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Public Art

Tapping Into Creative Community Design with TAP’s Barb Nelson

October 8, 2025 By Corey Aldrich

If you have spend time in Troy in the arts scene you know her work. Breathing Lights, Uniting Line, Creative Crosswalks, Troy Alley Action…the list goes on. Barb Nelson is more than just a public arts instigator and supporter. Her firm TAP Inc has been at the forefront of the arts and affordable housing for decades. I caught up with her to hear about what she has percolating currently and it’s impressive. A public recreation space in Troys Little Italy neighborhood, an affordable for purchase condominium project, and a month long riff of NYC’s ARCHTOBER…a Troy Edition! with over 25 events in October ranging from lunch and learns, hard hat tours, TAPpy hours and a killer art exhibition. And this is just a small sampling of the projects currently in process, all done enthusiastically and with an on eye on community building.

Barb Nelson : Executive Director at TAP Inc in Troy, New York | Image: Corey Aldrich

Please state your name, company, title. Can you give us a bit of your back story as well? Education, the path to how you got here? Interesting tidbits welcome!

I’m Barb Nelson. I became the Executive Director here at TAP Inc. exactly 10 years ago. I first worked at TAP as an intern right out of school RPI from 1980 to 1986. I managed my own practice from ’86 to ‘91 then returned to RPI to work in Campus Planning. I spent 24 years with RPI as an architect, planner and adjunct professor. But I had never wandered far from TAP’s community development mission and as such, I jumped at the chance when they needed a director in 2015. Along the way I’ve married, raised 2 daughters, renovated 2 homes, painted a dozen public murals, produced some circus shows, and served on a dozen boards, task forces and commissions. I like how easy civic engagement is in Troy.

TAP Inc Office Building in Troy, New York | Image: Provided

What does a typical day look like for you?

What’s a typical day? Some days are quiet, focused on the work of running a business. Some days are anxious grant deadlines collecting and formatting data for applications. We are a storefront so someday’s are busy with unscheduled walk-ins. I spend a lot less time on project sites measuring or monitoring construction work these days. we have a strong focus on place-making through participatory public art so on any given day we could be painting bridge abutments! Whether I’m designing a stair detail or connecting a client with grant funding, every day involves creative problem solving. TAP is like that, there’s always something different to take care of.

Barb Nelson Review Plans with Stakeholders | Image: Courtesy of Breathing Lights

How many staff do you have and what disciplines do they represent?

We have an amazing team of eleven ‘Totally Awesome Professionals!‘ 3 architects, 1 construction admin specialist, 4 license track designers, 1 sustainability director, an operations wizard, and a director of finance. Among us we have dancers, musicians, runners, builders, makers, artists, cooks and performers!

The Arts Center of the Capital Region Facade Project | Image: Provided
Habitat for Humanity Housing Plan Rendering | Image: Provided

What is the mission at TAP and as a NFP architectural firm, how do you fit in compared to other architectural and design professionals, the overall ecosystem?

TAP has been restoring, rebuilding, and revitalizing historic structures and urban neighborhoods since 1969. Many architects develop specialties, like schools, hospitals, homes, or retail. TAP’s niche is bringing vacant, damp, burned, and deteriorated structures back to life. When you do that, you bring life back to a neighborhood. We are partly funded by NYS so we can reduce our fees for qualified clients. We also can help neighborhoods envision change through community design. We can assist other non-profits in accessing grant money for their facilities. We’ve helped Habitat for Humanity build about 90 homes in the region. We’re big on collaboration with other organizations. We believe that ‘Together Anything’s Possible.’ TAP is one of 8 regional non-profit partners that make up the Capital Region Clean Energy HUB, managing energy saving upgrades for low income homeowners, and promoting clean energy job training.

Left to Right: Mayor McCarthy (Schenectady), Mayor Sheehan (Albany), Barb Nelson, Mayor Madden (Troy) and Adam Freland | Image: Courtesy Breathing Lights
Breathing Lights Installation in Schenectady, New York | Image: Courtesy Breathing Lights
Uniting Line Project | Hoosick Street Bridge in Troy, New York | Image: Provided

Any projects you are especially excited about right now?

We have so many! We are working with Affordable Housing Partnership in Albany to disseminate hundreds of home improvement grants for Low to Moderate Income Homeowners. In Schenectady, we have vacant homes being renovated by Better Community Neighborhoods Inc.

Closer to home, construction will start soon at Troy’s Little Italy Market Park, where TAP helped obtain grant money to transform the asphalt lot into a pocket park. We always have accessibility projects, making homes more livable for people with disabilities. We also just completed the restoration of 140 historic window sash at the Arts Center of the Capital Region in Troy.

Adler Place Site Plan : Future Affordable Condominium Project | Image: Provided

Finally, our biggest effort these days is the development of Adler Place, 32 affordable courtyard condominium units in Troy. Our plate is full for sure but there’s always room for more. Our project list proves out our mantra, ‘Trusted Affordable Proactive.’

Shamless Plug: Anything we should know about that you have percolating?

Yes, we just kicked off a new initiative called ARCHTOBER: Troy Edition! A month-long festival celebrating architecture, architects and all the creatives responsible for our built environment. Did you know we have over a dozen architecture firms in Troy? Most are within a few blocks of each other downtown.

To find out more about this exciting series go to the TAP website and see the robust calendar line up of TAPpy Hours, films, trivia, hard hat tours, webinars, book talks, lectures, and a great closing party that will see us form a collaborative event with fellow arts organization Collar Works and their annual Mad Collar Party. Collaboration is a big part of this series and we have partnered up with several for profit architectural firms, and arts and cultural organizations including the Troy Savings Bank Music Hall, the Arts Center of the Capital Region, Tech Valley COG, the Hart Cluett Museum, 518 Film Network, Picture Lock One, WMHT, Architecture +, Mosaic Associates, ME Studio, Lightexture, the North Eastern New York Chapter of the American Institute of Architects and more!

If you know a young person who’s curious about the profession please bring them to ARCHTOBER one of our events.

BELINDA COLON’S IMMERSIVE WORLD OF ART AND COMMUNITY

August 26, 2025 By Corey Aldrich

I met Belinda Colón several years ago through founding Executive Director of ACE!, Maureen Sager. Belinda was working with her at Spring Street Gallery in Saratoga Springs where she has now taken over the reins. Since then, we have crossed paths in many places including in Troy at the Arts Center of the Capital Region where where we both individually do freelance project work and The Hyde Collection in Glens Falls where she is a Trustee. She has to many irons in the fire in our region not to give her the talking stick for a spell and so…here we go!

Belinda Colón : Gallery Director and Freelance Curator of Exhibitions and Public Art | Image: Provided

Please state your name, title(s), and organization(s).

My name is Belinda Colón and currently I wear several hats. These vary between regular gigs and more project based freelance work. Currently I am involved as a Freelance Curator of Exhibitions and Public Art, Director and Curator at Spring Street Gallery. Owner and Founder at The Art Sheet, a Trustee at The Hyde Collection, a Member of the Saratoga Arts Commission and soon to be Owner at a Private Gallery in Troy.

Awakening Spring Exhibit at the Spring Street Gallery in Saratoga Springs New York | Image: Provided

Can you also tell us a bit about your history, including education, other jobs of note, and other special accolades?

 I started my education at CUNY Hunter College with a focus on Theology and History. Being exposed in NYC to all its cultural resources and accessibility, my historical and religious research opened my eyes to the History of Art and its connection to the humanities.  I continued my path to the arts at CUNY Queens College with a major in Art History. After moving North to Saratoga Springs, I landed a job at Palio Communications, a medical advertising firm, as administrative support, then as a project manager. Working with multiple types of artists at the firm, I was saddened to see so much amazing art being torn apart by clients. Becoming more aware of the exceptional talent at the firm, I decided that I needed to support artists like those at the firm who needed to be seen for how talented they are, outside of their day jobs, leading me to go back to school and finalize my Associate’s Degree in Liberal Arts with a focus on Gallery Management at Hudson Vallery Community College. I then enrolled in Empire State University and graduated with a Bachelor of Arts with a focus in Art History.

During my time in academia, I was given an opportunity at Spring Street Gallery to organize and install an art exhibition raising funds for the East Side Recreational Skatepark in Saratoga Springs, NY. The funds raised were to resurface the skatepark. After a very successful event, I was given the opportunity to be the Exhibitions Manager at Spring Street. After 13 years, I am still working at Spring Street Gallery, NO longer the Exhibitions Coordinator, now the Director and Curator.

Artist Royal Brown and Curator Belinda Colón : The Evidence of Things Unseen Exhibit
at the Spring Street Gallery in Saratoga | Image: Provided

Can you tell us a bit more about the Spring Street Gallery…your mission there and what you are doing to integrate into the community?

Spring Street Gallery was founded 31 years ago in 1994. Today, Spring Street Gallery is an award-winning not-for-profit art and performance space.

The Gallery’s mission is dedicated to providing exhibition and performance opportunities for local and regional artists. It fosters the arts as a vital resource for social engagement and educational connectivity.

Currently, the gallery has partnered with Collar Works in Troy to facilitate a program developed by The Arts Sheet called Immersion. Immersion is a professional visual artist development program. It’s designed to provide emerging and mid-career visual artists with professional opportunities for open dialogue and critical conversations with peers, regional curators, and gallery owners.

The combination of critiques, gallery/residency visits, and professional development enhances learning. Critiques focus on individual improvement, while group experiences and professional development provide exposure, contextual understanding, and valuable tools. Together, they create a comprehensive framework for artistic growth.

Catching Air at the ON DECK Skate Park in Saratoga Springs New York | Image: Provided

Another Saratoga based project I know you have been involved with was the Saratoga Skate Park. Care to share a bit about that one?

ON Deck Saratoga was a project of the Saratoga Institute, a vehicle for promoting skateboarding, skatepark stewardship, and creativity through community-based events. My husband and I started this project with the intention of bringing more attention to and understanding of the culture of skateboarding, a non-conforming recreational sport. We’ve organized a multitude of programs, including yearly skate jams, free films in High Rock Park, exhibitions and fundraisers in Saratoga Springs and Lake George, NY, skateboarding lessons and camps, and more.

Historical Backround info:

Built in 1989, the East Side Recreation (Rec) skatepark is the oldest municipal skatepark in New York State. In conjunction with Jah Skate Shop, which was located at 8 Caroline Street from 1988 until 1993, the skatepark used to host many team demos, spawned a few professional skaters, and in the mid-90’s was an official stop for Vans Warped Tour skate contest qualifications. The skatepark is a highly respected piece of East Coast skate history, and its popularity has grown along with the popularity of skateboarding and other wheeled sports.

As its use grew, the skate park was due for a contemporary upgrade, and now a modern, poured-in-place concrete park has replaced the metal ramps that have been there for 20 years. The City of Saratoga Springs & Saratoga Springs DPW has proudly partnered with Pillar Skateparks to design the new park, in conjunction with feedback from the local skate community.

Construction needs for the park were in the range of $400,000, and donations were accepted through ON DECK Saratoga.

2021 FENCE Membership Show at the Arts Center of the Capital Region in Troy New York
Image: Provided

I recently realized you are the brains behind the The Art Sheet event listing. Can you talk a bit about the history of this? What are the geographic boundaries? I have seen some pretty far flung listings!

The Art Sheet
has been a passion of mine for over 7 years. After being very frustrated that there was a lack of press regarding art and cultural events in the Capital Region and Upper Hudson Valley. There was never any place to go to find out what was going on on any given day. It was frustrating, so I decided to create a website to promote local and regional arts events. It has been a labor of love. The Art Sheet is a free resource for arts administrators, organizations, and artists. The website provides a calendar of events, a space for artist grants and resources, calls for art and residencies, artist professional development programs, and job opportunities (Provided by ACE!).  The Art Sheet is also available on Instagram at @theartsheet.

In Ply Exhibit and Interactive Skate Environment at the Arts Center of the Capital Region, Jane Altes Gallery
Image: Provided

For a while you were working at the Arts Center of the Capital Region, and I see you are still involved in some public-facing projects. Can you give us an update about your Troy-based activities?

Currently, I am a Freelance Contractor for the Arts Center of the Capital Region as their Public Art Curator. Some of the public art projects that I have curated or project managed include: Franklin Alley sculptural murals by Joe Iurato, Troy Art Block, Troy Electrical Boxes, Troy Glow, Uniting Line, and From Troy to Troy. There is an upcoming large-scale mural being implemented this fall. Look out for more information provided by the Capital Region Arts Center.

Joe Iurato and Belinda Colón Hang Out in Franklin Alley, Troy New York | Image: Provided

As a person working across municipalities, I am curious to know what your thoughts are about the current state of the arts in our region. What should we be focused on?

The arts in our region seem to be segmented. I would love to see more collaboration between organizations, administrations, and artists. Networking events focused on sharing opportunities and events would be fantastic. Funding is always a challenge as well, since there are a lot of arts and cultural institutions, but not a large enough regional funding pool. This can make artists’ grant opportunities slim.

Troy Art Block Team : Church Street Alley in Troy New York | Image: Steve Alverez
Troy Art Block Opening Event : Church Street Alley in Troy New York | Image: Belinda Colon

Shamless Plug: Anything coming up you would like to share that we should have on our radar? There is a whisper of a private gallery opening in Troy in the future. Keep your eye out for Willow Gallery.

WEB: Spring Street Gallery | IG: @springstreetgallerysaratoga
LINKED IN: Belinda Colón

AMY GRIFFIN CREATES A THIRD SPACE FOR PUBLIC GATHERING

August 26, 2025 By Corey Aldrich

If you have ever had the privilege to work with Amy Griffin, you know what I do…that she is probably the most easy going, kind and light hearted person that you could hope to meet. Underneath the surface – a talented, creative and highly collaborative arts professional that is really finding her stride in her current role as Director at the Opalka Gallery in Albany. After years of working with her on one of my all-time favorite projects, it felt like high time to sing her praises a bit and share her ideas with the community at large.

Amy Griffin : Director at Opalka Gallery in Albany, New York | Image: Provided

Please state your name, title and organization. Can you also tell us a bit about your history including education, other jobs of note and other special accolades?

My name is Amy Griffin. I am currently the Director at the Opalka Gallery on the Russell Sage College campus in Albany, New York.

The road to Opalka Gallery was long and winding. I got my MFA from Hunter College in Photography and worked in publishing, teaching, and the NYC archives. From there I did college teaching. I also worked at the NY State Museum in the exhibitions department and wrote about art for the Times Union. I’ve been here for 10 years and moved into the Director position 3 years ago.

Seance Exhibit Gallery Performance with the Ellen Sinopoli Dance Company | Image: Provided

Can you share a bit about your mission at the Opalka Gallery? Maybe a little bit about how the program integrates into academic campus life and the general public.

We are always trying to raise the profile of the gallery to welcome the community in as much as possible, while supporting artists. We want people to feel comfortable coming to check out exhibitions and to participate in our free events, even if they don’t think they know much about art. There’s a lot of interest in “third spaces” and that’s what we want to be for the community–a place that’s not home or work but you don’t have to spend money. This goes for students, as well. Russell Sage‘s Albany campus is small–we want the students here to have a place to go for fun events or just to get away to some place quiet during the day. We also offer free music on most First Fridays, in addition to our September Pop-Up Beer Gardens and we’ll have a free map-making station in our fall exhibition. We’ve been offering a free kids’ art workshop each semester, organized and taught by Russell Sage College Masters of Art Teaching students. We also employ college work study students–so, we have lots of ways that we interact with both the college community and the community at large.

Music Performance at the Osi Audu : The Self in African Art Exhibition | Image: Provided

On the gallery side, would you share a bit about your curatorial philosophy? I have seen some amazing shows there, most recently the Osi Audu : The Self in African Art. I seem to remember there being an interesting back story on how you made that one come to life.

 Diversity matters–that includes the types of shows we do and the medium of the work we show. We’re committed to bringing in engaging contemporary art and design from all over, while also supporting the regional art community. We wouldn’t want to do all group shows of local artists or only painting shows from painters outside the region. We mix it up, looking for excellent work that can be linked to the programs and curriculum here at the college, as well as engaging the broader community. For the Osi Audu show, Pierre Brooks, a collector of African art, stopped by the gallery a few times, invited me to check out his collection down in Greene County. Since we emphasize contemporary art, I hadn’t thought of a way to work with Brooks and his collection until I came across the work of Osi, a painter based near Kingston who makes abstract paintings in direct response to African art pieces and then it all came together!

PechaKucha at the Opalka Gallery in Albany New York | Image: Provided

I know you are also running some other public facing programming as well such as PechaKucha and the annual Pop Up Beer Garden and Neighborhood Block Party (Note: ACE! has been a promotional partner of this series for several years now) How do you see that type of programming fitting into your strategic goals for the gallery?

These kinds of events are perfect for our strategic goals because they’re community-building events that bring people into the gallery who might not necessarily choose to come see an art exhibition. They help expand our reach and also support the creative economy, which, I don’t have to tell you at ACE!, supports the local general economy. For a PechaKucha event, we might get close to 150 people–those people typically are then looking for a place for dinner or drinks afterward.

The 2025 Screenprint Biennial at the Opalka Gallery in Albany New York | Image: Provided

Care to share a bit of the personal challenges and rewards of the job? Any mid term or long term goals you are looking to accomplish there?

I love seeing a crowd here for an exhibition reception or other event–it feels good to be helping make Albany a dynamic place to be. 

The challenge is, as with any art/non-profit job, that we always feel like we are short on staff. We always want to do more and more but that translates into more and more work and more money! We’d love to have an expanded gallery education program, for instance, or add more events. One smaller scale goal is to expand our Artist Registry. Right now, it’s just a page on our website–artists can upload their name, medium, and website URL and then curators can potentially use it to find artists. But my goal is to build it out to be a searchable database not unlike what White Columns in NYC has done–only tailored for artists based in the region.

Shameless Plug: What are you excited about that we should be putting on our calendar?

In addition to “Compass Roses: Maps by Artists–Albany“ which opens on Sept. 2, we’re in the thick of planning for our fall Pop-Up Beer Gardens–the first 3 Fridays in September! In addition to our whole slate of fall programming of course! 

WEB: opalka.sage.edu
IG: @opalka_gallery | FB: @opalkagallery

Elizabeth Reiss Advice for 2025 : Focus on the Basics | Embrace Change

January 10, 2025 By Corey Aldrich

Elizabeth Reiss, CEO of The Arts Center of the Capital Region is a force of nature. Many of you here no doubt know her or at least of her but many don’t fully understand the energetic impact and momentum she creates in the regional art scene and beyond. Seasoned and confident, Liz is not only a personal mentor to myself and many others but additionally serves as an Advisory Board Member of ACE! who has been connected here since it’s inception. As such, I can’t think of a better person to bring a slice of pragmatic sanity to the barrel we are looking down that we call 2025.

Elizabeth Reiss, CEO at The Arts Center of the Capital Region | Image: Corey Aldrich

Please state your name, title and past experience that got you to where you are today.

My name is Elizabeth Reiss. I am currently the CEO of the Arts Center of the Capital Region.

I’ve always worked in the arts, everything from gallery installer, docent trainer, publications manager to festival producer.  What got me here? At the Arts Center?  When I was in college I took a painting class.  A visiting artist/professor looked at my work and scoffed at it.  Told me to stop painting.  She and my primary professor laughed.  I was humiliated.  I never want that experience for someone.  Everyone should paint. Sing. Dance. Maybe they won’t end up in a gallery. Every artist belongs somewhere – the walls of MoMa or the fridge.  So, I work at a place that celebrates it all.  I love it. I’m lucky. 

That said, what else got me here?  I’m fearless when it comes to thinking I can pull off a project. I’ve opened a children’s museum in NYC, produced an artist-made skate board park in Pittsburgh, and now I’m working on my most complicated endeavor yet – finally developing the upper floors of the Arts Center.  

The 2024 FENCE Show in the Jane Altes Gallery at the Arts Center of the Capital Region
Image: Provided

Can you tell us a bit about what a day in the life looks like for you at the Arts Center?

The Arts Center has a much smaller staff than people may think.  There are 7 of us full time.  So, I spend a lot of time internally, writing & managing projects. I like writing. Our board is really involved, there’s lots of people dropping in. Or, I’m out. I’m old fashioned, I like to meet with people get a little deeper into things. Get to really know people. I spend a lot of my time representing the Center and the region at places like Creatives Rebuild New York, ArtsNYS, or with elected officials. I’m trying to start up a new group  – Capital Region Arts Allies, to help the region get more funding.  We are all surviving, but imagine if we all had enough resources to do more?

Arts Center of the Capital Region – One of the 2024 Troy Glow Exhibits in Downtown Troy NY
Image: Corey Aldrich

I know in addition to your main gig, you are involved in other supportive organizations. Can you tell us a bit about those roles?

When I started at the Arts Center, I knew we were also an arts council and a regrant site, but I didn’t really know what any of of that meant. So, I turned to my peers and had some fabulous mentors who mentors formed ArtsNYS, a state-wide educational and advocacy group. That led to me to serve as President of ArtsNYS for the last three years which has been incredibly fruitful.  The Arts Center was able to distribute a million dollars over two years in grants to our community.  Beyond the funding, I’ve met a lot of people. Last fall I invited the Center for Urban Futures (See ACE! Interview with Eli Dvorkin of CUF) here to talk about the arts and artists in the Capital Region. The growth here is phenomenal. The artist population is growing at a faster rate than any other sector. It’s really exciting. I stepped down as President, but will still be finishing the projects that I started, including a state-wide artist survey that ACE!, CREATE Council on the Arts and Siena College collaborated on with the Arts Center. We are just getting to building the research tools for the findings.  Stay tuned on that one.  

A Young Student Works in the Stained Glass Shop at the Arts Center of the Capital Region in Troy NY
Image: Provided

With a new administration, the end of ARPA funding and the current underwriting challenges for the arts, where do you see things headed in 2025? What in your opinion needs to be the main focus for arts / cultural institutions?

You know, the future is a little uncertain in regards to policy and funding.  And so many people are feeling unsafe right now.  This is where the rings on my tree may be an asset.  I’ve seen this before.  Federal funds may retract, state funds will be under strain….but….private dollars may fare better. It’s too soon to tell.  One thing I do know…. this kind of uncertainty leads me to my own true certainty – in times of unrest people need the arts.  Artists help us understand what we are seeing, experiencing and feeling. Time and time again, when things get tough, people want to feel control.  So they start making things again. There’s a reason crafts blew up during the pandemic. It was something to do, sure, but it was something we could do with our own two hands and with our own autonomy. So the arts will forge on. At the Arts Center? Our main focus will be on strengthening our core programming and to continue to rebuild now that the rescue funds have be spent. Yet, we’ll also try to be sensitive to the changes and stay ahead of them. We will be as nimble as possible to serve the needs as they present themselves. That said, we have a few ARPA (American Rescue Plan Act) and DRI (Downtown Revitalization Initiative) dollars to spend, so look forward to more public art.

BIG INK Print Workshop at the Arts Center of the Capital Region in Troy NY | Image: Provided

What would you say are some practical suggestions that folks can put to use in their organizations to find a more predictable resource sustainability?

That’s a big question. Lets see…

When funding gets tough, its always good to stick to your core competencies and to deliver them with excellence. If you want predictability, you too need to be predictable. That doesn’t mean you have to do the same creative act every day, but it does mean you have to commit to the same level of care and thoughtfulness in what you bring to the public. 

Art Center of the Capital Region – 2023 Troy Art Block in Church Street Alley, Troy NY
Image: Steve Alverez

It’s better to have 100 donors at $10 a month than one donor at $1000 a month even though its a lot more work. Your funding can withstand donors dropping in and out and your programming can stay on track.  

I’m also still learning this one – communicate more than you think you need to.  People – whether they are consumers or donors – want the inside track.  They want to stay in touch. Let’s face it, its hard to get people’s attention, so develop a communication plan and stick with it. Even if no one tells you they are listening. They are. 

Youth Photography Workshop at the Arts Center of the Capital Region in Troy NY
Image: Provided

Anything in the pipeline that we should be aware of? Anything you would like to plug that you have coming up?

More and more creatives are moving upstate and they aren’t interested in our old rules of who does what or our outdated regional boundaries. The work week will continue to flow and change, where people go for arts and entertainment will flow and change, and I hope as a community we can work together to reach for more. 

Sorry I don’t have anything more tangible. It’s winter.  We are all hunkered down.  The kilns downstairs in the pottery studio are warm though…

For more info –
WEB: capartscenter.org
IG: @capregionartscenter
FB: @TheArtsCenteroftheCapitalRegion

Working on the Wheel in the Pottery Studio | Image: Provided

Taliesin Thomas is Mixin’ It Up : International Gravitas Blends with a Passion for Upstate

February 29, 2024 By Corey Aldrich

I first met Taliesin Thomas at one of my side projects, ARTS BAR, a pop up cocktail bar at the Arts Center in Troy. She was rolling with Ali Herrmann, a Troy based mixed media artist that night. TT is larger than life and unforgettable. Since that fateful meet we have spent many late nights discussing esoteric philosophies of arts and culture, and the value proposition of Upstate NY. You may recognize her as an occasional guest writer here at ACE! When she recently scored a gig with Hyperallergic to cover the Hudson Valley art scene, I knew it was time to give her a formal introduction.

Taliesin Thomas in Front of a Mural at the Troy Art Block in Troy, NY | Image: Taliesin Thomas

Please state your name, title, what you do for a living in the creative world.

My name is Taliesin Thomas and my current professional roles are both local-focused and global-centric. Since 2007, I am the Founding Director of AW Asia and the Collections Manager for Art Issue Editions—two private art collections based in New York. The AW Asia collection is comprised of contemporary Chinese art and photography, including rare artworks by many of China’s leading figures such as Ai Weiwei, Zhang Xiaogang, and Zeng Fanzhi (among others). The Art Issue Editions collection is composed of primarily Western contemporary artists, including Keith Haring, Jean-Michel Basquiat, Kenny Scharf, KAWS, and Daniel Arsham among other celebrated figures. We work behind the scenes to loan the artworks in these collections to major museums worldwide in addition to doing special curatorial projects, collaborations, and publications with Princeton University Press and other prominent publishers. One of our most important recent projects, for example, is a partnership with the Hirshhorn Museum in Washington DC to present a comprehensive retrospective of contemporary Chinese photography that is also a promised gift. Since moving upstate, I have become immersed in the dynamic creative scene in the region, and I now oversee Artist Initiatives at The Arts Center of the Capital Region in Troy in addition to teaching and regular arts writing.

Installation View of the Exhibition ‘A Window Suddenly Opens: Contemporary Photography in China’
Hirshhorn Museum in Washington DC, November 4, 2022 to January 7, 2024 | IMAGE: Taliesin Thomas
Thomas with Art Critic Jerry Saltz at the Frieze Art Fair in NYC, May 2022 | Image: Taliesin Thomas

How did you end up moving into this career? Were you always interested in art?

I have been involved in the pursuit of art since the earliest time of my life. During my nearly 30-year career I have worked in various professional capacities including the artist studio, museum, commercial gallery, artist residency, and art foundation setting. I studied advanced art in high school and that inspired me to do my undergraduate degree in fine arts at Bennington College. Over time, my practice and inclinations shifted, and I became more interested in the theoretical and philosophical dimensions of art. The vast literature on aesthetics is a great source of stimulation, and I call myself an artist-maker turned artist-philosopher. This path propelled me to do my graduate work at Columbia University which led to a Ph.D. in Art Theory and Philosophy with the Institute for Doctoral Studies in the Visual Arts.

Ai WeiWei ‘In Search of Humanity’ Exhibition at the Kunsthal Rotterdam, The Netherlands
September 30, 2023 – March 3, 2024 | Image: Kunsthal Rotterdam)

What’s a typical day look like for you work wise?

I often refer to my work life as a ‘grab-bag’ experience—every day brings something exciting across my desk! On any given day I interface with a range of colleagues in various sectors of the international art industry, including ongoing dialogues with artists, curators, museums, galleries, organizations, auction houses, art storage facilities, and shipping companies as well as special areas of research and writing as it relates to our projects. From my desk in Troy, I oversee the movement of artworks from our collection to get them around the globe to be enjoyed by others while simultaneously engaging with the local and regional arts scene in the most meaningful ways—I feel constant gratitude for this professional connectivity.

Taliesin Thomas with Artist Ai Weiwei During the Opening of the Ai Weiwei ‘In Search of Humanity’ Exhibition Kunsthal Rotterdam in The Netherlands, September 30, 2023 – March 3, 2024 | Image: Kunsthal Rotterdam

What caused you to decide to move to the Capital Region, it seems like you were in a pretty amazing scene down in the city…

I appreciate this question—the existential intensity of the pandemic revealed an irreversible perspective on the ‘quality of life’ concept, and that propelled me out of the urban hustle. I lived in Brooklyn for 19 years and built up my professional standing before relocating to the Hudson Valley. Working for a passionate globe-trotting art collector is a unique position, and that is how I was able to bring our independent office to Troy. I embrace the whole of New York—the city, Upstate, and the entire Empire region—as a magnificently inter-connected arts eco-system. I big-red-heart New York!

Installation View of the ‘Critical Forum Artist Exhibition’ at The Arts Center, January 8 to February 24, 2024 IMAGE: Taliesin Thomas

You mentioned that you started working more locally as well, specifically that Arts Center of the Capital Region. Can you tell us more about your program there?

The Arts Center in Troy is home to a robust arts program of year-round classes and exhibitions. As the Director of Artist Initiatives, I oversee two distinct programs: Artist Training and Critical Forum. The Artist Training program hosts the ‘Secret Sauce‘ series and we are organizing another terrific line-up of speakers for this coming fall. The ‘Critical Forum‘ program is an intensive professional development opportunity for emerging and mid-career artists. A maximum of twelve participants are chosen for this program through an open-call application process. The application cycle for this year’s Critical Forum cohort will be open from March 1 to April 1—heads-up artists: Apply! The cohort meets monthly over a six-month period at The Arts Center for group critiques that also include invited arts professionals from the region.

Taliesin Thomas with the Critical Forum Cohort on a Visit to Governor’s Island in NYC, July 2023
IMAGE: Taliesin Thomas
Taliesin Thomas with Keith Haring Artworks from the Art Issue Editions Collection on Loan to The Broad in
Los Angeles, CA ‘Keith Haring Art is for Everybody,’ May 27 – October 8, 2023 | IMAGE: Taliesin Thomas

Finally, you recently picked up a great gig, tell us about Hyperallergic! Also, any other things up your sleeve we should know about?

Since moving to the Hudson Valley, I have been a regular arts reviewer for Chronogram. This has allowed me to network with many incredible colleagues and organizations and is my continued aim to promote artists and exhibitions in our region. My interview with artist Jeffrey Gibson (based in Hudson) for Chronogram was very meaningful as a few months ago it was announced that he will represent the United States at the 60th Venice Biennale this year. I was recently approached by Hyperallergic to establish a Hudson Valley arts preview column, and that has been an outstanding fit thus far! It is a continued joy to align the flourishing creative scene in upstate New York and to be an active contributor in the Troy arts community and beyond.

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