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Behind the Scenes At “The Costumer”

July 6, 2021 By Maureen Sager

In 2016, Erik and Bonnie Johnsen moved from Massachusetts and bought The Costumer, a 100-year-old, full-service costume and makeup business with locations in Albany and Schenectady. The Johnsen’s are passionate about the positive impact of scholastic theater! Read on as Bonnie takes us behind the scenes at this creative — and mission driven — business.

How and why did you buy a costuming company?

Tyler Johnsen and mom, Bonnie

Erik and I are theater parents. Our son, Tyler, was a very, very introverted little boy. Teachers tried everything to get him out of his shell. So, in fifth grade, he signed up for chorus, and he ended up with a solo. He blew us away! That was his stepping stone into theater, winning awards and leads in every show in high school. He just completely took off and it changed his life.

So, when Erik wanted to get out of the corporate world and saw this opportunity to buy a small business, we knew it was the right thing. We believe completely in this mission because know what scholastic theater can do for a young child’s confidence. It’s fabulous.

Erik Johnsen
Erik Johnsen, President of The Costumer

Tyler is 22 now and studied theater and business in college. He’s now getting his Masters degree, and helps us in the summers. We all love it. This business is truly something we’re passionate about.

What’s the history of The Costumer?

Costumes from Into the Woods

The business was started in Schenectady in 1917 by a woman named Anna White. She was trading handmade costumes in exchange for dance lessons for her daughter. Since then, it’s changed owners four times. The Sheehan family were performers and teachers, and they saw the niche of school productions. They believed that kids deserved Broadway-caliber costumes.at affordable prices.

Constructing costumes for Something Rotten!

Our head designer has been with the business for over 30 years, with experience from Broadway. She creates costumes for all of the new shows, and makes sure that they are shipable and durable, because they’re for kids. We’re one of the few businesses that customize our products for all ages, even elementary schools. It used to be that high schools were the main customers for high-end costumes, but now we see it for all ages, even young children. So, the costumes need to be tailored to suit.

What kind of jobs and careers are there at The Costumer?

There are a wide variety of jobs here, and most of us wear a lot of hats. For the costumes, we need seamstresses to construct new products and tailor the costumes for our orders. Everything needs to be laundered, pressed, and packed, so we’ve got people who handle all of that.

Shrek costume
The Costumer’s annual catalog photo shoot

Plus, we’ve got a retail establishment, so there are others who meet and talk to customers. And, there’s of course the office and administrative staff, who are doing bookkeeping and a variety of other things. I handle some of the marketing, and social media is done by retail manager. We’re all multi taskers. At the height of the theater season and during Halloween, we’ve got about 40 employees on staff.

Many businesses and organizations have expressed a need for tailors and seamstresses. Have you, too, had trouble finding people?

Yes, it’s very difficult to find trained seamstresses. I think it might be because they’ve largely stopped teaching Home Ec in schools, and that’s the way that a lot of us learned to sew. It’s definitely become a dying art.

Cosplay

Thankfully, though, they do teach sewing in college theater programs. Tyler knows how to sew for his theater degree, and we’ve hired other people from his school. But the best source of seamstresses has been young people who are very active in the cosplay community (the practice of dressing up as a character from a movie, book, or video game). Young people are making their own costumes. Cosplay and Comicon are absolutely enormous businesses, and sewing is a great skill for young people to have.

You’ve got a move in your future?

Yes! We are moving our retail location over to Mohawk Harbor, and are looking at an August opening.  We’re very excited. The Harbor has got the whole “live, work, play” environment. There are restaurants and the casino and the amphitheater. It’s a fun place, and we’re a fun company. Our employees are excited about it, too, After a difficult year and a half, it’s nice to have something great to look forward to.

A Conversation with Fashion Designer Staci Snider

May 17, 2021 By Rachel Dunn

Saratoga Springs-based fashion designer, Staci Snider, is a force to be reckoned with. As a designer, she pushes boundaries, utilizing high-tech fabrics and embracing femininity while incorporating elements of men’s tailoring and architecture. As a woman, she is fierce, fabulous and unabashedly changing the face of fashion. She’s not afraid to take risks, and doesn’t follow trends; instead, she creates them. I was fortunate enough to sit with her at her boutique in Saratoga Springs for a conversation and learn more about what drives her.

Rachel Dunn (RD): Let’s start by you telling me a bit about yourself and the Snider brand.

Staci Snider (SS): I am originally from Saratoga and went to university on a track and field scholarship. After undergrad and retiring from athletics, I went to grad school for fashion design earning my MFA. I started my label after I worked about a decade combined in Europe and Mexico. I was recruited back to New York by a NYC showroom where I started my label and have had it now seven years.

Because of my background in track and field, the fashion line has a lot of athletic influences, from functionality to form. I work with a lot of high-tech fabrics. Overall, the brand has more of a European sensibility than an American sensibility, because most of my training – even in grad school – was with European instructors/artists or working in Europe, so there is a different type of feel to the label.

Photographer: Todd Bailey, Hair/Makeup: Annmarie Sherron, Model: Anna Nikiforov

RD: Do you think that European sensibility translates here for people?

SS: I think they’re getting it more and more. But honestly, with this brand, they either get it or they don’t. In the end, there have been people in the area that have shopped with me since grad school. And that’s the thing, if they buy into the brand, it’s because the pieces show a little bit more individualism than the typical mainstream brand, so it sets people apart a little bit with more uniqueness.

RD: You said that athleticism influences your aesthetic. What else inspires or influences you?

SS: It kind of depends on what’s going on in the world. This past year’s been really tough, obviously, for anyone but for me sports is a huge part of my life. So the Fall 2021 collection’s inspiration is English soccer club teams, because that was one of the only sports on TV [during COVID] so I watched a lot of soccer this past year. But it just depends. Lines and structure are also a huge influence in each collection so I pull from a lot of architecture, like the architectural work of Zaha Hadid. It kind of just depends on what inspires me.

I mean, I’m all set for Spring 2022. which again COVID life brought things back to a more simple life and that will come through in the collection for next year, though with a lighter, more cheerful color palette.

RD: Watching soccer during COVID influenced your design, but how did the pandemic affect your business as a whole?

Photographer: Todd Bailey, Hair/Makeup: Annmarie Sherron
Female Model: Anna Nikiforov, Male Model: Drayton Patriota

SS: Well, sales were definitely down in the shop and in my stores around the country. Being able to dropship was the saving grace with online sales. It is starting to transition back. Because I’m a small boutique and a small designer, I’m getting a lot of support from my clients and that’s great. I do think there’s going to be a shift from people shopping in department stores to back to a more personal experience, but people are still in the mindset of shopping online due to the pandemic. I do send packages out for people to try stuff on and see what works works. What doesn’t, they can send back.

I also did just do a debut men’s collection to kind of just get some inspiration and a different design aesthetic going, so that was good.

RD: What inspired you to design for men because I know it’s definitely a different part of your brain, right? 

SS: It is, it is. But it’s funny because in grad school I took a lot of men’s tailoring classes, because I always wanted to bring that level of technical design into my work. Menswear is much trickier inside the garment than one lets on and way trickier than women’s garments, so I’ve always tried to pull that aspect into my womenswear. I used to do men’s linen trousers for pro golfers in Mexico, so that was good experience. But what I was finding is that every man I was talking to in Saratoga, they were no longer going into the office. They were all working from home where it’s like they still need to look good but it is a more relaxed environment. So, it’s like will men go back to wearing a suit? I think some will, but some will transition out probably permanently. 

I am grateful that, in our area, people still want to get dressed up, like our women are ready to get back into the usual Saratoga Summer festivities. So hopefully people will not be in sweat pants anymore from COVID life, but people did change what they’re wearing on a daily basis. 

Photographer: Todd Bailey, Hair/Makeup: Annmarie Sherron, Model: Drayton Patriota

RD: Do you see that having a lasting impact on fashion? 

SS: I hope not. It’s terrible. (We both share a laugh over a future full of sweats.) I mean I am not for sweat pants or any of that. My stores in the South have told me that women have not gone back to what they normally wore before, so they are still wearing very casual clothes at a lower price point. But you know, with us [here in Saratoga], we have so many events and there’s always something going on in this town so people are eager to get to know what our new normal is. 

RD: Speaking of Saratoga, you mentioned that you are originally from here but have lived all over the world. What brought you back? 

SS: I was in New York City before this and I really had no work-life balance. I am all-in so it’s hard for me to create balance when I can just work all the time and there’s always work to do. Being in a big city environment, I was just working insane hours, so I felt like I got to the point where I was like, OK to create more balance I need to remove myself. I don’t need someone to push me, I do that fine enough on my own. I wanted to remove myself from the intense environment and put myself kind of in the country with a more relaxed environment where I could create more of a day-to-day balance and a healthier lifestyle. 

RD: Now that you’ve been here a couple years, how do feel that’s been working? 

SS: It’s fantastic. It’s interesting now, you know, with COVID hitting and all the City people that have moved up here. I was happy that I hit that wave before it came and that’s where I am now. Before I work, I take a run, and take time to go out with my friends. I’ve also picked up new sports and that’s been an important part of my day too. It also helps me be able to work more effectively. So it’s been good. 

RD: You mention the large number of people that are moving up here from the City. Have you connected to other creative people in the community? 

Photographer: Todd Bailey, Hair/Makeup: Annmarie Sherron, Model: Anna Nikiforov

SS: Yes, the ones that I’ve connected with were already here. There have been a couple from the City that I have connected with and they’re actually interested in relocating, so they want to know how the transition is. You have to find your tribe wherever you are and that’s what I do. I have a couple of very good creative people in my life, where we think the same way and work the same way and that’s important. You know, in the City, you might have a lot more people that are similar but it’s also super competitive and you don’t have a ton of time to have a social life. 

RD: So there’s a more collaborative spirit here? 

SS: Yes, in fact, I have a call today at 3 o’clock with an Italian furniture company, Calligaris, and a Belgian handbag line, Hedgren. We’re doing a collaboration during Fashion Week in September. The models will be wearing my clothes – Fall 2021 – and holding the Belgian handbags on & around the furniture. It’s kind of something outside of the box for buyers. They can attend, have hors d’oeuvres and cocktails and view art. 

I think the future will hold a lot of collaborations with different mediums coming together. It is always fun to work with other artists and to feed off of each others creative energy. This summer, I would like to do an event with Jonathan Sweet here in town. His furniture design aesthetic is similar to the design lines of my clothes, so I think that would be cool to do something creative with him as well.

RD: Earlier, you mentioned that when it comes to your aesthetic for the brand, people either get it or they don’t get it. So who would be your ideal client? 

SS: Normally, I would say my average client is mid-50s and a CEO. But really, it’s women that are confident in who they are and who don’t want to look like everyone else. They’re completely comfortable wearing a bold outfit and walking into a room and taking over. 

And I have some women that, you know, they’re actually quite conservative who make their own play on the clothes and that’s what is good. It’s making sure your personality comes through in the designs. There is a preppy influence to the clothes being from Saratoga. My designs are edgy, but not severe. This season has a very classic feeling and bodes well with the British influence. 

Male model wears a gray tracksuite while leaning against a stone wall
Photographer: Todd Bailey, Hair/Makeup: Annmarie Sherron, Model: Drayton Patriota

RD: As we come out of COVID, do you see things picking up? 

SS: The brand is growing, which is good considering the year we’re coming out of.  Some business is starting to pick up and I’m getting into more stores, so it’s funny how it’s really starting to spread in the more cosmopolitan areas. I just got into stores in Atlanta and Sarasota, FL. And I’m now with a site out of London that ships all around the world, so boxes are going from Australia to Sweden. 

RD: If the people who are reading this article wanted to shop Staci Snider, they could come by the Saratoga Springs store or shop online?

SS: They can shop online or come by the store. I also offer appointments at the store where customers can receive more one-on-one attention without interruptions and we can cater to their needs. I am here at the store, so they can actually come in and work with the designer. So if we need to shorten a skirt or build an entire wardrobe, then that can be done. Snider Fashion is a full working atelier with machines in the back. Some days it is all business or retail, others it is cutting and sewing, some designing or sourcing fabric. There is constant movement. 

RD: And that’s a unique experience because most boutiques that you go into you don’t get to meet the designer or get that one-on-one personal attention.

SS:  It’s funny, because it’s been common in Europe for decades and I have a feeling it may move back to that. It has not been a common practice in America for a really long time and I have a feeling that we will go back to seeing designers more involved on a customer level. It is always good to be engaged with the people wearing your designs. You can learn so much from just listening to those that embrace your creative vibe.

Shop Staci Snider at her boutique at 18 Congress St. in Saratoga Springs or online here.

LIVING ONLINE Series: SIRSY, Indie Pop Rock Duo

May 12, 2021 By Corey Aldrich

In the spirit of collaboration and best practice sharing, I thought it would be interesting to share perspectives from our fellow creatives to see how folks are getting along as we all craft new ways to practice our craft. For more on my LIVING ONLINE series, click here.

First, an intro to SIRSY:

Tell us a little about yourselves. How long have you been doing music together? I think the first time I saw you was at Revolution Hall in Troy NY several years ago…or was that Red Square in Albany? My memory is going!

Sirsy is an indie pop rock duo that’s chock full of soul and sass. I am the lead singer and drummer and I play bass on a sampler keyboard that I play with my drumstick. My other half is my husband Rich who plays guitar and then bass on a keyboard he plays with his feet. We both play piano and we thought about the bass in that way. So, there are not loops that we play along to, it’s all live. And that’s how we’re able to sound like a full band with just the two of us.

Pre-COVID, what would a normal schedule be like for you?

Pre-covid we played 250 (or more) shows per year all over the US and in Canada. (We still need Alaska, but otherwise we’ve played all over the US!) Rich has done the math, and we were averaging about 60,000 miles per year in our little white van “Axl Roads”.

What would you say your proudest moment has been as a band?

We end every live stream with this statement: “Take care of each other”. It’s something our fans have taught us to do in our lives and in our music. I was diagnosed with my second cancer while we were on tour in Tulsa, OK a few years ago. (My doctor called with biopsy results.) I think for me, I am most proud of the way we were able to open ourselves up to our fans and let them know what was happening. We’d always been a bit more guarded before that. (After my first cancer, I didn’t tell the fans until I was ok). Our fans helped us through that dark time and it brought us all closer. For us, making music has always been about human connection through music. Since then, we’ve been honored by hearing our fans’ stories. They’ve told us how the songs we wrote about our experience helped them through tough times of their own. During the pandemic we all took care of each other again…. It’s really been a great life lesson to learn and a great lesson to learn as artists. And we’re very proud and honored to learn that our music and our band can make such a positive impact on others.

How did COVID affect the way you pursue your craft?

We had to pivot to 100% online shows. We started doing shows every Saturday night and called them Sirsy Saturday Night Live Streams. At first it was just us picking a set list and playing live in our basement studio with one camera. By the end of the series, we had 6 cameras (that Rich controlled with another pedal board at his feet), different themes every week, and even comedy sketches and characters we’d created. We’ve amassed quite the collection of wigs! Our fans skyped in with requests. We had shows about fans who had sirsy tattoos. These live streams became a ‘thing’. The coolest gift to come out of it was that we had this community of fans that gathered with us each week and supported not only the band but one another. It was truly a lifeline for all of us. And for those moments, it lessened the weight of the world for all of us.

How did COVID affect your income?

Like everyone else, we are making a lot less money. The good thing is that our fans are incredibly generous and have supported us though this time. Also, our expenses were down quite a bit. I think last April we spent $0 on gas! That was a first. We try not to complain and consider ourselves very lucky to be safe and healthy and to have had a vehicle to make art and connect with our fans.

Whats should we be looking for next from SIRSY?

We have been writing new music like maniacs during the pandemic. So, we hope to release a new record soon. We did release a few new tracks (Astronauts and Hey Disaster). We’ve also been booking shows like crazy. So, we hope to connect with everyone in the flesh very soon!

Corey Aldrich

A longtime ACE Contributor, Corey works out of Troy, New York. He runs a freelance consultancy for all aspects of brand development and business process management / development. Current projects include cash flow analysis, strategic market planning, 3rd party project oversight, public relations, event planning and front end visual brand design / design-build projects. He has a focus in not-for-profit arts and mission oriented organizations. In his free time he works on honing his craft as a photographer and guitarist. (corey@2440designstudio.com)

The Team Behind the CapNY Brand

April 8, 2021 By Maureen Sager

This week, the CapNY Regional Brand Initiative was launched. The ACE team and partners have been at the forefront of this effort for over 5 years, when we first began connecting amazing places and people in all 8 counties of the Capital Region. It’s your stories, conversations and connections that built the CapNY brand. Here’s the ridiculously creative talent that built CapNY:

  • Rachel Dunn led our very earliest ACE Roundtable discussions in 2018, where we first posed the question, “What is this place, and do you like it here?” Hundreds of people from all 8 counties weighed in, and your outpouring of comments – and love for this place — formed the basis for the CapNY brand. Rachel then envisioned and led the formation of the CapNY brand with our stupendously generous partners, Fingerpaint, Overit and Collectiveffort. You can see the story of the CapNY brand here. The fact that three marketing / branding firms from three different counties worked together with a project manager as talented as Rachel is exactly what makes the Capital Region special. Our depth of talent is remarkable, and it’s why we are truly CAPable of aNYthing.
  • Gabby Fisher – who is now Associate Director of ACE! – served as Senior Producer of the CapNY website, and will continue to spearhead the social media and newsletter development for the CapNY brand. Gabby managed and oversaw the development of a hundred articles, and worked with dozens of writers, technicians, photographers and more, to give the site its vibrant, authentic feel and sleek, clean look. And, she did all of this in just six months, which is nothing short of amazing. A serial entrepreneur, Gabby’s co-mads (new site coming 4/19) and Capital Heart Connection projects are unmistakable evidence of the power of the next generation of talent in Capital Region. CapNY is designed to shift the region’s focus and power to leaders like Gabby. NOW. Not twenty years from now. 
  • The project leads of our agency partners who gave their hearts to the development of the brand: Patrick Harris and Jamel Mosely (collectiveffort), Bill McEllen and Andy Spitzer (Fingerpaint), Michelle Dinsmore (Overit), and the amazing teams who created soooo many iterations of this brand, to finally arrive at the absolutely perfect one.  
  • Filmmakers Micah Khan and Victoria Diana shot the gorgeous CapNY video, and editor Luke Aker who brought the footage together so beautifully!  
  • Our dozens of talented, up-and-coming writers and collaborators, SEO editor Barbara Price, and our lead technician Rachel Holt of Reach Creative
  • Photographers Konrad Odhiambo, Ska City Photography, Jay Zhang Photography, and others
  • Our earliest and strongest advocates, who had the vision to see what we were doing when this was just a kernel of an idea: Jeff Buell of Redburn Development, Dan Nolan of Graypoint LLC, Chet Opalka, and Ellen Sax of MVP Health Care. Hundreds of people helped, but these four people turned the tide and moved mountains for us.
  • Corey Aldrich of 2440 Design Studio, who has thrown his entire self into every one of our 40+ ACE events. Those events formed heart and soul of what’s culminated in CapNY and so much more ahead.
  • The ACE partners and the Center for Economic Growth (CEG), for opening doors and supporting our work.

Also. ACE is aware of the inadvertent problems that can occur when a region takes its eye off of the people who live here, and focuses its efforts on attracting and courting outsiders. This was made clear by consultant Meredith Powell during our “Lessons from Austin” event in 2019. Meredith said something that sticks in our heads to this day – “Dance with who brung ya.” In other words, don’t forget the residents who made the region great in the first place. We’re committed to telling ALL of our stories, both new residents and old. Because you built this place. And you’re amazing.

A million thanks to all of you, for showing the world what the Capital Region is made of.

-Maureen Sager, Executive Director, ACE

5 Film Industry Professionals To Watch in CapNY

April 7, 2021 By 518 Film Network

These 5 film industry professionals may not be famous (yet), but they’re making incredible work right here, right now, in the Capital Region.

The Capital Region is just three hours from New York City, a global hub for filmmaking. However, even though the Capital Region regularly hosts television shows and movies, we’re more often sought for cast and crews. This lack of understanding of our depth of talent has hurt our local filmmakers. Often, it drives us to work outside of the area, to New York City, Boston, and even Los Angeles.

Many local filmmakers have chosen to live in the Capital Region despite the challenges. These 5 film industry professionals may not be famous (yet), but they’re making incredible work right here, right now, in the Capital Region.

1. Lakota Ruby-Eck, Cinematographer

Leading off our list of 5 film industry professionals is Lakota Ruby-Eck, an Albany-based director of photography (DP) and assistant camera operator (AC). He became a filmmaker by accident, when he found himself in an advanced video class in high school. Then and there, he fell in love with cinema. After graduation, he attended school for broadcast communications, finding film school was too expensive. Lakota also worked at the Spectrum 8 Theatre in Albany. He would watch and study as many free movies as possible. There, he met other local filmmakers and eventually ended up working on their sets. “Being on set is my favorite thing ever,” he said. “It feels like a family.”

Video games often inspire Lakota’s cinematography. “Video games are now informed by film,” he said. “Even the lighting in games is heavily informed by cinema.” Lakota would love to work on a video game adaptation, especially System Shock of Bioshock. Advising new cinematographers, Lakota says, “Always be prepared to learn. There are so many different kinds of gear and every DP has certain things they like.”

You can contact Lakota and find his work on his website.

2. Victoria Diana, Writer/Director/Comedian

Victoria Diana is a writer, director, and stand-up comedian born and based in Schenectady, NY. She attended SUNY Oswego, planning to study archaeology. She ended up working at the university television station as an anchor and director. Victoria realized she didn’t like the news, but she loved news writing. Eventually, she directed tape sketches and interned in Los Angeles for a summer. There, she edited sizzle reels and did script coverage.

Her career brought her back to Schenectady after college where she worked as a PA on The Pretenders. Later, she found work in New York City, staying with friends or family during gigs. She hoped to move to NYC, until she realized that the high cost of living would keep her from creating her own content. Instead, she moved back to Schenectady and focused on her writing full-time, taking side jobs to pay the bills.

Victoria’s Prizes and Festivals

Victoria’s first film, The Cabinet, is a short horror film that made it into multiple festivals, including the Adirondack Film Festival in Glens Falls.

Recently, Victoria completed her second film, Devour, starring Kelli Barrett (Dickinson, Netflix’s The Punisher) and Andrea Morales (Prodigal Son, The Blacklist, Bull).

Victoria won $40,000 through the Innovation Group of CNY Art’s Short Film Competition Grant. Although the film had to be based in Syracuse, a significant portion of the crew were based in the Capital Region.

You can watch her latest film, The Cabinet, and see some of her comedy on TikTok.

3. Aden Suchak, Writer/Director/Educator

Aden Suchak is the Director of Education at Youth FX. He’s also an independent writer and director. Aden was a born storyteller. He adds, as a kid, “I had no interest in sitting down in one place.” Youth FX was originally a summer camp. There, Aden was given the freedom to make a lot of mistakes. “The thing that made me a filmmaker,” he said, “is the opportunity to do so. Just be a filmmaker, just do it. It should be normalized and have more support.” Aden regularly watches foreign films for inspiration. He explained that many classic films don’t tell modern stories. They don’t tell stories about women or people of color. His favorite filmmaker is Wong Kar-wai. He said, “We need a new visual history to replace the old ones.”

Aden’s Albany-based Filmmaking

Aden recently finished his short film, Driver, with collaborator Mohammed Al Shaneif. Driver centers around a Syrian driver who plans to meet his family in Toronto. The entire cast and crew of the film, other than one person, was based in the Albany area. Aden and Mohammed won a grant from the Scout Film Festival to complete the film. “[I want] to make films about the local community, both set in and also starring people from the area. I feel really connected to a lot of those stories and that’s where a lot of my writing comes from. This film came together through our friendship and our relationship.” Aden says that his first feature will also be shot in Albany.

You can follow Aden on Instagram and see his work on Vimeo.

4. Kenna Hynes, Director/Cinematographer

Kenna is a director and cinematographer who moved to Upstate New York 5 years ago. She originally studied orchestral music performance for the French horn, but later moved to Chicago to study cinematography at Columbia College. Her goal was to become a union camera operator. But, she met a group of musicians, leading her to make tour videos and tour documentaries. Since then, Kenna has joined a few bands and started working on music videos as well. After fatefully meeting members of Chromoscope Pictures at Little Pecks in Troy, Kenna has collaborated with them, directing music videos for local musician, Half Waif.

Many filmmakers say yes to every opportunity, but Kenna explained that being selective is okay. Her advice? “Only work on the projects you want to work on, with the people you want to work with. You don’t have to live in a big city to make amazing art or find people to make art with. Follow a path that works for you.” Kenna’s dream project is to create a narrative feature that’s impactful and uplifts marginalized voices.

You can find more information about Kenna on her website, follow her on Instagram, and see one of her latest videos.

5. Cameron S. Mitchell, Director/Cinematographer

Cameron grew up in Michigan and graduated from Temple University with a degree in film and visual anthropology. Now, he lives in Albany with his three cats, Mickey, Prince, and Nugget. Cameron started working professionally as a swing grip on the series Restaurant Impossible.  From there, he worked as a rental technician in New Jersey, networking his way to working on other productions including Molly’s Game, Iron Fist, and The Romanovs.

Accessibility for Actors with Disabilities

Cameron felt naturally attracted to filmmaking. Both of his parents are documentary filmmakers. His interest in telling stories about people with disabilities arises from both his father and sister living with disabilities. His latest film, Co-Op, is about a grocery store robbery that doesn’t go as planned when the thief realizes that many of the shoppers are people with disabilities. Co-Op made it to over a dozen film festivals worldwide, including Slamdance. The film will stream on Hulu.

According to Cameron, casting people with disabilities is not as difficult as top casting directors make it out to be. Cameron often casts people who are non-actors. He says, “How can non-actors become part of a story about themselves?” When it comes to advice, Cameron also attests success to becoming comfortable with failure. “It took me 10 years of sitting back in the DP seat and observing other directors do the thing I wanted because I wanted it to be perfect when I did it.” 

You can find out more about Cameron S. Mitchell on his website and watch the trailer for The Co-Op.


Written by: 518 Film Network

Local filmmakers Michelle Polacinski and Micah Khan began the 518 Film Network in the beginning of 2020. 518 Film Network’s mission is to empower and connect the local Capital Region filmmaking community in order to collaborate on new content and inspire outside productions to hire locals when they choose to film in our area. Find out more information on their facebook page.

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