Performing Arts

5 Places You Don’t Know to See a Show

September 13, 2022 By Lily Buckley

The underground music scene is rapidly growing with hundreds of local musicians and only more to come. There is the quantity of bands and musicians and the quality of music. Upstate creatives have taken this as an opportunity to create underground live music venues. The scene brings together a bunch of people in random locations that all share something in common, a love for live music.

Personally, through going to shows I have met some really cool people that I would not know exist unless I knew of these underground venues. It also allows the musicians more opportunity to perform live and share their music with people like me and you. As such, I’m here to let you know of 5 Places You Don’t Know to See a Show.

The first three locations are right in the heart of College Town. They are the hottest underground spots, run by UAlbany college students.

CAESARS PALACE

The DIY basement venue, hosting a wide variety of music genres. Along with music they host local artists and vendors to display and sell their merchandise. If you’re looking for a true basement show vibe, this is where to go. They require you to DM them on Instagram for the address, be sure to check them out.

IG: @caesarspalacemusic

THE DOJO BEYOND SPACE AND TIME

This venue is truly so different, in the coolest ways possible. Typically an evening at The Dojo includes, the night starting out with comic acts, and music follows. In the meantime you can relax on their open roof patio or you may even find yourself getting a tattoo, the possibilities are beyond Space and Time. They require you to DM them on Instagram for the address, find them online.

IG: @thedojobeyond

THE RAT DEN

The most intimate of the venues as their shows are literally right in their living room. Truly a lifetime experience, to be invited to someone’s home to watch and listen to music in their living room….that’s special. They require you to DM them on Instagram for the address, be sure to check them out.

IG: @the.rat.den518

TOWN AND COUNTRY SKATEBOARDS

Located 110 Mohawk Ave, Scotia (NY), this skate shop has got it going on. They have skate apparel to shop, an indoor half pipe open for use AND LIVE MUSIC. That sounds like paradise. If you’re interested is seeing a show checkout their website or Instagram page.

WEB: townandcountryskate.com
IG: @townskate518

MAKEOUT REEF

A venue located in Clifton Park (NY). Personally, my favorite underground show I’ve seen was at this venue. It also led me to discover one of my favorite bands – Latchkey Kids. They’re a Philly / NJ based band that sing song’s “in broken English”, as they state on their Instagram page @latchkeykidsnj. This venue also requires a DM on Instagram for the address.

IG: @makeoutreef

THE WRAP

The underground scene is thriving. What is being curated amongst these venue’s and creative’s is unheard of and absolutely beautiful. I personally have been able to watch these venues unfold and grow, and it’s something special. Come check out some shows, and get involved because I can guarantee you that you don’t want to miss this.

Lily Buckley is an Upstate New York Artist / Event Producer. Find her out and about at all the places you need to know across the Capital Region.

IG: @visualilypleasing

This article is presented through a content collaboration with ACE and CapNY.
Visit us on Instagram at @upstatecreative and @gocapny

Building on Strength : A Conversation with Glens Falls Mayor Bill Collins

August 4, 2022 By Corey Aldrich

Glens Falls Mayor Bill Collins | Photo: Hartman Photography

From your perspective, why are Creative Economy components (artisan restaurants, arts and cultural institutions, performance space, etc) so important to a vibrant city scape?

Over the last decade, even during the height of the pandemic, we experienced people moving to the region. As the pandemic has shown us, the Creative Economy is a powerful, sustaining force — especially in a city like Glens Falls. For instance, it’s a long proud fact that Glens Falls is the smallest city in the country with its own paid symphony orchestra. New resident to our city are here working in arts, business, restaurants, music, medicine, banking, and other fields that supported and increased the diversity and talent of Glens Falls.

The Creative Economy shows up throughout — our new Glens Falls Arts District, the popularity of the library, the new murals being planned for three city properties, the new restaurants and the longtime venues. That attention — and that energy — feeds the economy in a way that is measured more by feeling than by economic development — our economy is thriving.

Glens Falls Arts District Signage | Photo: Provided

What is your philosophy and approach to building on those market segments?

The City is building a $4 million events space as part of the New York State Downtown Revitalization Initiative (DRI) — a critical piece of our continued growth. It will help to support already successful creative economy events like the LARAC Festival and other large entertainment opportunities. In fact, our vision is to be able to use the space to extend these activities throughout downtown locations — tying in many newly renovated gems to host festivals and large scale community wide events.

Our economic development and community development teams have grants and loans to support great ideas that become popular businesses, galleries or restaurants, like the Park Theater. And let’s not forget the innovative Shirt Factory on Lawrence Street — a haven for artists of all stripes. I believe that if we can continue to build the capacity for creative folks to live, work and play in the city (Including increased broadband access) our creative economy will continue to grow. And our city will continue to be a magnet for these magnificent people.

The Restored Park Theater | Photo: Sydney K. Andrew Photography

How much money from the DRI funding is being dedicated to creative / community building components?

The entire DRI project will inject $10 million into the South Street / Elm Street area — but that is just the state money. The new commercial use and housing projects, as well as the renovation of the three existing historic buildings, will invest more than $26 million cumulatively.

How does that benefit the creative economy? The overall project includes the Market Center, as noted above, which will host our weekly Farmer’s Market, music festivals and other outdoor events. The Center is tied to a planned community Commercial Kitchen for food demonstrations and exhibitions. The two other historic buildings will have restaurant / commercial space on the ground floors, and for the first time in decades will have living quarters above.

Add in more than 80 new apartments, all the commercial / studio space and the concentration of arts, music, food and people … and we definitely expect that it will support the growth of our creative economy. In fact, the creative economy interests will be an important beneficiary of the entire project. Glens Falls will become a hub and attraction point for the lower Adirondacks because of it.

For more check out: Glens Falls: A Winning Team Sharing Secrets to Success

Clowning Around with CCIAC Executive Director Aaron Marquise

January 5, 2022 By Maureen Sager

Just when you thought you knew everything about the 518… did you know that we’re on the brink of becoming one of world’s great homes for Clowndom? Aaron Marquise has worked internationally as a performer and clown, and now he’s working to bring the world — and its clowns — to the Capital Region. Read on to hear what drives his amazing vision.

Where are you from?

I’m originally from Round Lake, Exit 11! I left to study play writing and musical theater in New York for a year and half. Then, I moved up to Montreal to study contemporary circus in Montreal for four years. After that, I had the amazing opportunity to work in Switzerland, France, Germany and other places, sharing my time between Europe and the United States. I’ve been back in the area for the past few years now.

What’s the name of your company, and what do you do?

The company is Contemporary Circus and Immersive Arts Center (CCIAC). We promote, produce and present contemporary circus. Our vision is to link this incredible art form with American audiences, who have such an interesting relationship with the term “circus.” We want to redevelop people’s relationship with circus.

CCIAC’s performance at Universal Preservation Hall in Saratoga Springs, a week before lockdown, 2020

How and when did you know that circus – and starting this company — was what you wanted to do?

Growing up, I’d been to Ringling Brothers, and saw Cirque du Soleil in Florida, and thought, “Gosh, this is incredible, I wish I could do this.” But I never knew I could do this for a living, until I went to Montreal. We want to help audiences here experience the amazement and wow of the things that I saw at school, standing in the chapeteau (the French term for circus tent). I want to bring that to our area. We are completely unfamiliar with it.

Aaron’s favorite photo of himself in clown, taken during a performance of his solo show A.Lone, 2017

Is this what you imagined doing for a living, when you were a child?

I’m blessed because I’ve been in the performing arts almost my entire life. I always thought I’d be an actor on Broadway, and I always knew performing was what I’d do. Even as a kid on the playground, I was organizing productions of Peter Pan. So I always had that skill set and desire, but the thought of being in circus — well, that part is new.

Was it hard, as a creative person, to learn how to run a business?

The business part of this was not something I ever saw myself doing. Creative producing has always been in my blood – that part is easy. But payroll and budgeting and marketing and strategic planning is new for me.

I find it so exciting, and I think I understand the long term vision of what we’re trying to do and how we’re going to do it. I’m learning every day. I’m not afraid to say what I don’t understand something, and when I need help.

I heard someone say that show business has two parts to it – it’s the show, and it’s the business. Yes, we can be really good artists, but we have to pay our bills.

What’s your “unique selling proposition”? What is CCIAC doing that no one else is?

No one was focusing on awards for just circus shows, like we see for the Tony Awards or the Oscars. Covid allowed us to do this economically, because the show could be presented digitally. We celebrated work from all around the world, without having to travel.

Clown Aaron Marquise — From CCIAC’s “Behind the Curtain” event in 2021

As a new dad, how do you balance your work and family obligations?

It’s not easy. But I’m a disciplined person, which I learned in school. I love getting up at 4:15 and working out and getting all of my emails done before my son wakes up. That’s where I thrive as a person.

That being said, not every day is like that. There are times where we’re having friends over, drinking a glass of wine, and I’m not into waking up early.

How did the “It’s All Circus” number come about?

I love the opening numbers for award shows, they’re my favorite. So when we were planning the digital ceremony, we thought, “Let’s write a great opening about what circus can be. We wanted to define what it can be, but right now, in contemporary circus, it can be really anything or anywhere. And we wanted a fun way to be able to talk about that.

Feeling the Music Go Through You – A Conversation with Sophia Subbayya Vastek

January 4, 2022 By Corey Aldrich

Memory is so unforgiving sometimes. As such, I don’t quite remember the first time I met Sophia Subbayya Vastek but I do remember somehow beginning to follow her on Instagram and WOW! She would post the most amazing performance snippets and honestly, I fell in love with her work. Then I find out she is deeply integrated into the music scene in Troy (specifically the Troy Music Hall) and that was enough for me, I just had to know more! As the interview unfolded, I realized I had found a kindred soul. Much of what she said resonated with me regarding mind set, performance spaces and shared experiences. So, lets get to it!

Sophia Vastek — Photo by **Kiki Vassilikas**

Please let us know a bit about your practice. Are you a full time performer? Do you have any other creative gigs you do to pay the bills?

I’m a musician (pianist and composer), educator, and producer/event organizer. And, I am a full-time musician. My days are all music-focused.

I’m glad you asked about paying the bills. I encounter a lot of resistance about discussing how creatives organize their finances. Ugh, there’s so much shame and baggage built up in the creative economy…. especially about money, which is a topic that I’ve been working to unpack for myself for years.

Before the pandemic, performing was a bigger part of my income. During the pandemic, my teaching studio grew to be a very important part of my life. This actually became a wonderful and liberating thing for me. I love teaching. Because of having a larger teaching studio, I’m now able to perform when I want, when it’s meaningful, and right. I spent so many years agonizing about whether I was performing enough and in the right venues. Fuck it. I realized that there are so many other aspects to my musicianship that I hadn’t been nurturing. I went full-tilt into exploring composing during the pandemic.

Can you talk a little about your approach to your own compositions and playing?

Playing the piano doesn’t mean a thing to me unless it’s part of a shared experience. Music is a truly magical thing that effects people both physically and ephemerally. It’s sound waves literally hitting your body! How magical is that? When I create music that gives voice to my own feelings, it will in turn give voice to something in someone else. The Gift by Lewis Hyde had a huge influence on my creativity. Seeing what we do as a gift is life-changing. When we put something out into the world, it’s no longer ours – it belongs to others – and that’s a very empowering and humbling concept.

Many people don’t realize that it takes painstaking time, work and care to create music and spaces that feel “right.” I look at what I do as engineering experiences. Whether it’s my own music and performing, or presenting another performance, I’m thinking about what that experience is going to be like for both the listener and performer. Like, how the sound system is going to interact with the acoustics in the space and how it’s going to reach a listener’s ear. You can have the most amazing performer or the most amazing music but if the experience isn’t right, it will fall flat. There are many variables that help create magical experiences beyond just the music itself.

Can you talk a little about what brought you to Troy (Upstate) and where you were before that?

Before we got married, my husband Sam and I lived in New York City and then Baltimore for a while. We were involved with an artist residency program in the Capital Region and had been coming to the area for a few years. Sam also did a residency at EMPAC. We really fell in love with Troy and decided to move here, because we wanted a more stable home base where we could put down roots. We love it here!

I see that in addition to being a composer and performer that you produce events for venues with musicians as well. Can you tell us more about that…is that your 501c3 Organ Colossal?

I’ve run various music series’ in other cities, organized concerts, etc. It was a natural next step to put structure around what I’ve already been doing for a while. I founded ‘Organ Colossal’ with Sam. We produce and present concerts around town like the ‘Lift Series’ in collaboration with the Troy Music Hall. We’re a young organization, but we’ve got big plans for this coming year. We have the most amazing board of directors. There is a lot of thought and care that must go in to bringing people together and creating spaces that are equitable and caring. I can’t imagine doing this work without a team of people that bring different perspectives to the vision.

With the current state of affairs, live music which was coming back strong seems not be totally out of the woods with our ongoing health crisis. Do you have plans on how to deal with that to keep the flame alive?

I’m very optimistic. I don’t think keeping the flame alive is ever going to be the issue. It’s become clear that live music is as important as ever. I have to come back to music as a magic thing – what happens when people experience live music together is totally irreplaceable. Sound waves moving through bodies – your own body and the bodies next to you – create a bond of shared experience. We need these experiences to give voice to the deepest things that we feel that go unprocessed.

My next album that is coming out mid-2022. It’s different from everything else that I’ve put out. It’s scary! This music represents a side of my creativity that I haven’t been able to give voice to until recently. I never gave myself the space to slow down and explore it. The new album is soft, intimate, and enveloping. It’s my own music, recorded on my piano with the best audio engineer in the state, my husband (I’m not biased!). Doing it in my home gave me the freedom to be as vulnerable as possible.

Organ Colossal is in the planning stages of some exciting new projects. We’re committed to creating accessible spaces for music, so we’re moving in a direction that involves more public, open-call work. The next concert on the Lift Series is coming up on on Feb. 23 is Warp Trio (a fantastic genre-bending chamber ensemble). After that, power trio Super 400 (regional superheros!) is slated for March 23. Follow our Instagram page or sign up to my mailing list to keep up to date on future shows and programming.

IG: @sophiavastek
WEB: www.sophiavastek.com

IG: Organ Colossal: @organcolossal

Up Close and Personal with DJ HollyW8D

November 17, 2021 By Corey Aldrich

I caught up with DJ HollyW8D recently to check in on the current status of the underground social scene and find out a little more about what makes this former Brooklynite-come-Upstate man tick. I believe I first met him at an event Cory Nelson was throwing back in the Troy Kitchen days but this is the first time we have got to have a little heart to heart.

Please introduce yourself! How long have you been a DJ and do you do it full time? Any other gigs you’re holding down to pay the bills?

My name is Mario Johnson, aka DJ HollyW8D. I am originally from Brooklyn, NY. I found my way to the Capital District to play football at Hudson Valley Community College. After that I graduated from UAlbany with a degree in Communications & Rhetoric. I started my DJ journey at WCDB 90.9 FM in 2016 and haven’t looked back since.

I have been a full time DJ since 2017. I incorporate different aspects into my lifestyle to help pay the bills such as teaching DJ lessons along with throwing events and helping other artists with their business and branding.

I know from personal experience that you bring a lot of excitement to an event. What’s your motivation?

My motivation is my mother who worked very hard to get me to where I am today. As a first generation US-born Jamaican descendant, I felt pressure to make my family proud. Besides wanting to be successful for myself it is also for my family and to inspire my peers.

Last year was rough for performers with limitations on live events. Has your calendar gotten back to
normal this year? How is it different?

Everyone was eager to get back outside so that helped a lot. Attendees being cautious post pandemic has still been a factor. Shifting to in person experiences and taking the brand digital has definitely helped out. Less venues want to take the chance of having large crowds within their space now.

How has the last year changed your craft?

Last year showed me how powerful having a digital footprint is within social media. From throwing virtualshowcases (@Hous3chella : Instagram LIVE) to teaching virtual DJ lessons. These days, you must never leave a stone unturned.

Any upcoming events you would like to plug?

I started doing a lot of collaborations on events this year, Friday November 12th I will be co – hosting an ‘All About My Business’ networking event at the ground up cafe in Albany, NY. The event is black and brown focused but open to all who are looking to increase their circle of like minded individuals.

Additionally, I will be bringing some energy to this month’s Etrice Gallery opening in Downtown Albany. ‘HIATUS’ will be on Saturday November 20 th featuring Albany artist Jalaun Taylor. Roll in, network and feel the vibes. “It`s more than music…and I am more than just a DJ.”

EDITORS NOTE: Keep an eye out for the ongoing series of variety themed events across the Capital Region that Mario curates called ‘More Music Less Violence.’