly Modern Festival
after party at the Surrey Williamson Inn in Saratoga Springs. | Image: Provided

Extra Credit: Anything else you would like to share or plug while you have the talking stick?

VICTORIA: Seeking new board members for Mostly Modern Projects who live in Saratoga Springs and/or the upstate New York region – the lift is light and the benefits are robust!

Mostly Modern delivers vital and incredible music through concerts, festivals, outreach and community engagement all year round. Help us continue to provide this valuable platform for an ecosystem of classical performance artists, students and those who love the craft!

WEB: mostlymodernfestival.org | IG: @mostlymodernfestival | FB: @facebook

Meg Mosca : Fashion Forward Design and Alterations in Saratoga Springs, New York

March 20, 2025 By Corey Aldrich

I recently reached out to Meg Mosca about helping out with a project ACE! is participating in this month with the NYS Art Teachers Association. I had worked with her back in 2017 where she participated in a fashion event that I did at the NYS Museum for Electric City Couture called IDENTITY. I was pleasantly surprised to find that she has grown and is now a fashion related entrepreneur working out of Saratoga Springs. Indie / custom fashion is a tough go. This is such a feel good and practical creative economy story, I just had to share. Additionally, who doesn’t need a good seamstress from time to time?!

Meg and Kevin Mosca : Owners at Mosca Alterations in Saratoga Springs, New York | Photo: Alexandra Eigo

Please state your name and title. Can you tell us a little about your educational / experiential background also?

My name is Megan Mosca, and I’m a fashion designer and small business owner. I completed my studies at Hudson Valley Community College before going on to study at the Fashion Institute of Technology. My education and experiences have shaped my approach to both the creative and practical sides of the fashion industry, allowing me to blend my passion for design with the skills necessary to run a business.

Starting at an existing business, WillFitUin in 2017, I eventually bought the business in August 2021.

2017 Electric City Couture IDENTITY Promo Shoot | Designer: Meg Kluball Mosca
Photo: (L) Doug Mitchell (R) Sarah Pezdek

What drew you to fashion and clothes making?

From a young age, I realized that clothing is like a second skin—it’s something I can choose for myself. It’s amazing how clothes can shift depending on your mood, how you want to present yourself to the world, or even how many times you want to change in a day. This realization sparked my interest in fashion. I quickly became fascinated by the power that clothing holds and how it can shape not just our appearance but how we feel and are perceived.

Mosca Alterations in Saratoga Springs, New York : Detail Work in Progress | Photo: Provided

Tell us more about your shop? Can you explain the types of work you do on a regular basis?

My husband and I own Mosca Alterations in Saratoga Springs, NY, where we specialize in women’s formal wear alterations, with a particular focus on wedding gowns. In addition to alterations, we also offer custom dresses, and we’re expanding into that market more and more. It’s really exciting to work on pieces that have such personal significance, and being a part of making someone’s day even more special is always incredibly rewarding.

Mosca Custom Wedding Dress Design | Photo: Michelle Lang

Are you still experimenting with producing original lines?

Yes, I’m currently working on developing a line of wedding veils called Opaline. I’m also focused on growing our custom gown offerings. One of the most rewarding parts of my work has been creating custom dresses for clients using vintage pieces, particularly wedding gowns from their families. Reworking these gowns—restoring them and giving them new life—has been such a joy, especially when you get to work with something so sentimental and meaningful.

Mosca Bespoke Garment Crafted From Heirloom Piece | Photo: Nicole Perfetuo

Running a business is a lot of work and a very different headspace from the creative. Can you tell us how you balance it? Also, anything you could share on the economics side of things? Any practical recommendations for fellow designers?

Balancing the creative and business sides is definitely a challenge. As a perfectionist, I often find it hard to let go of control, but being a business owner has forced me to rely on the strengths of my team. It’s an ongoing challenge to take my hands off certain tasks, but the growth that comes from collaboration has been invaluable.

In terms of practical advice, I try to keep a clear separation between work and life by setting boundaries. I “punch in” and track my hours to make sure I’m being as productive as possible during work hours. It’s also important to set times when I have to leave the studio. As someone whose brain never seems to turn off, I find it essential to create those boundaries to prevent burnout.

Mosca Opaline Veil | Photo: Amanda Irvine

EXTRA CREDIT: Anything you have coming up you would like to plug or that we should know about?

Yes! We’ve recently launched a collection of veils that are available via Etsy, and we’ll soon be adding them to our website as well. Be sure to check them out! It’s an exciting new venture, and I can’t wait for people to see the pieces we’ve been working on.

WEB: moscaalterations.com | IG: @moscaalterations

Saratoga Sounds Under ‘Acoustic Clouds’ : Re-envisioning the Arthur Zankel Music Center

October 12, 2022 By Corey Aldrich

The Arthur Zankel Music Center | Photo: Provided

The Zankel Music Center on the Skidmore College Campus opened in 2010. The 54,000 sq-ft facility features the 600-seat, acoustically brilliant Helen Filene Ladd Concert Hall. In addition, the building also houses a 100-seat lecture and recital hall, rehearsal and practice rooms, and the Skidmore Music Department. It’s not uncommon to walk into Zankel and hear the sublime sounds of piano, violin, or operatic singing floating through the corridors. A campus and community asset, it welcomes roughly 25,000 visitors each year.

The Helen Filene Ladd Concert Hall at The Zankel Music Center | Photo: Provided

THE MISSION

The mission at Zankel is two-fold: 1) to strengthen it’s role as a cultural resource for upstate New York by refining and expanding it’s world-class programming, and 2) to diversify and transform Skidmore’s music program in collaboration with faculty. The concert hall features tunable acoustic “clouds” and a look resembling Carnegie Hall’s Zankel Hall (named for Arthur and his wife, Judy). A unique offering among regional venues, hits a sweet spot in capacity, aesthetics, and experience of sound. A regional best kept secret outside of the Saratoga Springs community, one which the facilities newest addition Zhenelle LeBel looks to change.

Zhenelle LeBel joined Skidmore College as the Managing Director of the Arthur Zankel Music Center on August 1 of this year. Previously, she was with an important Troy based performance space, the Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute where she was a senior arts administrator for the curatorial team.

Zhenelle LaBel : Managing Director at The Arthur Zankel Music Center | Photo: Provided

PROGRAMMING NOTES

Programming at the Zankel spans a range of musical genres, from Western classical to jazz to music from cultures around the globe. The audience reflects that in its multi-generational and multi-ethnic composition. In coming seasons, Zhenelle states that they will interrogate these genres with questions like: What happens if you center Black experiences and expressions of classical music? Where are the women in jazz? Is the term “world music” problematic, from the perspective of American colonialism? They plan on supporting these dialogues with lectures, screenings, and related convenings with the aim to include a diversity of voices.

John Batista and Stay Human | Photo: Rudy Lu

Zankel is bustling with the student body daily, between students enrolled in Music programs and a staff of around 30 student employees who help run events. They also facilitate collaborations across departments, working with faculty and their students to engage campus with programs that complement the events–master classes and workshops, screenings, talks, and exhibits, understanding that these interdisciplinary activities enrich the arts for all.

“These collaborations have a direct impact on student’s awareness of and interest in performances at Zankel, and are what I think contribute most to their attendance. Unlike our public audience, who attends primarily for entertainment, the Skidmore community shows up because in most cases, they’ve gained a new way of relating to the music and are curious. We love to inspire curiosity!” Zhenelle LeBel

Jungle in Concert | Photo: Provided

A RICH PEDIGREE

The Zankel has had laudable roster of talent perform on stage including: Branford Marsalis, Jon Baptiste, Emanuel Ax, Ani DiFranco, the Indigo Girls, Paul Simon, and Ladysmith Black Mambazo. In addition to presenting student recitals each semester, which is seen as an essential service to provide burgeoning artists the opportunity to perform for an audience, they also welcome performances by professionals who may be emerging in their field.

Recent performer Taína Asili | Photo: Nathan Bogardus

As for near future developments and focus, Zhenelle says, “Next year will bring exciting changes to our program, with new artistic residencies and a shift toward more multi-disciplinary performances. I am working on a thematic framework for our 2023/24 season that seeks to respond to some of my earlier questions, curating artists whose music both uplifts and informs. Can’t name names just yet!“

Follow them on social media to keep abreast of the new programming as it develops or reach out to Zhenelle directly.

WEB: www.skidmore.edu/zankel/index.php
IG: | FB: @zankelmusiccenter

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