ACE

Upstate Alliance for the Creative Economy

Rensselaer County

FREE TICKETS to the Albany Symphony’s ‘Classics for the Holidays’

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We partnered up with the multiple Grammy winning Albany Symphony Orchestra and are making available a block of FREE TICKETS (a $65 value each!) to the annual holiday extravaganza ‘Classics for the Holidays’ performance! Availability is first come first serve so jump on this asap if your interested. There is a two tickets per person limit.

Albany Symphony Orchestra at the Troy Music Hall.

This December you are invited to enjoy a night or afternoon with the Albany Symphony as Music Director David Alan Miller conducts the ASO in a program of ‘Classics for the Holidays’. Come experience one of J.S. Bach’s beloved Christmas Cantatas featuring singers from the Bard Vocal Performance Program and his famous Double Violin Concerto featuring the ASO’s own Mitsuko Suzuki and Funda Cizmecioglu, plus a sinfonietta by influential 20th Century Black American composer and conductor Coleridge Taylor-Perkinson, and Mozart’s stunning Symphony No. 39.

Classics for the Holidays | Troy Savings Bank Music Hall
Saturday, Dec. 10 at 7:30pm | Sunday, Dec. 11 at 3pm

Order free tickets to the Saturday Evening or Sunday Matinee performance by using offer code ACEGUEST at checkout, or by calling the ASO Box Office at 518.694.3300.

PRO TIP: If for some reason you get a ‘seats unavailable’ message try a different location.

Violinists Mitsuko Suzuki and Funda Cizmecioglu | Conductor David Allen Miller

Opalka Gallery Pop Up Beer Garden and Neighborhood Block Party

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ACE! Amplified Series Opening Event

Join us for the opening event of our 4th Annual 2022 Pop Up! Beer Garden and Neighborhood Block Party series at the Opalka Gallery in Albany, NY.

This series opener will feature the main reception for the 2022 SCREENPRINT BIENNIAL featuring a curator talk with Nathan Meltz & Josh MacPhee’s GRAPHIC LIBERATION installation. On the hops and barley front we welcome back our good friends at Druthers Brewing and series newbies Shmaltz Brewing.

For those who are hungry, we arguably have the best line-up to date with Meadowlark, La Capital Tacos and desserts by O’Malley’s Oven. The live stage will welcome back series favorites the Graham Tichy Trio and series newcomer Caity Gallagher.

All this and lawn games and great conversation. Bring the family and enjoy what is sure to be an amazing evening.

This is an ACE! (Upstate Alliance for the Creative Economy) sponsored event and FREE and OPEN TO THE PUBLIC.

SERIES CENTER : HISPANIC HERITAGE EVENT

There will be two more dates in the overall beer garden series on each of the following Fridays. The second event in the series will be a HISPANIC HERITAGE month celebration that will be on Friday the 23rd.

Series Center | Hispanic Heritage Event

Back by popular demand, the second event of our 2022 Pop Up! Beer Garden and Neighborhood Block Party series will be a celebration of Hispanic Heritage Month.

The 2022 SCREENPRINT BIENNIAL & Josh MacPhee’s GRAPHIC LIBERATION will be on display in the gallery for review. Pop Up Brew vendors include the dynamic duo of Rare Form Brewing and Nine Pin Ciders.

Come hungry as we will have both Grammy’s Tamales, Oaxaquena Triqui and Mayan themed drinks and chocolate by Primo Botanica.

Finally, get you dancing shoes on for a return of DJ RVMBA and Joe Barna’s Latin Ensemble featuring Stacy Dillard.

All this and lawn games and great conversation. Bring the family and enjoy what is sure to be an amazing evening. Event is FREE and OPEN TO THE PUBLIC.

SERIES CLOSING EVENT : A TROY NIGHT OUT

Series Closing Event | Troy Night Out at Sage Park

Our series closing event will be tied in solidarity for the first time ever to the Russell Sage College’s Troy Campus on Troy Night Out. And what a night it is! The ‘unofficial‘ event will be part of the city wide kick-off of the first year of Baccanalia, a SXSW style, distributed music festival.

Beer for the evening will be provided by Frog Alley and Fort Orange Brewing.

On the food front we will be featuring gourmet mac and cheese with the Mac Factor food truck and ice cream with Emac and Bolio’s.

Enchanted City Steampunk festival performers Frenchy and the Punk are back in town with an opening set by Jules Olson.

More to be announced…

All this and lawn games and great conversation. Bring the family and enjoy what is sure to be an amazing evening. Event is FREE and OPEN TO THE PUBLIC.

A FREE shuttle will be available from Albany to Troy and back for the duration of the event that will leave from the OPALKA GALLERY parking lot at 140 News Scotland Avenue and return to it after the event.

Shuttle times to be announced.

Street Art / Graffiti as Gravity – Part II of III : Cities with ‘Speak Art’ Vibes

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This 3-part series on the dynamic nature of street art, graffiti, and murals—as both symbols of cultural consciousness and cultural commodities—highlights these genres as viable assets within the regional and global creative economy of today. In this second segment, the author considers the financial side of local art initiatives.

I am pleased to share this second segment in my three-part series concerning dialogues around street art, graffiti, and public art projects in the Capital Region. In the first segment, I discussed these topics from a Troy-townie perspective.

Mural art in North Central Troy, NY | Photo: Corey Aldrich

For this installment, I explored the mural-street-art-graffiti-scene from the financial side of the equation. We all know that art is also about “biz-naz” at every level, so how does the money make its way into the street as street art? To understand more, I turned my focus to the creative economies of Troy, Albany, and Glens Falls as a trifecta case study. Each of these cities boasts a unique vibe with respect to murals and public art projects. I was delighted to communicate with several esteemed arts professionals for greater insight, including Elizabeth Reiss, Executive Director of the Arts Center of the Capital Region; Tony Iadicicco, Executive Director of the Albany Center Gallery; Chad Robinovich, Artistic Director of New Works for Constellation Stage & Screen; and Casey Polomaine, Executive Director of the Albany Barn.

Each of these conversations was lively and informative; herein I comment on some of the facts that were presented to me. Chad Robinovich—a champion of Glens Falls and a member of the Glens Falls Arts District Committee—spoke passionately about community endeavors to “beautify a beautiful city” that is also his home. Chad discussed the ongoing efforts of the New York State’s Downtown Revitalization Initiative (DRI), an organization that serves as a cornerstone of the State’s economic development program.

While Glens Falls already has an established arts district area, the DRI has supported the existing infrastructure while expanding local arts programming. Chad clarified the DRI is not only solely about funding the arts, however, some of the total $10 million grant for Glens Falls was indeed used for public art initiatives.

Painted electrical boxes in Glens Falls, NY | Images courtesy of Chad Robinovich

He also shared with me that a micro grant from the Touba Family Foundation resulted in a popular project that took place last year, where local artists—including Kevin Clark, Shelley Fairbanks, Leah Hofgesang, Stephanie Vaus, Rodney Bentley, Hannah Williams and Olga Aleksandrova—were awarded funds to paint electrical boxes around Glens Falls. He spoke sincerely about the impact of that project and how the community reacted so positively to the colorful designs, stating “a little bit goes a long way” with regard to the public reception for art.

During our call Chad spoke of Glens Falls as a place with a “speak art” vibe and he emphasized the “instant visual impact” of murals as a point of engagement. This year, the Glens Falls Arts District Committee put out a nationwide call for artists to apply for a large-scale mural project. Over the next two months, the committee will allocate approximately $75,000 to install three new mural designs around Glens Falls by artists Hannah Williams (Glens Falls, NY), Toni Ardizzone (Texas), and Jesse Melanson (Los Angeles, CA).

Murals off River Street near the Hudson River in Troy, NY | Photo: Taliesin Thomas

Turning to Troy, we encounter a thriving local energy at the Arts Center for the Capital Region (ACCR). Director Liz Reiss is a seasoned arts professional with diverse experience overseeing art in the public realm. During our conversation, she emphasized her belief that “art belongs to everyone” and that art functions as a tool for revitalization. Liz also spoke candidly about the challenge to obtain annual funding and she considers the role of the institution as the “translator” of art for the community. She carefully posed various questions with respect to the best use of funding: What needs help? Who is asking for that change? Who is most likely to benefit? Liz cited city murals as one of several modes that bring local artists further into the public realm and she lauded the resounding success of the Uniting Line, a project that received funds from Bloomberg’s “Asphalt Art” initiative. This highly visible series of murals features artwork by Jade Warrick. Originally from Los Angeles, Warrick is a Capital Region-based visual designer who focuses on bringing art and wellness programming into BIPOC and marginalized communities.

Uniting Line artworks by Jade Warrick, Troy NY | Photo: Taliesin Thomas

Since staring the program in 2018, Liz confirmed the ACCR has spent approximately $375,000 on various public art projects around Troy, including the Uniting Line, Franklin Alley, School 2, Troy to Troy Murals (the bulk of which was used for the Uniting Line). The ACCR is currently working to realize the Troy Glo project that will present a distinct category of public art—light sculptures—and will feature the work of architects and designers as part of these plans. Troy Glo will launch in December 2022 to coincide with the annual Troy Victoria Stroll.

Street art by Joe Iurato as part of the Frankly Alley project, Troy NY | Photo: Taliesin Thomas

Next I connected with Casey Polomaine regarding her work with public art projects in Albany. She spoke of the great success of the Capital Walls project, a collaboration between Albany Barn, Albany Center Gallery, and the Albany Parking Authority. The Capital Walls murals aim to inspire all walks of life with buoyant works of art installed in various locations around downtown Albany. Programming designed to promote and educate the community about these artworks include walking tours (docent led and self-guided), bike tours in partnership with the Capital District Transportation Authority, and the Artful Albany podcasts with Discover Albany.

Capital Walls murals by (back to front) Rosy Sunshine, Vanessa Mastronardi,
Arzu Fallahi, and NDA in Albany, NY | Photo: Taliesin Thomas

Casey explained the ongoing efforts of the Capital Walls program, stating that the city is currently working to expand the program and is actively looking for new walls. She spoke of the sheer joy of public art that is made accessible to all and how the murals naturally “uplift your spirits” as works of art that break down barriers while also “putting money in the pockets of artists.”

Rounding out the trifecta focus, Tony Iadicicco provided additional information about Capital Walls. Started in 2016, the project now boasts 16 murals by local, regional, national, and international artists. Chosen from an open call, many of these artists are first time muralists while others are well-established. Tony indicated that each muralist was paired with an available, funded wall based on their style. Once selected, the muralist works closely with Tony and his team to create the work on-site. He indicated that over $150,000 in public art has been funded by Albany Parking Authority and an additional $72,000 was awarded to Albany Center Gallery as part of the DRI award (with additional partner Downtown Albany BID and Capital Walls partners).

Capital Walls mural by Rachel Baxter in Albany, NY | Photo: Taliesin Thomas

Albany Barn also received additional funds for the Schenectady DRI for murals to be installed in Schenectady, along with a Capital Walls mural in Schenectady on Albany Street (completed in 2021). In an email to me, Tony included these comments from Matthew Peter of the Albany Parking Authority: “the murals act as landmarks, promote walkability and tourism, and restore a sense of place … At the same time, the city is able to attract and promote local art and artists and support the local creative economy, creating a win/win situation for all involved.” On a recent summer afternoon, I toured the Capital Walls murals and it was indeed a thrill to encounter these magnificent murals, each one both inspired and inspiring. As these and other arts professionals attest, the “speak art” vibes of cities such as Troy, Albany, and Glens Falls are a vital part of the artistic energy and business goals of our region as a whole.

Capital Walls mural by Sylvie Kantorovitz in Albany, NY | Photo: Taliesin Thomas
Street art in downtown Troy, NY | Photo: Taliesin Thomas

PART III: In the next installment, we consider the “macro level” of these topics and explore how art initiatives in Capital Region fit into the arts ecosystem on a national—and international—scale.

For more check out Part I of the series : Street Art / Graffiti as Gravity – Part I of III : A Townie Perspective

Taliesin Thomas, Ph.D. is an artist-philosopher, writer, lecturer, and collector based in Troy, NY. Since 2007, she is the founding director of AW Asia, NY and the collection manager of Art Issue Editions, NY—two private art collections that are the foundation for collaborations and projects with artists and museums worldwide. Thomas has lectured and published widely on contemporary art. She is the director of the Artist Training Initiative and a critic for the Critical Forum program at the Arts Center for the Capital Region, NY and she is a faculty member at School of Visual Arts, NY. Thomas studied studio art, aesthetics, theory, and philosophy at Bennington College, Columbia University, and The Institute for Doctoral Studies in the Visual Arts.

CAP NY ACTIVATE : 5 Family Owned & Operated Drive In Movie Theaters

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Before there was cable TV and the internet (my own kids can’t imagine such a primitive time) families went out together to enjoy a movie in a car, packed full of kids. Sometimes the neighbor’s kids were mixed in the bunch too. I remember being about 8 years old, and walking to the drive-in movie concession stand with my dad, and the feeling I had when we all got to have our own brown paper lunch bags filled with buttered popcorn. We lived on a small income, and this was one of the few times when we didn’t have to share the one treat that might have been quickly bought on another type of outing. The small bag of popcorn was all mine! It was like we were on a vacation, and then my parents would even let us have candy after 8pm at night too. I remember seeing people of all ages enjoying the movies that we’d watch together as a family, under the stars.

This article is presented through a content collaboration with ACE and CapNY.
Visit us on Instagram at @upstatecreative and @gocapny

Hi Way Drive In Fence | Photo: Corey Aldrich

Kids today don’t like the things we liked back when we were kids right? I’m a parent that has these worried thoughts that many other parents have, and while I have really good kids… kids get bored easily. Would they be excited about sitting on a blanket or lawn chair outside watching the movie? Will my autistic middle child be able to sit through this movie with so many distractions and stimulation going on around him?

We packed the back of our suv with pillows & blankets, some lawn chairs, lots of hopefulness, and loaded ourselves inside and headed to the drive-in-movies for the first time with my children. We found the perfect spot, center of the field, not too close to the screen and not too far of a walk to the snack bar. We opened the back door, put some lawn chairs by our tail end, and set up the blankets and pillows too. It was now time to “officially” prepare for the movie. That means lots of snacks! We walked to the concession building before the movie started. There we rented a little portable radio that some drive-ins offer as an option to run your car radio on the vehicle’s battery, and it also can allow for the movie to be heard better outside of our vehicle while sitting in our lawn chairs.

Concession stand at Jericho Drive In Theater | Image: Corey Aldrich

Next, we needed food and drinks. The menu options now offered in many snack bars at drive-in movie theaters, compare more to pub fare and the food is good. This is a huge life saver as a parent. I didn’t have to rush making dinner and feeding it to the kids before we left the house. We each ordered a main menu item, drinks, and of course you can’t not order freshly popped popcorn and candy to have during the movie. After our picnic style meal, we cleaned up a bit, and then sat back, ready to watch the movie. I will never forget how I immediately felt sharing this cherished childhood memory with my own kids, and watching them experience seeing the largest outdoor movie screen they’d ever seen for the very first time… together as a family, under the stars.

Drive-in movie theaters are almost always owned by a local family living in the very community their theater is in. They don’t make much money off of your movie ticket. The families sell snacks and other foods, and that’s what helps keep these classic old school drive-in movie theaters open and alive for all of us to enjoy still. Some have been here for over 70 years. The concession stands create jobs, and employee people all throughout the duration they are open. Jericho Drive-in for example currently employs over 45 people. Please be sure to visit and support the snack bars when you go to the drive-in movie theater. I know these local family owned businesses will greatly appreciate you for this.

Below are a list of 5 drive-in movie theaters including my two top picks. All mentioned are worth taking a little drive to while visiting each of the counties they are in.

Hollywood Drive In Theater | Image: Corey Aldrich

HOLLYWOOD DRIVE-IN MOVIE THEATER
Averill Park, New York

Open since 1952. Owned and operated by the Fisher family.

“In 1968 Frank took over the business from his father and still enjoys running it to this day .He has learned everything from the projectors to the concessions when he was just a teenager working with his father and through trial and error and have improved the theater tremendously from those early days.” their website stated. “The Hollywood Drive-In (TM) has been in business for 70 years and over the years has seen many changes. We have always maintained that having fun is what a drive-in is all about. We offer a neat and clean facility with a freshly mowed parking area. At the Hollywood Drive-In (TM) you will find a well trained staff ready to serve you with a relaxed atmosphere for you and your family to enjoy.“

They have also recently remodeled their concession building and have an expanded their menu to suit everyone’s palette. They offer fresh homemade pizza, which you can order by the slice or the whole pie. You can get cooked to order hamburgers, hot dogs and fries… and of course the old time favorite popcorn.

Their website mentions that the popcorn boxes are randomly stuffed with free passes into the drive-in.

Food Permit: We understand that people have food allergies or people prefer to bring food from home or elsewhere. However, outside food seriously hurts our ability to sustain our business. Admissions mostly belong to the studios. We have instituted a $5 food permit for those bringing in food. Deliveries to the theatre are strictly prohibited.

WEB: hollywooddrivein.com
ADMISSIONS: Adults $11 | Children 3-10 yrs old $6

Jericho Drive In Theater | Image: Corey Aldrich

JERICHO DRIVE-IN & ICE CREAM SHOPPE Glenmont, New York

Open since 1957. Owned and operated by the Chenette family.

I was able to reach and speak with Lisa Chenette by phone, one of the owners of The Jericho Drive-in & Twist Ice Cream Shoppe. She shared with me their family’s story. Jericho Drive-in was purchased in 1995 by Mike Chennette, and has since had a stand alone ice cream shoppe built in 2007 that services both their drive-in movie guests and the general public. This well thought out stand has service windows on both sides of the building, that sits partly inside of the fence surrounding the drive-in, and accessible to non moviegoers who only want to enjoy a cold treat from the ice cream stand. Like their Sweetheart Sundae that tells the sweet story of how Mike’s mother always called his father, Sweetheart. This special sundae was added to their menu in memory of Mike’s father after he passed away, and is only offered around Valentine’s Day, when the ice cream shoppe officially reopens for the season.

Their concession stand was just remodeled and their menu includes Philly cheesesteaks on a toasted bun, and Chinese Egg Rolls made by the local Chinese in Restaurant in their town to support another local small business.

WEB: jerichodrive-in.com
ADMISSION: Adults $11 | Children 11 and under $6

Here are three more family owned and operated Drive-in movie theaters that I recommended visiting in these different counties here in Upstate New York.

Hi Way Drive In Theater | Image: Corey Aldrich

HI-WAY DRIVE-IN MOVIE THEATER
Coxsackie, New York

Located between Catskill and Coxsackie NY, Hi-Way Drive-In movie theater is referred to as the ‘Cinema Under The Stars.’ The Gate and the Snack Bar open 90 Minutes Before the 1st Movie starts.

WEB: hiwaydrivein.com
ADMISSION : $11 for ages 12 and up, and $6 for ages 3 – 11
(children under 3 years of age are admitted free)

Malta Drive In Theater | Image: Corey Aldrich

MALTA DRIVE IN THEATER
Malta, New York

Open since 1949!

This is the Drive-in movie theater that created my own family’s very first drive-in movie memories. I can still remember when my 12yr old son asked for the first time if he could walk his little brother to the concession stand, by himself, and how as a child he felt like this was a move towards growing up. I watched them walk towards the snack bar, holding hands, and walk into the building. I watched and waited for my two boys to walk out of the snack bar and proudly bring back food and drinks for their other brother and their mom. I must say, I love the burgers here. Make sure you grab one from their snack bar when you visit them.

This two screen drive-in theater is family owned and operated by Ed & Tom Caro. “Many of our staff have been working here for years“, Ed shared. Ed & Tom Caro are both very active in the drive-in theater and both of their children have worked at the drive-in in the past too. Ed & Tom have worked towards not only making their drive-in theater a place where families can come to and make memories… they have also encouraged their staff to be a part of their drive-in family too. In fact, Ed shared that “We have a father & daughter, a mother & son, two sisters, and three cousins that all work for us“. This small locally owned family business, welcomes locals and visitors from outside of Saratoga County to come and feel like part of the Caro family too. 

The Caro family added the second movie screen in 2008, and with the new addition they also updated & expanded their restroom area as well. 

Outside Food, Beverage, and / or Cooler Permit: $5.00 per car, per night

Movie sound is broadcast in stereo over FM radio and can be heard via your car radio or a portable radio that you bring. Additionally, boom boxes can be rented for $5 in the concession stand (limited availability) and we require surrender of your driver’s licence until return of the radio. They do not have any speakers on the posts.

WEB: maltadrivein.com
ADMISSION: Adults (Age 12 & Older): $11.00 | Children (Under 12): $6.00

Glen Drive In Theater | Image: Cinema Treasures

GLEN DRIVE-IN MOVIE THEATER
Queensbury, New York

Open since 1958! Glen is open 7 nights a week during the season starting at 7:00 PM. Shows start at dusk.

WEB: glendriveintheater.com
ADMISSION: Tickets Adults $11.00 / Children $6.00 | CASH ONLY

Nellie Ackerman-Vellano is a freelance brand development professional, writer and photographer who writes for a variety of periodicals including 518 Profiles Magazine. | IG: @FeedMe518 | @BonVivantPhotographe

Street Art / Graffiti as Gravity – Part I of III : A Townie Perspective

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This 3-part series on the dynamic nature of street art and graffiti—as both a symbol of cultural consciousness and a cultural commodity—highlights these genres as viable assets within the regional and global creative economy today. In this opening segment, the author shares a townie perspective.

BLM Street Art in Troy NY
Black Lives Matter Mural Project | Photo: Taliesin Thomas

Troy, NY is a historic town built on the foundations of fortunes gained during a heightened gilded era of development in the United States. One can celebrate the charming vibes of this post-industrial town nestled along the mighty Hudson River. Troy boasts a reputation as an increasingly eclectic enclave north of Manhattan—and Albany further still—that is home to a diverse community and a thriving arts scene, including strong examples of street art and graffiti that one might encounter in any lively urban (or non-urban) locale anywhere in the world. This, I believe, reflects street art and graffiti’s role as a kind of gravity within society: it is a symbol of cultural consciousness and engagement with a community audience—it is also a cultural commodity within the larger context of a global creative economy. The brief footnote here: my use of the terms ‘street art’ and ‘graffiti’ are somewhat interchangeable, however, the distinction that I have observed during my years as an arts professional is that community planned and supported expressions of street art aim to contribute to the artistic life of a community with care and respect.

Troy NY Graffiti
Photo: Taliesin Thomas
Troy NY Graffitti
Photo: Taliesin Thomas
Troy NY Graffiti / Street Art
Photo: Taliesin Thomas

Nevertheless, I became familiar with Troy’s artistic milieu during the mid-1990s (having done my undergrad at nearby Bennington College) and I relocated from Brooklyn during the deepest summer days of the 2020 pandemic-era (a welcomed redux encounter with the Hudson Valley). It has been a joy to behold a healthy street art and graffiti scene flourishing around Troy since taking up residency in these old digs. Alas, one cannot ignore the unfortunate acts of vandalism caused by graffiti in certain contexts—on sacred public spaces and historic buildings—yet the intentional placement of vibrant street art and the reverential gestures of calculated bombing—when it does not incur outright destruction—are truly inspirational. If we consider nascent forms of art-making dating back to the basic Paleolithic line drawings found in the caves of southern France, for example, our collective desire to mark our human existence by way of the ‘I WAS HERE’ declaration is irrefutable. Those magnificently crafted 17,000-year-old drawings that consist of raw markings and swaths of color are, essentially, the earliest form of sizing up a barren wall and tagging it with some signature of presence. Such outstanding examples of prehistoric art naturally point in the direction of an artistic expression that has, over millennia, evolved into divergent forms of communication with a would-be audience, thus the birth of art as anywhere—and eventually art in the street.

Troy NY Graffiti / Street Art
Photo: Taliesin Thomas
Troy NY Graffiti / Street Art
Franklyn Alley Project | Photo: Taliesin Thomas
Troy NY Graffiti / Street Art
Photo: Taliesin Thomas

Our contemporary society is thriving with all categories of creative stimuli, and I think many of us are drawn to commodities and cultural contexts that provide a sense of connectivity. I would argue that the energy of great street art is unrivaled in this category—one is immediately brought in within the moment of stumbling upon it. The stylized tags, the brazen use of bold color, the oversized gestures, the symbolic code name of one’s chosen street alias, and the deft and dope use noxious aerosol paint are all aspects of graffiti to be celebrated. Although I will not further comment on acts of graffiti that cause outright damage, this is an inevitable facet of the conversation. We must welcome the ribald nature of the so-called ‘art-world-circus-show’ in all its unbridled medley, including the blatant criminality of certain practices on every level (street or no street as part of the equation).

Troy NY Graffiti / Street Art
Photo: Taliesin Thomas
Troy NY Graffiti / Street Art
Photo: Taliesin Thomas
Troy NY Graffiti / Street Art
Photo: Taliesin Thomas

Compelling works of street art and graffiti abound in towns and cities across the planet, proving that street artists and taggers are a prevalent international tribe with their own language, history, society, and sect. While many examples of street art and graffiti embody the anti-establishment tendencies that we associate with counterculture proclivities, this distinct sub-cult remains as one of the most compelling declarations of artistic identity in contemporary times. The multidimensional presentation of street art and graffiti as it prevails in Troy, NY provides a ‘townie perspective’ into the proliferating scale of the global genre today. I know we all look forward to seeing more uplifting displays of public art and street art in our town and in our world. In Troy, The Arts Center of the Capital Region along with several other Troy based institutions and residents are working to expand support for local artists through community arts initiatives that encourage local artists and taggers to step up their game in a way that kindles camaraderie and care in our beloved city.

PART II : In the next installment, we will explore the economies and community benefits of public mural programs.

Troy NY Graffiti / Street Art
Photo: Taliesin Thomas
Troy NY Graffiti / Street Art
Photo: Taliesin Thomas
Troy NY Mural / Street Art
Uniting Line Project | Photo: Taliesin Thomas

Taliesin Thomas is an artist-philosopher, writer, and lecturer based in Troy, NY. Since 2007, she is the founding director of AW Asia, NY and the collection manager of Art Issue Editions, NY—two private art collections that are the foundation for collaborations and projects with artists and museums worldwide. Thomas has lectured and published widely on contemporary art. She is a faculty member at School of Visual Arts (SVA), NY and a visiting critic at the Arts Center for the Capital Region, NY. Thomas studied studio art, aesthetics, theory, and philosophy at Bennington College (BA), Columbia University (MA), and The Institute for Doctoral Studies in the Visual Arts (PhD).

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